Orchestral-electronic hybrid

Composer on a dozen-plus commercially released games, plus scores for 40-player interactive theatre. Orchestral-electronic hybrid: generative, ambient, built to drive emotion and experience for players and audiences alike. Over 20 years running my own studio, and composer of record on everything I've shipped.

I'm the composer and sound designer behind indie games like Auditorium and Splice, plus Fractal, Pulse, Intake, and Lineweight. A dozen-plus shipped titles, and I've been composer of record on all of them, building audio right along gameplay — never as an afterthought.

My style is cobbled together from spare parts: soundtracks, video games, free improvisation, and interactive theatre. Cinematic and orchestral collide with electronic textures, jazz, blues, and Caribbean diasporic traditions. My soundtracks are built to sit under things that move: puzzle mechanics, live staging, and systems that respond to what a player or audience does.
I have ten years of sound design on top of that, so you can hire one person instead of two.

WHAT I DO:
- ORIGINAL SCORE: full compositions for games, film, and live/interactive theatre, written and produced start to final mix.
- SOUND DESIGN: baked in alongside composition, not bolted on after.
- ADAPTIVE MUSIC: built to respond to what a player or audience does instead of just playing on a fixed timeline.

I care more about whether the score's doing its job than how polished it sounds in isolation, and I know how to write music that loops without ever feeling repetitive.

Would love to hear from you. Click the contact button above to get in touch.

Credits

Languages

• English

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