Experience the intersection of cinematic sounds and electronic power with a producer who prioritizes texture, vulnerability, and sonic depth.
Where Heritage Meets the Future.
Based in my professionally treated ETNABASS Studios in Barcelona, I offer a unique sonic signature rooted in the "Cosmopolitano" philosophy: art as testimony, sound as architecture. Whether you are looking for the delicate, intimate piano textures or the aggressive, rhythmic pulse of Moog-driven analog synthesis, I provide a tailor-made environment for your vision.
My Sonic Toolkit:
My workflow is built around a MacBook Pro M3 Max and a meticulously curated collection of hardware and software.
Analog Soul: Deep sound design using the Moog Messenger, Behringer Edge/Crave, and custom-processed Mark Bass electric bass with Micro Synth textures.
Cinematic Depth: Orchestration powered by industry-leading libraries (Metropolis Ark 1, Spitfire Solo Strings, Orchestral Tools) to create wide, emotional scores.
Precision Engineering: Critical monitoring via Neumann monitors and headphones ensures that every mix is balanced, translation-ready, and club/broadcast-worthy.
My Approach:
I don’t just "process" audio; I inhabit it. My goal is to find the "skin" of your track: the organic, tactile elements that make listeners feel something. From tracking vocals to final mastering with an analog-modeled workflow in my DAW, I ensure your music sounds unashamed and luminous,
Contact me through the green button above and let's get to work.
Credits
- Bbc
- Rtve
- ZDF
- ESPN/Fox Sports
- Movistar Plus+
- Netflix
- SKY
- National Geographic
- apple tv
- AMAZON PRIME
- ARD
- Arte
- Channel 4
- Mediaset
- La7
- De Agostini
- Mondadori Media
- RCS Quotidiani
- FIP
- France Télévisions
- Canal+
- Radio 105
- RMC Radio Monte Carlo
- radio deejay
- Rai (Radio Televisione Italiana)
- RAI COM
- Bliss corporation
- goodfellas
- D:vision Records
- Music Media
- Tim Palmer
- Ameen Ali Khan
- Giuseppe Tortora
- Roby Rossini
- Roberto Turatti
- Gino Woody bianchi
- Fabio Torregrossa
- Angelo Anastasio
- XP8
- Spiritual Front
Languages
- English
- Italian
- Spanish
Interview with COSMOPOLITANO
Q: What's the biggest misconception about what you do?
A: That "Analog vs. Digital" is a war. In my studio, they are a team. The precision of Omnisphere 3 and Spitfire libraries combined with the unpredictable "ghosts" in my analog circuits is where the magic happens. It’s not about one or the other; it’s about how they talk to each other.
Q: How would you describe your style?
A: Luminous, Cinematic, and Unashamed. It’s a blend of 80s sophisticated pop sensibility, modern cinematic orchestration, and the raw, tactile grit of analog synthesis.
Q: What's your strongest skill?
A: Critical Listening and Texture Design. Thanks to my Neumann monitoring system and years of experience, I can identify exactly what a mix lacks, whether it's "analog air," low-end definition, or emotional resonance. I excel at finding that "sweet spot" where a song feels intimate yet expansive.
Q: What do you bring to a song?
A: I bring Architecture and Narrative. I don’t just add sounds; I build a structure where light and shadow coexist. Drawing from my COSMOPOLITANO manifesto, I treat every track as a "manuscript" where every curve of the frequency spectrum tells a story. I bring a queer, borderless perspective that values vulnerability as much as power.
Q: What other musicians or music production professionals inspire you?
A: My "north star" is Ryuichi Sakamoto for his ability to blend silence, piano, and avant-garde electronics. I am also deeply influenced by the lush production of Tears For Fears and Genesis, the sonic precision of Donald Fagen, and the visionary textures of Vangelis. I strive to bring that same level of "sophisticated pop" and cinematic depth to every project.
Q: Describe the most common type of work you do for your clients.
A: I specialize in Cinematic Production and Hybrid Mixing. Most of my clients come to me when they need their tracks to sound "larger than life", transitioning from a simple demo to a lush, wide, and emotionally charged sonic landscape. I often provide custom analog synth layers using my Moog hardware and create intricate orchestral arrangements that blend seamlessly with modern electronic elements.
- Programmed drumAverage price - $70 per song
- Mixing EngineerAverage price - $100 per song
- ProducerAverage price - $250 per song
- Film ComposerAverage price - $500 per minute
Turnaround Time: Typically 3-5 business days for a first mix/production draft, depending on project complexity. Revisions: 2 rounds of revisions are included for free to ensure we hit the mark.
To celebrate the opening of my SoundBetter profile, I’m offering a limited-time Introductory pricing!
