
Ferrero is a Brazilian Music Producer, Composer & Audio Engineer from São Paulo with 10+ years of experience. He started early, producing for a Lollapalooza 2015 brand campaign, and has released music through labels like Som Livre and Sirup. Currently working with Love Funk, he delivers mix & master for major projects, including artists with 20M+
’m a Brazilian Audio Engineer, Music Producer, and Ghost Producer with over 10 years of experience delivering release-ready music at a professional level. I specialize in full-track production, mixing, and mastering, with a strong focus on electronic music, including Afro House, Melodic Techno, Tech House, and EDM, while also bringing background from hip-hop, trap, and Brazilian funk.
My main service is end-to-end music production: from idea development, arrangement, and sound design to final mix and master. I work closely with artists to build tracks that combine emotional impact with strong club performance, always aligned with current streaming and industry standards.
Currently, I work as an Audio Engineer for Love Funk, handling mix and master for major projects involving artists with over 20M monthly listeners, delivering clarity, punch, and competitive loudness.
As a ghost producer, I offer fully exclusive custom productions, including full stems, NDA compliance, and long-term collaboration.
As an artist, I’ve generated hundreds of thousands of streams, giving me real-world perspective on both creative and technical sides.
Would love to hear from you. Click the contact button above to get in touch.
Credits
Languages
- Portuguese
Interview with Ferrero
Q: Which artist would you like to work with and why?
A: I’d love to work with Justin Bieber because of his versatility and ability to adapt across different musical styles while maintaining a strong identity. His projects consistently blend commercial appeal with high-level production, which aligns with my approach to creating music that is both emotionally engaging and sonically competitive. I believe collaborating with an artist like him would be an opportunity to push creative boundaries and deliver impactful, globally relevant records.
Q: Can you share one music production tip?
A: Focus on groove and balance before anything else. A track can have great sounds, but if the groove isn't right and elements aren't well balanced, it won't connect. Spend time adjusting timing, dynamics, and levels early in the process, a solid foundation makes mixing and mastering much more effective.
Q: What type of music do you usually work on?
A: I mainly work with electronic music, including Afro House, Melodic Techno, Tech House, and EDM. I also have a strong background in hip-hop, trap, and Brazilian funk, which adds versatility to my production style. This range allows me to adapt to different projects while maintaining a consistent focus on groove, energy, and high-quality sound.
Q: What's your strongest skill?
A: My greatest strength is translating an artist’s vision into a polished, release-ready track. I combine technical expertise in mixing and mastering with a strong sense of musicality, allowing me to build records that are both emotionally engaging and competitive in today’s industry standards.
Q: What do you bring to a song?
A: I bring a balance between technical precision and musicality. My focus is on creating tracks that not only sound clean and competitive, but also connect emotionally and work effectively in real listening environments, from streaming platforms to clubs. I pay close attention to groove, dynamics, and sonic identity, helping each track feel unique while still aligned with industry standards. Beyond production, I contribute with a broader perspective on arrangement, energy flow, and final impact, ensuring the music translates into a polished and compelling result.
Q: What's your typical work process?
A: My workflow is flexible and adapts to each project. I can start from a vocal, a reference track, or build the instrumental from scratch in collaboration with the artist. I focus on clean project organization from the beginning, structuring elements for efficiency and clarity. The production phase includes arrangement, sound design, and groove development. For mixing, I work in stages—balancing elements, processing by groups (drums, instruments, vocals), and refining details to achieve clarity, depth, and impact. The final step is mastering, ensuring the track reaches competitive loudness and translates well across all playback systems and streaming platforms.
Q: Tell us about your studio setup.
A: I work from a professional studio environment within a record label, designed for high-quality music production and audio engineering. The setup includes Yamaha HS8 monitors, a reliable audio interface, and proper acoustic treatment to ensure accurate monitoring and translation across different systems. This allows me to deliver clean, balanced, and industry-standard mixes and masters.
Q: What other musicians or music production professionals inspire you?
A: I’m inspired by a wide range of artists and producers across different genres. Quincy Jones is a major reference for me in terms of musicality, arrangement, and production excellence. I also draw inspiration from artists like Michael Jackson and Amy Winehouse for their timeless sound and emotional depth. In electronic music, Deadmau5 or Swedish House Mafia, has been an important influence on my approach to sound design and structure. From Brazilian music, I’m deeply inspired by Tom Jobim, Vinicius de Moraes, and Chico Buarque, especially in terms of harmony, songwriting, and musical expression.
Q: Describe the most common type of work you do for your clients.
A: I primarily work on full-track music production, including composition, arrangement, sound design, mixing, and mastering. Most of my clients look for exclusive, release-ready tracks or ghost production, where I help shape their artistic vision into a professional final product aligned with industry and streaming standards.

- Mastering EngineerAverage price - $70 per song
- Ghost ProducerAverage price - $500 per song
- EditingAverage price - $40 per track
- Podcast Editing & MasteringAverage price - $75 per podcast
- Post EditingAverage price - $200 per track
- Full instrumental productionAverage price - $400 per song
- ProducerAverage price - $400 per song
- Revisions: up to 3.
- Turnaround: 5–10 days/track.
- Delivery: WAV + stems (on request).
*Extra costs may apply for additional revisions, rush delivery, or extended scope.*
- Yamaha HS8
- Apollo Twin
- Moog Grandmother...



