Film & TV Composer | Producer

Q: What advice do you have for a customer looking to hire a provider like you?

A: Sharing your vision and references, and describing how you want a scene to feel can be incredibly helpful in shaping a unique musical identity for your project.

Q: What was your career path? How long have you been doing this?

A: I've been composing and producing music for over 20 years, and it's what I've always wanted to do.

Q: What other musicians or music production professionals inspire you?

A: Some of my influences include Jóhann Jóhannsson, Hildur Guðnadóttir, Jonny Greenwood, Mica Levi, Trent Reznor & Atticus Ross, Radiohead... I'm drawn to artists who use texture, atmosphere, and subtle emotional shifts to shape the listener's experience.

Q: What are you working on at the moment?

A: I'm currently composing music for an upcoming Canal+ television series, while also developing new material for film, documentary, and artist projects.

Q: Analog or digital and why?

A: I use both analog and digital approaches depending on the project. Sometimes a piece benefits from the warmth and imperfections of analog gear, while others call for the flexibility and sonic possibilities of a digital workflow. Ultimately, I'm more interested in the emotional impact of the music than in being tied to a particular process.

Q: What's your 'promise' to your clients?

A: I try to treat every project as its own creative world, listening carefully to your vision and crafting music that feels distinctive, emotionally honest, and true to the story you're telling.

Q: How would you describe your style?

A: Atmospheric, textural, cinematic, and emotionally nuanced, blending electronic, acoustic, and hybrid elements.

Q: What type of music do you usually work on?

A: Alternative, electronic, and cinematic music.

Q: What's your strongest skill?

A: My strongest skill is translating ideas and emotions into sound. I have a strong ear for atmosphere, arrangement, and knowing how different elements can work together to create a distinctive musical world.

Q: What do you bring to a song?

A: I tend to think of music as a complete sonic world rather than a collection of individual parts. I'm drawn to finding the right textures, rhythms, and voices that make a piece feel alive and emotionally honest. My goal is always to create something distinctive that supports the story and stays with the listener long after it ends.

Q: What's your typical work process?

A: I usually begin by identifying the emotional world of a project and experimenting with melodies, textures, and sound design until I find a direction that feels right. From there, I build the arrangement and develop the piece through recording, production, and mixing. When needed, I collaborate with guest vocalists and musicians, always adapting the process to the needs of the story and the project.

Q: Tell us about your studio setup.

A: I work from a fully equipped studio designed for composing, recording, producing and mixing music for film, television, and original songs. The setup allows me to explore acoustic, electronic, and hybrid textures while developing projects from their earliest sketches to finished masters. Depending on the needs of a project, I also enjoy collaborating with guest vocalists, musicians, and specialist engineers.

Q: Describe the most common type of work you do for your clients.

A: Films, TV, original songs, commercials...