
6 years of professional music production and sound design. 30+ international projects delivered with Plomp over 3+ years, creating original music and sound for architectural films and visual storytelling.
Services I provide -
• Original music composition for film, animation, games, and visual media
• Cinematic and atmospheric music production
• Music production from an initial idea, reference, demo, or visual
• Sound design, Foley and audio atmospheres
• Mixing and mastering
• Re-arrangement and adaptation of existing music
• Electronic, ambient, experimental, rock, orchestral, and hybrid production
• Music tailored precisely to the pacing, emotion, and narrative of your project
My Approach -
Every creative project requires a different approach to achieve the best cohesive artistic result for the project
I like to understand the visual language, narrative, pacing, and emotional colors behind a project before deciding what the music should sound like. Sometimes that means a detailed orchestral arrangement; sometimes it means a single evolving texture, an unconventional sound design element, or a carefully placed silence.
Having worked on projects for clients across different countries and cultures, versatility has become one of the most important parts of my process. Every project brings a different world to explore, and I enjoy finding the musical language that belongs specifically to that world.
Would love to hear from you. Click the contact button above to get in touch.
Interview with Seif
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Ducatti Ad for Nara Studio in Cairo.
Q: What are you working on at the moment?
A: A creative concept for a local pop artist's new album
Q: Analog or digital and why?
A: both
Q: What's your 'promise' to your clients?
A: A product that aims to serve the project as best as it can.
Q: What do you like most about your job?
A: It's fun
Q: What questions do customers most commonly ask you? What's your answer?
A: How much time it's going to take and usually the answer is "i will keep you updated on the process and deliver as soon as i can"
Q: What's the biggest misconception about what you do?
A: That it's a 24/7 concert
Q: What questions do you ask prospective clients?
A: What is the specific schedule of the project and the date of delivery.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Hire the person that best understands what you want to achieve and connects with your vision.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: All i need is a keyboard, mic, and headphones.
Q: What was your career path? How long have you been doing this?
A: 6 years working on different project types from preparing sound equipment in local concert venues to composing and producing full 15 minute scores for documentaries and short animations.
Q: How would you describe your style?
A: Ethereal, Intense, Emotional, Intentional.
Q: Which artist would you like to work with and why?
A: Ludwig Goransson, because he's brilliant at capturing the essence of the visual essence and translating it into sound and music.
Q: Can you share one music production tip?
A: M/S EQ!
Q: What type of music do you usually work on?
A: Every day is a new day :D
Q: What's your strongest skill?
A: My ability to communicate and understand what my client wants to achieve.
Q: What do you bring to a song?
A: Whatever it requires.
Q: What's your typical work process?
A: It varies based on the project but usually i go for the element that expresses a specific emotion i want to capture and toy around with those ideas to lead the creative process.
Q: Tell us about your studio setup.
A: - Behringer UMC202HD Audio Interface - Dual KRK Rokit 5 setup - 2 microphones (Shure SM7B and AudioTechnica AT-2020 - 61 Key Roland A800Pro MIDI Keyboard - Novation LaunchPad
Q: What other musicians or music production professionals inspire you?
A: Tame Impala, Johan Johansson, Tommy Four Seven
Q: Describe the most common type of work you do for your clients.
A: Music for short 1 - 3 minute animations/movies
- Film ComposerContact for pricing
- Game AudioContact for pricing
- Sound DesignContact for pricing
- Mixing EngineerContact for pricing
- Podcast Editing & MasteringContact for pricing
- Vocal compingContact for pricing
- Vocal TuningContact for pricing
Duration of project and amount of hours required for the job. So a 15 minute film is priced /minute of audio depending on the genre. After confirmation on the first draft/final, added revisions extra.
- Wardruna
- Ólafur Arnalds
- Tommy Four Seven
- KRKrokit5
- ShureSM7B
- BehringerUMC202HD
- NovationPad



