Mr. Shuffle

Remote Session Drummer/Produce

Mr. Shuffle on SoundBetter

I record professional drums fast, clean and ready for mix – real groove, no overthinking.

I’m a remote session drummer working from my own home studio in Poland.
I focus on groove, timing and musicality, not overplaying or unnecessary complexity.

I record professional, clean drum tracks that are:
– tight but natural
– ready for mix
– recorded with production in mind

I work fast and efficiently.
Most projects are delivered within 24–48 hours, depending on complexity.

HOW IT WORKS

You send me:
– tempo
– rough mix or demo
– reference track (optional)

I deliver:
– fully edited, phase-aligned drum tracks
– multiple takes or variations if needed
– organized stems ready for your session

I’m comfortable with click, grid, edits and revisions if the song needs it.
The goal is always the same: drums that serve the song, not the ego.

STYLES I WORK WITH

Pop / Rock / Indie / Alternative / Singer-Songwriter
I care more about feel and context than genre labels.

WHY WORK WITH ME

– fast turnaround
– clear communication
– producer mindset
– no drama, no overthinking

You can see my full workflow and approach on my YouTube series
“Behind The Beats” (link in profile).

If you need remote drums recorded professionally and delivered on time —
just send a message.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

Discogs verified credits for Bartosz Niebielecki
  • Hoodoo Band
  • Alicja Janosz*
  • Alicja Janosz*
  • Alicja Janosz*
  • J.J. Band (2)
  • Hlev
  • Hoodoo Band
  • Stare Dobre Małżeństwo
  • Alicja Janosz*
  • Waldemar Śmiałkowski
  • J.J. Band (2)
  • Alicja Janosz*
  • Pazur (4)
  • Bartłomiej Szopiński*
  • Bartłomiej Szopiński*
  • Krzysztof Myszkowski
  • J.J. Band (2)
  • Narodowa Orkiestra Dęta w Lubinie
  • Alicja Janosz*
  • Boogie Boys (7)
  • Boogie Boys (7)
  • Boogie Boys (7)
  • Boogie Boys (7)
  • Bartłomiej Szopiński*

Languages

  • English
  • Polish

Interview with Mr. Shuffle

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: One project I’m especially proud of is a recent children’s album. My goal was to support music education through quality, well-produced songs instead of the musical fast food that’s everywhere today — sometimes it feels like it’s coming out of the fridge too. I was responsible for drums, bass, production and the overall musical direction.

  3. Q: What are you working on at the moment?

  4. A: I’m currently working on a new album for my wife, who won the first Polish edition of Idol.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: I’m still getting to know the SoundBetter community, so I don’t have specific recommendations yet.

  7. Q: Analog or digital and why?

  8. A: Digital for flexibility and speed — analog for character and soul. You have to move forward with the times, but respect where the sound comes from.

  9. Q: What's your 'promise' to your clients?

  10. A: Professional drum tracks delivered on time, with groove, feel and full respect for the song.

  11. Q: What do you like most about your job?

  12. A: Turning a song idea into something that grooves and feels alive.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: Most clients ask about turnaround time and revisions — both are handled quickly and professionally.

  15. Q: What's the biggest misconception about what you do?

  16. A: That it’s just about playing drums — in reality, it’s about understanding the song, the production and making the right musical decisions.

  17. Q: What questions do you ask prospective clients?

  18. A: No long questionnaires — once we have the song and the tempo, we start making music.

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: Share your vision, trust the process and communicate openly — great results come from collaboration.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: A solid drum kit, a pair of good sticks, a bass guitar, a small recorder, and one great microphone. Enough to make grooves, capture ideas and stay sane on the island. ;)

  23. Q: What was your career path? How long have you been doing this?

  24. A: I’ve been playing drums since childhood. I started at the age of 11, growing up in a musical family — my father is also a drummer. Thanks to that environment, I began playing concerts and jam sessions with top musicians in my country at a very early age. With over 30 years of experience, music and groove have always been a natural part of my life.

  25. Q: How would you describe your style?

  26. A: Simple, groove-focused and always serving the song.

  27. Q: Which artist would you like to work with and why?

  28. A: Cory Henry — for his musical depth, groove and the way he blends feel with modern production. There are many others as well, but his approach to music is especially inspiring to me.

  29. Q: Can you share one music production tip?

  30. A: Always listen to the song as a whole — great production decisions are about context, not solo tracks.

  31. Q: What type of music do you usually work on?

  32. A: I mostly work on pop, rock, indie and singer-songwriter projects, focusing on groove, feel and musical context.

  33. Q: What's your strongest skill?

  34. A: Understanding the song and delivering drum parts that serve the music, not the ego.

  35. Q: What do you bring to a song?

  36. A: Musical groove, solid timing and a production-focused approach that supports the song rather than overplaying.

  37. Q: What's your typical work process?

  38. A: I receive the demo, tempo and references, record the drums in my studio, edit and organize the tracks, then deliver clean stems ready for mix. Revisions are handled quickly if needed.

  39. Q: Tell us about your studio setup.

  40. A: My studio is located in my private home, in a dedicated attic space of around 50 square meters. It’s a comfortable, creative environment designed for recording drums and making music without pressure or distractions. This place is very personal to me — it’s where I feel most at home musically and where ideas turn into finished tracks.

  41. Q: What other musicians or music production professionals inspire you?

  42. A: Quincy Jones, Mark Ronson, Steve Jordan — and many other artists and producers across different genres.

  43. Q: Describe the most common type of work you do for your clients.

  44. A: Most of my work is remote drum recording for artists and producers, as well as music production and studio-based collaboration. I focus on delivering professional, song-driven drum tracks recorded in my own studio, ready for use in final productions.

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Alicja Janosz Dzieciom

I was the Drums, bass, production, recording & songwriting in this production

Terms Of Service

Terms discussed individually per project.

GenresSounds Like
  • Anderson .Paak
  • Steve Jordan
  • Ash Soan
Gear Highlights
  • Multi-mic drum recording (even 20mics)
  • treated room
  • professional drum kit
  • high-quality preamps (NEVE
  • SSL
  • CHANDLER LIMITED)
More Photos
More SamplesDrums, bass, production, recording & songwriting