Helping artists turn their demos into release-ready records that sound as good as they imagined. 12+ years experience, formerly at The Church Studios. Ivor Novello-winning & BBC Radio 1-supported artists.
I’m a London-based producer and mix engineer with 12+ years experience, including at The Church Studios under Paul Epworth.
I’ve worked on sessions with London Grammar, Mary J. Blige, Dido and JP Cooper, and produced and mixed for artists including Ivor Novello Award-winning Mysie, Radio 1 Record of the Week artist Litany, and Amex Unsigned awardee Nia Wyn.
My productions and mixes have generated 50M+ streams, received radio play across BBC Radio 1, BBC 6Music and Radio X, secured sync placements with Channel 4 and Sky Sports, and landed major Spotify playlists including New Music Friday, Altar and License to Chill.
I help artists turn great ideas into release-ready records that stand alongside major-label releases. My approach is collaborative and artist-led. You’ve already written the song, found the sound and created something you believe in. My job is to understand your vision, identify what’s working, and elevate the record without losing what makes it yours.
Whether I’m producing from the ground up, mixing an existing track, or helping shape a song that’s nearly there, the goal is the same: for you to finish with the record you've always imagined.
It’s your record, your vision. I’m here to help you create it.
Got a track or project you’d like to take further? Get in touch and tell me how I might be able to help. I’d love to hear what you’re working on.
Send me a note through the contact button above.
Credits
Interview with Duncan Pym
Q: What's your strongest skill?
A: Listening to an artists needs carefully to asses how to bring out best in a record without losing what makes it unique. I’m good at quickly identifying what’s already working in the track, what’s getting in the way, and what needs to change to take it to the next level. That might be a technical mixing issue, but it could just as easily be an arrangement, production, vocal or creative decision. I’m able to be a fresh pair of ears, understand the bigger picture, and make decisions that serve the song rather than simply making things sound “better” in isolation.
Q: Describe the most common type of work you do for your clients.
A: I often work with independent artists who have a strong song and a clear creative direction, but need help turning it into finished, release-ready record. They’ll typically send me a production or mix that’s close to where they want it to be, and I’ll work with them to identify what’s holding it back - whether that’s balance, arrangement, sound selection, dynamics, vocal treatment or simply getting everything to feel cohesive. The goal isn’t to change the identity of the song, but to bring out what’s already there and give it the depth, clarity and impact it needs to stand alongside the records they love. I also work with artists earlier in the process, where I can help shape the production as well as mix the final record.
I was the Co-writer, Producer, Mix Engineer & Mastering Engineer in this production
- play_arrowNia Wyn - 'Loves Me Not'
- Mixing EngineerAverage price - $300 per song
- ProducerAverage price - $700 per song
- Recording StudioAverage price - $150 per day
- Mastering EngineerAverage price - $80 per song
