
Let's make your music sound huge! Whatever your style, if you are wanting vibe, polish, or both; let's work together take make your songs sound the way you have always wanted.
As the former Chief Engineer of Blackbeard Recording(Houston, TX), I have the experience to bring your project where you want it to be. I (and my team) offer everything from the ground up. From tracking, producing, editing, mixing, and mastering we have you covered. Though I offer all the services mentioned above; my specialty is mixing and mastering.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Endorse Michael T. Silva3 Reviews
Interview with Michael T. Silva
Q: How would you describe your style?
A: I really strive to get that "it" sound. If people say to the artist "wow that sounds legit", I'm happy.
Q: What type of music do you usually work on?
A: I work on ALL kinds of music. I do end up working on a lot of rock and ambient indie music. I've been known to do ton of hiphop, rap, and pop as well.
Q: What do you bring to a song?
A: I really try to get out of the way of the song. If we do it right the listener only hears the song.
Q: What's your typical work process?
A: I listen to a lot of mixes I like prior to getting started. I load the mix prepped files into one of my custom templates for routing. From here I work my mixing magic. This usually consists of a combination of plugins and hardware. Once I have my mix to a place I like I will load the files up to bounceboss. Once approved I will usually run my mixes to tape prior to mastering. After that it's off to mastering!
Q: Tell us about your studio setup.
A: I use a hybrid set up of the most state of the art plugins along with classic analog gear. All run through top shelf pre-amps and converters. My mix room, is acoustically treated so that the tracks I work on can translate optimally. Most of my mixes are run to tape prior to mastering. For the gear nerds I will list specifically some of the gear I use below. Focal Solo 6be Monitors Yamaha NS-10 Monitors Antelope Orion 32+ Converters Various UA 1176 Compressors WA-412 Pre-amps WA273eq Pre-amps and EQs TNC-ACMP-EQ Pre-amps and EQs UA-610-Preamps and EQs WA-76 Compressor EL-Distressor Compressor/limiter The list goes on and on and changes all the time.
Q: What other musicians or music production professionals inspire you?
A: Serban Ghenea and Jeff Juliano are my favorite mixers. As far as musicians I would have to say Anika Niles is a stellar drummer.
Q: What's your strongest skill?
A: Just really hearing song through the mix as a whole before the elements are processed. Knowing the direction really helps when you are try to go somewhere. I give my best effort and I believe it shows in my mixes.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: There are a lot that I'm proud of. I think Josh Neace's "Worthy" was a fun one because I got to play most of the instruments. It turned out great and he was a fun guy to work with.
Q: What are you working on at the moment?
A: I'm currently working on a synth wave project that I'm super excited about. We are in the early stages of pre-pro and it's looking to be a pretty awesome project.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: James Curtis
Q: Analog or digital and why?
A: Both, Hybrid all the way. Using both you get the best of both worlds. I think neither is stronger on it's own. The flexibility of digital and tone of analog.
Q: What's your 'promise' to your clients?
A: I will be invested to the success of any project I work on as though it was my own. I'll carry the weight of that until the project is complete.
Q: What's the biggest misconception about what you do?
A: The amount of work that can go into a given project. Those of us mixing can often be as invested in the outcome as the artist.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: 1.) A laptop loaded with a daw/plugins. 2.) An interface, something solid. 3.)My Distressor 4.)My Sm7b 5.)My Focal monitors
Q: What was your career path? How long have you been doing this?
A: I had the opportunity as a teen to play guitar professionally and tour in various bands. This gave me a jump start allowing me access to recording gear and instruments. I tinkered for a long time. I later found a studio to work at and learn further. Eventually I moved away and freelanced mostly working on personal projects as well as friends music. I suppose I always kept one foot in music at all times. I played various instruments in numerous bands and would record/mix as I went along. Some years later I was called upon to run a new recording studio here in Houston. I ran Blackbeard for around 6 years going freelance a little over a year ago. Over all I have been in the industry for over 15 years.
Q: What do you like most about your job?
A: That I get to be a part of creating. There is great satisfaction in creating things you are proud of. It's three-fold; I'm Happy for creating, the artist happy for creating, and the listener is happy having the creation.
Q: What questions do customers most commonly ask you? What's your answer?
A: Can we do this? (whatever the sound or style may be) Yes. We just have to have the courage to go for it.
Q: What questions do you ask prospective clients?
A: What does this song feel like to you?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Well first of all pick me to do your mix. Vibe is most important. Feel what you record and it will come out great no matter who records it.
Q: Describe the most common type of work you do for your clients.
A: Mostly mixing and mastering.
Q: Which artist would you like to work with and why?
A: Anika Niles, she is just a killer drummer and I would love to be a witness to her skill in person.
Q: Can you share one music production tip?
A: Reference your mixes! It will really help you anchor yourself. Diverge from it yes. Make your own sound of course, but find your footing!

I was the Producer, Recording, Mixing and Mastering Engineer in this production
- Mixing EngineerAverage price - $200 per song
- Mastering EngineerAverage price - $80 per song
- EditingContact for pricing
- Vocal TuningAverage price - $100 per track
- Time alignment - QuantizingAverage price - $125 per track
Two Revisions via SoundBetter on mixing and mastering. Full terms of service can be found at: http://www.michaeltsilva.com/tos2019
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