An established Mix Engineer based in London, Aaron is able to work remotely to mix and master any style of record. Get in contact to arrange studio sessions for Aaron to record singers, bands, and orchestras. He's worked with some of the biggest artists in the world; check out his website for his discography.
Aaron is able to mix and master your records, either remotely, or in person. His work at Metropolis Studios in London helped him fine-tune his skills and allowed him to go on to work with some of the biggest artists in the world, including Frank Ocean, Little Mix, Harry Styles, Kanye West, and Mark Ronson. He can work on your records and project. Check a Spotify playlist with songs he has worked on at https://tinyurl.com/y7dugyg4
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- Toddla T
- Lotto Boyzz
- Icona Pop
- Charli XCX
- Harry Styles
- Frank Ocean
- Jamie XX
- Mark Ronson
- Benji B
- Azealia Banks
- Billy Ocean
- Little mix
- Kylie Minogue
- Chase and Status
- "Lovers On The Sun" - David Guetta ft. Sam Martin
- Samantha Harvey
- Krept & Konan
- Rick Ross
- Kanye West
- Beau Dermott
- BBC Blue Planet
- Jessie Ware
- Kidz Pop
- Nitin Sawhney
- The Overtones
- Tomoyasu Hotei
- Anne Marie
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Interview with Aaron Ahmad
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Dom Morley. 100%.
Q: Analog or digital and why?
A: I don't think it matters much. It's more about flow and inspiration. Analog can be expensive, cumbersome, and fragile. Digital can be overwhelming, complex, and excessive.
Q: What's the biggest misconception about what you do?
A: That it's not creative.
Q: What questions do you ask prospective clients?
A: I like to hear about their inspiration and references for their work. It helps me hear the music from their seat and helps me understand what they're looking for.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Mac. Auratones. Quad amp. Push2. Backup drive.
Q: What was your career path? How long have you been doing this?
A: I've been doing this for almost 10 years now. I've was always learning, playing, and recording music when I was growing up, and just kept doing it.
Q: Can you share one music production tip?
A: Find a set of headphone or speakers you can learn, and trust your ears.
Q: What type of music do you usually work on?
A: It's hard to say. I make sure to keep working on good music, rather than any one type. Good music is good music.
Q: What's your strongest skill?
A: Hearing the space in the music and manipulating the instruments to help build a better mix and picture.
Q: What do you bring to a song?
A: I help bring space and movement to songs, giving them a life outside the speakers so the listen can feel like they're in a space with the artists, whether thats transporting them to the club, arena, an intimate one-to-one performance, or out into space!
Q: Tell us about your studio setup.
A: I try to keep a balance of working in and out of the computer. I run everything on Macs and use Apogee, UA, and Avid interfaces. These allow me to record in and hardware insert gear around the studio. I then run everything to Quad amps to power the auratones, NS10s, and KRKs.
Q: What other musicians or music production professionals inspire you?
A: I really like the work of Ariel Rechtshaid. His writing and productions are always so interesting.
Q: Describe the most common type of work you do for your clients.
A: I'm often doing such a wide range of work with different clients, from recording artists, to editing and organising existing sessions, to mixing and mastering singles and records.