Aurèle Grima on SoundBetter

Industry grade records, mixes and productions. Would be happy to be part of your projects.

Three years experience in the industry as a record and mix engineer, and a beatmaker/producer.
I have worked with artist such as : Tsew The Kid, Georgio, Nemir, Youv Dee, Kyo, Lord Esperanza, Leo 55, Vendredi-Sur- Mer, Praa, Diva Faune, Antoine Elie, Tapz Gallantino, Coyote Jo Bastard, Tawsen, Dominic Miller, YG Pablo, Nelick, Ezra...

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Interview with Aurèle Grima

Q: Analog or digital and why?
A: Both. They both have great advantages, and are complementary.
Q: What do you like most about your job?
A: Enhancing the potentials of songs. Bringing life to raw ideas.
Q: What questions do you ask prospective clients?
A: A pitch of the project/song. What are the reference tracks (song of others that are good example of how they want to sound) ?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Add references tracks to the description of what "sound" you want.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Laptop, interface, headphones, midi keyboard and a mic.
Q: What was your career path? How long have you been doing this?
A: I've been doing this for three years.
Q: How would you describe your style?
A: Tight, fat and texturized
Q: Which artist would you like to work with and why?
A: The Weeknd Because of the quality of the raw material before the production, and the level of detail there is on each track.
Q: Can you share one music production tip?
A: Do what sounds good to you, and don't mix or produce at high levels, we can't change our ears.
Q: What type of music do you usually work on?
A: Trap, RnB, Pop
Q: What's your strongest skill?
A: Bringing texture.
Q: What do you bring to a song?
A: My purpose is to bring balance and clarity while enhancing the emotions, the life and the power of the track.
Q: What's your typical work process?
A: - Receiving tracks - Preparing the session with the tracks of the song and the reference tracks - Making a balanced premix to get settled - Mixing the song as the client asked (clean version of reference track, a bit produced, etc... it depend of the client) - Sending a first version to the client and waiting for his answer - Make the changes a send a new version
Q: Tell us about your studio setup.
A: 13m2 room dedicated to the studio in my appartment. I made the acoustic treatment myself. I have two monitors (Mackie HR824 mk1 and Yamaha NS-10M), a U.A. Apollo interface on a Apple MacPro 5.1, a Neve 1073 preamp and most of the common plugin in the industry
Q: What other musicians or music production professionals inspire you?
A: Alex Tumay, Derek Ali, Illangelo, Jaycen Joshua
Q: Describe the most common type of work you do for your clients.
A: Mixing