We offer the possibility to achieve any kind of production with the presence of the artist or at long distance, maintaining a fluid dialogue with the customer to reach the best result.
Arbol de Acuarelas is a studio dedicated to musical production: recording, mixing and mastering.
Our crew is composed by engineers, producers, editing and vocal tuning technicians, and session musicians (drummers, guitar, bass and piano players and singers).
Based on a hybrid system (analog/digital), the studio works with Protools looking for compatibility with the world standard, and we count with first quality microphones and preamps.
We work with any music genre, from pop and rock to tango and jazz.
Click the 'Contact' or visit our official website (www.arboldeacuarelas.com) to know more about us. Looking forward to hearing from you.
Send me a note through the contact button above.
- Led Ladies
- Yoel Ansaldo
- Quique Sinesi
- Jon Snow & Los Bastardos
- Nahuel Olivieri
- 33 Orientales
- Sergio Postigo
- Lorena Mayol
- Dúo Hidalgo-Martel
- The Cibeles
- Emiliana Prčik
- Tribute to Mercedes Sosa
- Simón Ferracuti
- La Farolera
- Camiones en la casa
- Martín Añon
- La cosa de arriba
- Nacho Encina
- Verónica Marchetti
- Fracción 32
- Flor Simois
- La papa cantora
- Club Atlético San Lorenzo de Almagro
- Jorge Battista
- Sabrina Pont
- Diego Levett
7 ReviewsEndorse Arbol de Acuarelas
Hello, we are "La Papa Cantora" and we highly recommend this study. They are very professional and of very good human quality. We felt very comfortable recording there (female vocal ensemble).
We recommend it !!!
We highly recommend this study. The professional quality and above all the human. Excellent work environment and super proferional.
Dúo Hidalgo - Martel
I recorded at Arbol de Acuarelas and I had an excellent experience. There is a helpful and professional team to work with and the perfect enviroment that is needed for the process of making art. It's worth returning
We had an excelent experience. Profesionalism, warmth, and satisfactory results.
The work they do is flawless. Advice, support and professionalism. They create an indispensable relationship with the musician for the flow of art. Friendly people and excellent relation between price and quality of service.
We recorded our songs at Arbol de Acuarelas studio, and the experience was rewarding in every way. Professionalism, good vibes, a nice work environment and excellent judgment when it comes to producing. Totally recommendable for those who want to create in a pleasant way!
For a musician who's about to record it's very important to have the attention, advice, and most of all to create a bond with the engineer for a better environment at the time of producing, recording and mixing. In Arbol de Acuarelas you can find all of that and more.
Great place to record and awesome people to work with.
Interview with Arbol de Acuarelas
Q: What are you working on at the moment?
A: At the momento we are producing a rock album, recording brasilean music, mixing a recording of a duo (voice-guitar) and making a tango record.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Felipe Alvarez de Toledo, ingeneer Andres Mayo Mastering ( Felipe@felipeadt.com )
Q: What's your 'promise' to your clients?
A: To adapt to their needs, quick answers to their questions and professional results
Q: What do you like most about your job?
A: We are passionate about detail. We love our clients reactions when they listen to de final product and discover new details in the song.
Q: What questions do customers most commonly ask you? What's your answer?
A: "What happens if I wanna make some changes along the way?" Throughtout the process, we send our clients samples of the job so they can validate the final result. And if they want to change something, it can be done easily.
Q: What questions do you ask prospective clients?
A: We ask basically what is their goal and which artist or sound the feel represented by.
Q: What advice do you have for a customer looking to hire a provider like you?
A: We would advice them to ask as many questions as necessary. We believe that's the way we can take their music to the highest level of quality.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Two microphones adapted, modified to be as a Neumann U87, 2 preamps DS Audio (modified to be a Neve) y one laptop full of plugins
Q: What was your career path? How long have you been doing this?
A: The studio was founded on 2011, but our staff has been working professionally for 15 years.
Q: How would you describe your style?
A: Our style is broad. We can adapt to our clients needs.
Q: What type of music do you usually work on?
A: We are very versatile and can do any genre. But we specialize in pop, rock and tango.
Q: Tell us about your studio setup.
A: Based on a hybrid system (analog/digital), the studio works with Protools looking for compatibility with the world standard, and we count with first quality microphones and preamps.
Q: What other musicians or music production professionals inspire you?
A: Queen, The Beatles, Prince, Luis Alberto Spinetta, and producers Alan Parsons, George Martin, Gustavo Santaolalla and Rafa Arcaute.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: It's always a pleasure facing the challenges that come with the production of a new album.
Q: Analog or digital and why?
A: Both, because each tool is just a mean to reach the desired sound. A good mixing engineer should know how to take advantage of every kind of technology.
Q: What's the biggest misconception about what you do?
A: 'Everything is fixed in the mix'
Q: Which artist would you like to work with and why?
A: Stevie Wonder, because of his energy and the magic in his music.
Q: Can you share one music production tip?
A: For us, you can 'listen' a good work environment reflected in the music.
Q: What's your strongest skill?
A: We are very neat and detailed-focused producers.
Q: What do you bring to a song?
A: It's very important for us to respect the artist's original idea for his song.
Q: What's your typical work process?
A: We like having a first interview with the artist to determine the working criterion and know what are the client's expectations. Once the process starts, we pay attention to the detail of each instrument's audio, mantaining a fluid contact with the artist until the goal is reached.
Q: Describe the most common type of work you do for your clients.
A: We produce, record and mix songs of various music genres.