Florencia García (Flew) on SoundBetter

Bespoke Composition | Sonic Architecture & Organic Sound Design

I help artists transform raw ideas into immersive sonic landscapes. My work focuses on Organic Sound Design: using real instruments (viola, guitars) and custom-built textures to ensure your production has a human, unique identity that templates can't replicate.

How I can help your project:

-Bespoke Composition: Custom arrangements for songs, film, or narrative media.

-Sonic Architecture: Building the structural identity of your track from the ground up.

-Hybrid Sound Design: Blending organic recordings with precision digital processing.

My background as a composer (National University of the Arts) allows me to approach every project with both academic rigor and creative intuition. I don’t just "produce"—I craft the sound your music deserves.

Let’s discuss your vision. Send me a demo or a reference track to get started.

Send me an email through 'Contact' button above and I'll get back to you asap.

Credits

Languages

English
Spanish

Endorse Florencia García (Flew)12 Reviews - 1 Repeat Client

by Juliet
Verified
I went back to working with Florencia because she’s a reliable composer who can bring to life the somewhat vague and abstract ideas one sometimes has in mind. She’s kind and always attentive to what each person needs.
by Juliet
Verified
Florencia delivered a track that perfectly captures the identity of my project. Her compositions reflect true dedication and meticulous attention to detail. She is approachable, reliable, and a pleasure to collaborate with. I highly recommend her to anyone seeking work that is profound, honest, and sensitive.
by Jens
Verified
Florencia is a remarkably thoughtful and expressive composer and sound designer. Her work has a strong emotional center, she understands how to shape sound in a way that supports narrative and mood beautifully.

I would happily recommend her to anyone working on a sound design project, and I would absolutely welcome the opportunity to collaborate again!
by German Meira
Florencia García composes breathing music, and with each breath, like a slight earthquake, she moves towards an encounter with an original sound. Such a quality, linked to the original, the ancestral, does not require any folklore; she invents it with each pulse, as if playing, in a serious game, dancing around her musical ideal.
by Merian González
Flew has a really special sensitivity with creating soundscapes and audio-wise. I like her music a lot, and as a colleague, I think she is a great option to make your music step a level up.
by Chris
Florencia and I collaborated on a 2-track EP last year, which was a fruitful and enjoyable experience coated by her sensitivity and unique approach to compositing. I would recommend her craft to anyone looking for a collaboration.
by Facundo
Flor is not only an excellent professional, but she also demonstrates a creative and innovative approach in every session. With her, musical exploration becomes a journey of discovery, introspection, and new formulas that were previously unknown. I feel that since working with her, I no longer compose in the same way. I discovered new mechanisms and simplified many textures and harmonies that used to complicate my technique, and together with her they achieved a significant improvement. Flor is a versatile, well-rounded artist with a unique sensitivity—one that is essential for creating a tru
by Ricardo
I love working with her! She's a natural talented gifted and professional formed artist, she take it seriously and she's not afraid to letting you know how things may get better. She has a clear vision and know to get there, and at the same time is humble and knows to work in teams. 100% recomended.
by Facundo Jara
highly recommended, Florencia is a great audio professional and a great companion in your sound search, always willing and delivering all her work on time, very happy with her results and is always the first option I look for for my songs!
by Fede Valentin
Flor is a true professional. Not only because of her knowledge and wisdom, but also because she completely adapts to the user's tastes. She opens your mind, helps you go further, and thanks to this, you can discover new sonic perspectives! She helped me grow a lot as a musician, but also as an artist, and that's the most important thing. She doesn't limit herself; she expands! Don't hesitate, people like her are rare!
by Fede Valentin
Flor, es una gran profesional. No solo por su conocimiento y sabiduria. Se adapta completamente a los gustos del usuario. Te hace abrir la cabeza, ir mas alla , gracias a esto podes descubrir nuevas perspectivas sonoras!. Me ayudo mucho a crecer como musico , pero tambien como artista, y eso es lo mas importante. No se limita , se expande! No lo dudes, no abunda la gente asi!
by Marcos Barilari
Hands down, Flor is one of the most creative and inspiring people I’ve ever met. I’ve had the pleasure of knowing and working with her for many years, and I’m still blown away by her talent, not only as a composer but as a sound designer. Her instincts are spot-on, her ear is stellar, and I’ve never met anyone more dedicated to bringing a project to life with absolute excellence. She always gives 110%. You won’t find a smoother collaborator to work with in this industry!

Interview with Florencia García (Flew)

Q: What questions do customers most commonly ask you? What's your answer?
A: I am often asked how I generate certain textures, as well as bridges between moments in a song/work, how I imagine a certain idea, how I link certain harmonies, what place I give to gestures as well as sound planes to generate a certain effect and/or sensation, etc. The answers depend on the context and intention of the song/work.
Q: What questions do you ask prospective clients?
A: When do you need the finished work? (How much time do we have?) What ideas do you have in mind, what kind of sound/music are you looking for? And can you give me some sound references?
Q: What are you working on at the moment?
A: I'm working on editing mixing, I also teach music. I'm prepearing a course on phonograpich poetics with a colleague and doing some compositions too.
Q: What's the biggest misconception about what you do?
A: Maybe sometimes not using the tools the same way as other colleagues or differing in production processes may not help the workflow, but it depends a lot on who you're working with. On the one hand, that's it. On the other hand, I also think there are people who dismiss the emotional aspect of getting involved with the client's processes and it's seen as overthinking. When in reality, in my opinion, the intention is to be able to communicate to build a bridge and ensure that differences in methods don't limit creativity and collaboration between people.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Keep in mind the purpose and be patience with the process. The first thing because if not it's sometimes a waste of time, and about processes sometimes we find a richness of materials in the process per se that it's a pity if there's no patience about it.
Q: What's your 'promise' to your clients?
A: I don't have promises but sure I'll do my best
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Perhaps it's very intimate but a music of mine is now going to be released by Elektra music label (a Contemporary music label based in Berlin) and I'm very proud of it. It took me a lot of time to compose the music then look for the musicians, then the whole process of editing mixing took me a while, so Yes I'm proud of it.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Marcos Barilari
Q: Analog or digital and why?
A: Both of them, It depends on the person and the overall sound we want to reach. In my opinion both can co-exist with no problem. Indeed if a mixing Is too digital perhaps adding some Analog sound can bring to the mixing a bit of organic-humane texture.
Q: What was your career path? How long have you been doing this?
A: I'm composing since 2014 and working with DAWs, production, mixing since 2018
Q: What type of music do you usually work on?
A: Soundscape, Soundart, Pop-rock Songs, Contemporary music, Experimental music, Classical music
Q: What do you like most about your job?
A: With a focus on process and sound art as my primary language, I'm interested in exploring simple and minimalist forms. From the sound of an environment to the beginning of a melody, or a specific texture mixed from different parameters, then combined with other gestures, colors, and atmospheres. Through my practice, I'm interested in exploring the possibility of seeing sound as a sound sculpture, where in every fold and edge there is an inherent sonic psychology that dialogues with sounds that allow us to break away from the axis. I find beauty and power in deconstructing forms and playing with synthetic, analog, and organic sounds that merge into the soundscape of my own archives and memories, giving my imagination an excuse to see in my work a small fractal of the immensity of the universe.
Q: How would you describe your style?
A: Versatile
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: It would be the ones that permites me to survive
Q: Which artist would you like to work with and why?
A: Artists mind-opened
Q: Can you share one music production tip?
A: Less is more
Q: What's your strongest skill?
A: It's a difficult question but perhaps I think my strongest skill could be versatility
Q: What do you bring to a song?
A: It depends on the kind of song, styles, etc but I think I like to invite the listener to open-mind to different sound-worlds. I like very much to use imagination un favour of music that doesn't exist yet.
Q: What's your typical work process?
A: Once I have the concept or principal ideas, I like to follow my intuition to start composing, the use of techniques and mental processes must be in favour of that intuition. Materials could be any sound to start.
Q: Tell us about your studio setup.
A: I work with my Mac, Focusrite Saffire as my audio interface, Sony dynamic professional headphones MDR-7506, about DAWs I usually use Ableton Live, reaper, protools, Sibelius. I also have instruments, Mic and a MIDI controller for vsts and virtual instruments/libraries.
Q: What other musicians or music production professionals inspire you?
A: I like Tigran Hamasyan's music, Nicola cruz, Luc Ferrari, classical music, rock bands, I consider myself very broad opened in that sense.
Q: Describe the most common type of work you do for your clients.
A: Generally I encourage people to enrich their ideas with creative work. For example sometimes a song's already done so I add instrumental or vocal arrengements , maybe some electroacoustic or FX layers that I add manually or with a loop-machine process, etc. In case it is a song/work to start from the very beginning I like to spend sometime in pre-production talking with clients asking their interests references and expectation because it's crucial before starting to compose any track to have a minimal concept or idea.