I am an engineer of mixing and mastering, ready to make the sound and emotion for your song.
I'm Rafael Costa, I'm 32 years old and I've worked as an audio engineer since 2006. Currently, Estudio Rafael Costa specializes in Mixing and Mastering. In those years I worked with great producers and singers, having a great experience in the music scene.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
- Sula Miranda
- Karburalcool
- Abbade
- Ação e Reação
- Hot Sheep
- Jesse Oliveira
- Yollo Rap
- Renato Janini
- Luciano Soul
- João Lucas e Murilo
- Samuca Souza
- Kactus
- Mateus Mello
- Gustavo e a Rempa
- Theo Rubia
- Luana Hemerich
- João Lucas
- Anima Cristão
- Nasty
- 4 Faces
- Roni e Thiago
- Manoel Baptista
- Tom Azuos
- Fracta
- Rodrigo e Di Campeiro
- Guilherme e Renan
- Caso a Parte
- Samba Ra
- Brazucas SA (Joey Mattos)
- W Junior
- Gui Oliveira
- Chay Ogawa
- Felipe Neiva
- Enquanto canto
- Jorge Lucas e Giovane
- Pedro Rossini
- A Torrent
- Valéria Leite
- Cris Nicacio
- Samuel Lima Sexteto
- Junior Souza
- Gabriel Abbade
- Br13
- fabricia maira
- Rafael franco
- tħalita morelim
- Victor Faustino
- Alysson Delbon
- sol norte
- vitorbarreto
3 Reviews
Endorse Estudio Rafael CostaInterview with Estudio Rafael Costa
Q: What was your career path? How long have you been doing this?
A: I work in Estudio since 2006, my way like others was not and is not so easy. I started mixing on a tape deck on the old tapes, I used a 4-channel sound table at the time and everything started to happen.
Q: What's the biggest misconception about what you do?
A: the biggest misunderstanding is putting yourself above the song and story of the artist. this does not value the work, much less the art of Music
Q: What questions do you ask prospective clients?
A: What are your references? What are you looking for with your song?
Q: Which artist would you like to work with and why?
A: I would love to have the opportunity to mix a song from singer Phil Collins, he is undoubtedly part of my musical training.
Q: Can you share one music production tip?
A: One tip I want to share is always to be as simple as possible in arrangements, so the letter and message can project better and bring much more emotion.
Q: What type of music do you usually work on?
A: pop rock , gospel, funk, soul music and others.
Q: What do you bring to a song?
A: Every song is a song! each added color makes all the difference, and I bring this to every song I work in, giving evidence for what's best in each one of them.
Q: Tell us about your studio setup.
A: Currently my workflow is very compact if summed up in, Apogee / tc electronic converters, Protools, Rocktron effect processor, waves Plugins and Slate Digital.
Q: What other musicians or music production professionals inspire you?
A: I am inspired by many works of great engineers such as Chris Lord Alge, Tony Maserati, Michael Brauer, among others and above all the respect I learned to respect Music.
Q: Describe the most common type of work you do for your clients.
A: As an audio engineer, I always do my best for every sound. Always giving priority to transmit the emotion that the music printed me.
I was the Mixing and Mastering Engineer. in this production
- Mixing EngineerAverage price - $100 per song
- Mastering EngineerAverage price - $30 per song
- EditingAverage price - $20 per track
- Vocal TuningAverage price - $20 per track
Mixing: Limit 2 revisions, remembering that the files must be.Mastering: Limit of 1 revision.my method of work is very practical. the delivery time will depend a lot on the work, I will do my best.
- Protools
- Rocktron effect processor
- waves
- Slate Digital
- Tc electronic and Apogee.