
I record professional drums fast, clean and ready for mix – real groove, no overthinking.
I’m a remote session drummer working from my own home studio in Poland.
I focus on groove, timing and musicality, not overplaying or unnecessary complexity.
I record professional, clean drum tracks that are:
– tight but natural
– ready for mix
– recorded with production in mind
I work fast and efficiently.
Most projects are delivered within 24–48 hours, depending on complexity.
HOW IT WORKS
You send me:
– tempo
– rough mix or demo
– reference track (optional)
I deliver:
– fully edited, phase-aligned drum tracks
– multiple takes or variations if needed
– organized stems ready for your session
I’m comfortable with click, grid, edits and revisions if the song needs it.
The goal is always the same: drums that serve the song, not the ego.
STYLES I WORK WITH
Pop / Rock / Indie / Alternative / Singer-Songwriter
I care more about feel and context than genre labels.
WHY WORK WITH ME
– fast turnaround
– clear communication
– producer mindset
– no drama, no overthinking
You can see my full workflow and approach on my YouTube series
“Behind The Beats” (link in profile).
If you need remote drums recorded professionally and delivered on time —
just send a message.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
Discogs verified credits for Bartosz Niebielecki- Hoodoo Band
- Alicja Janosz*
- Alicja Janosz*
- Alicja Janosz*
- J.J. Band (2)
- Hlev
- Hoodoo Band
- Stare Dobre Małżeństwo
- Alicja Janosz*
- Waldemar Śmiałkowski
- J.J. Band (2)
- Alicja Janosz*
- Pazur (4)
- Bartłomiej Szopiński*
- Bartłomiej Szopiński*
- Krzysztof Myszkowski
- J.J. Band (2)
- Narodowa Orkiestra Dęta w Lubinie
- Alicja Janosz*
- Boogie Boys (7)
- Boogie Boys (7)
- Boogie Boys (7)
- Boogie Boys (7)
- Bartłomiej Szopiński*
Languages
- English
- Polish
Interview with Mr. Shuffle
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: One project I’m especially proud of is a recent children’s album. My goal was to support music education through quality, well-produced songs instead of the musical fast food that’s everywhere today — sometimes it feels like it’s coming out of the fridge too. I was responsible for drums, bass, production and the overall musical direction.
Q: What are you working on at the moment?
A: I’m currently working on a new album for my wife, who won the first Polish edition of Idol.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I’m still getting to know the SoundBetter community, so I don’t have specific recommendations yet.
Q: Analog or digital and why?
A: Digital for flexibility and speed — analog for character and soul. You have to move forward with the times, but respect where the sound comes from.
Q: What's your 'promise' to your clients?
A: Professional drum tracks delivered on time, with groove, feel and full respect for the song.
Q: What do you like most about your job?
A: Turning a song idea into something that grooves and feels alive.
Q: What questions do customers most commonly ask you? What's your answer?
A: Most clients ask about turnaround time and revisions — both are handled quickly and professionally.
Q: What's the biggest misconception about what you do?
A: That it’s just about playing drums — in reality, it’s about understanding the song, the production and making the right musical decisions.
Q: What questions do you ask prospective clients?
A: No long questionnaires — once we have the song and the tempo, we start making music.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Share your vision, trust the process and communicate openly — great results come from collaboration.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A solid drum kit, a pair of good sticks, a bass guitar, a small recorder, and one great microphone. Enough to make grooves, capture ideas and stay sane on the island. ;)
Q: What was your career path? How long have you been doing this?
A: I’ve been playing drums since childhood. I started at the age of 11, growing up in a musical family — my father is also a drummer. Thanks to that environment, I began playing concerts and jam sessions with top musicians in my country at a very early age. With over 30 years of experience, music and groove have always been a natural part of my life.
Q: How would you describe your style?
A: Simple, groove-focused and always serving the song.
Q: Which artist would you like to work with and why?
A: Cory Henry — for his musical depth, groove and the way he blends feel with modern production. There are many others as well, but his approach to music is especially inspiring to me.
Q: Can you share one music production tip?
A: Always listen to the song as a whole — great production decisions are about context, not solo tracks.
Q: What type of music do you usually work on?
A: I mostly work on pop, rock, indie and singer-songwriter projects, focusing on groove, feel and musical context.
Q: What's your strongest skill?
A: Understanding the song and delivering drum parts that serve the music, not the ego.
Q: What do you bring to a song?
A: Musical groove, solid timing and a production-focused approach that supports the song rather than overplaying.
Q: What's your typical work process?
A: I receive the demo, tempo and references, record the drums in my studio, edit and organize the tracks, then deliver clean stems ready for mix. Revisions are handled quickly if needed.
Q: Tell us about your studio setup.
A: My studio is located in my private home, in a dedicated attic space of around 50 square meters. It’s a comfortable, creative environment designed for recording drums and making music without pressure or distractions. This place is very personal to me — it’s where I feel most at home musically and where ideas turn into finished tracks.
Q: What other musicians or music production professionals inspire you?
A: Quincy Jones, Mark Ronson, Steve Jordan — and many other artists and producers across different genres.
Q: Describe the most common type of work you do for your clients.
A: Most of my work is remote drum recording for artists and producers, as well as music production and studio-based collaboration. I focus on delivering professional, song-driven drum tracks recorded in my own studio, ready for use in final productions.

I was the Drums, bass, production, recording & songwriting in this production
- PercussionAverage price - $150 per song
- Bass ElectricAverage price - $100 per song
- ProducerAverage price - $500 per song
- Time alignment - QuantizingAverage price - $50 per track
- YouTube Cover RecordingAverage price - $400 per song
- Post EditingAverage price - $200 per track
Terms discussed individually per project.
- Multi-mic drum recording (even 20mics)
- treated room
- professional drum kit
- high-quality preamps (NEVE
- SSL
- CHANDLER LIMITED)



