Alexánder Pewló

Composer Producer

Alexánder Pewló on SoundBetter

I’m a composer, producer & multi-instrumentalist specializing in modal music, fretless instruments and emotional textures. With 15+ years of experience, I bring Mediterranean and Middle Eastern colors into cinematic, contemporary and custom music. Authentic sound, artistic depth, and on-time delivery.

I’m Alexánder Pewló — composer, producer, and multi-instrumentalist specialized in modal music, fretless strings, and traditional instruments from the Mediterranean, Middle East, and beyond.

I work with instruments like lavta, yaylı tanbur, baglama, oud, fretless guitar, cello, electric bass, mandolin, and frame drums (bendir, davul, square tambourine). My background combines classical, rock, and traditional training, allowing me to move seamlessly between worlds: from ancient sounds to modern production.

Whether you need a full composition, arrangements, live instruments or mix-ready stems with emotional depth, I deliver high-quality audio recorded in my professional studio. I’m passionate about storytelling through music — and I’m here to bring soul and character to your project.

Tell me about your project and how I can help, through the 'Contact' button above.

Languages

  • English
  • Spanish

Interview with Alexánder Pewló

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: One project I’m especially proud of is Yayla, a live concert and ensemble I created and directed, dedicated to music from the Mediterranean and Middle East. I composed, arranged, rehearsed, and performed on several traditional instruments such as lavta, baglama, and yaylı tanbur. Yayla was more than a performance — it was a deep musical journey through modal traditions, cultural expression, and emotional storytelling. Seeing the audience connect so strongly made it unforgettable.

  3. Q: What are you working on at the moment?

  4. A: I’m currently working on a personal composition that blends modal traditions with cinematic elements, as well as preparing for upcoming live concerts and workshops focused on Mediterranean and Middle Eastern music. I’m also actively expanding my collaborations online.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: At the moment, I don’t know anyone on SoundBetter personally, but I’m always open to discovering and collaborating with other great professionals here. I aim to build strong, creative networks — and if I find someone whose work I trust, I’ll gladly recommend them to my clients.

  7. Q: Analog or digital and why?

  8. A: I love both, but I mostly work digital for its flexibility and precision — especially when collaborating remotely. That said, I aim to bring an analog mindset into the digital world: I focus on performance, tone, dynamics and depth, using real instruments and expressive takes to keep the soul alive in every track.

  9. Q: What's your 'promise' to your clients?

  10. A: I promise to treat every project with full dedication, creativity, and respect — as if it were my own. I will listen deeply, deliver on time, and bring a unique artistic voice that enhances the soul of your music. Authenticity, communication, and emotional impact are at the heart of everything I do.

  11. Q: What do you like most about your job?

  12. A: What I love most is the freedom to create something unique every time — to connect with people through sound, and to give life to ideas that words can’t express. Working with traditional instruments and modal systems allows me to bring deep emotion and meaning into music, and each project becomes a personal journey.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: Many clients ask: “Can you really record all those instruments yourself?” — and the answer is yes. I play and record each instrument live, with authentic phrasing and deep knowledge of their musical language. Others ask: “Can this music fit a modern context?” — absolutely. I specialize in blending traditional instruments and modal structures into contemporary soundtracks, productions, and artistic concepts.

  15. Q: What's the biggest misconception about what you do?

  16. A: Many assume that because I play traditional instruments, I only perform ancient or folkloric music. In reality, I work within musical languages that are alive and constantly evolving — rooted in modal and traditional systems, yes, but expressed through contemporary forms. I come from classical and rock backgrounds, and my work blends that foundation with deep cultural nuance, resulting in music that is more “contemporary” than people expect — emotionally rich, stylistically hybrid, and artistically current.

  17. Q: What questions do you ask prospective clients?

  18. A: I usually ask: – What is the emotional or narrative intention of the piece? – Do you have musical references or stylistic preferences? – What instrumentation or sound are you envisioning? – What’s the final purpose of the music (film, album, video game, etc.)? – What is your deadline and budget range? These questions help me understand your goals and deliver exactly what your project needs.

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: Be clear about the mood, message, or story you want your music to tell. References are helpful, but trust is essential — let the artist bring their voice to the project. When working with traditional instruments or modal music, give space for nuance. The magic often lies in the small details.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: My fretless guitar, a condenser microphone, my audio interface, a laptop with Reaper and plugins, and a pair of good headphones. With those five, I could record, compose, arrange and even mix — all while staying connected to my roots and creativity.

  23. Q: What was your career path? How long have you been doing this?

  24. A: I’ve been immersed in music for over 15 years. I studied classical piano, modal music, Turkish makam, orchestration and composition — with mentors across Spain, Turkey, Greece and beyond. I’ve composed for live ensembles, directed musical projects, and recorded music blending Mediterranean, Middle Eastern and cinematic influences. In addition to founding and directing a music school, I’ve worked as a freelance composer, producer and instrumentalist, collaborating with artists and ensembles in various countries. My path has always been guided by curiosity, authenticity and a deep love for traditional music.

  25. Q: How would you describe your style?

  26. A: Expressive, atmospheric, modal, rooted in Mediterranean traditions but open to modern production. A bridge between ancient souls and current emotions.

  27. Q: Which artist would you like to work with and why?

  28. A: I’d love to work with artists like Dead Can Dance or Gustavo Santaolalla — creators who merge ancient traditions with cinematic depth. Their music resonates with soul and authenticity, and I feel my background in modal music and traditional instruments would naturally complement their vision.

  29. Q: Can you share one music production tip?

  30. A: Don’t rush the arrangement. Let the music breathe and evolve. Sometimes the most powerful moments come from subtracting rather than adding. A well-placed silence, a held note, or a single texture can say more than a full wall of sound.

  31. Q: What type of music do you usually work on?

  32. A: Melodic and modal composition — creating unique musical identities for each project, using real instruments and authentic expression.

  33. Q: What's your strongest skill?

  34. A: Soul, narrative, and detail. I blend cultural depth with technical clarity, building musical journeys that resonate emotionally and sonically.

  35. Q: What do you bring to a song?

  36. A: First, I listen deeply to your needs and vision. Then I sketch ideas quickly and develop them into a full composition or production. I often send previews during the process and offer revisions to make sure the result exceeds your expectations.

  37. Q: What's your typical work process?

  38. A: First, I listen deeply to your needs and vision. Then I sketch ideas quickly and develop them into a full composition or production. I often send previews during the process and offer revisions to make sure the result exceeds your expectations.

  39. Q: Tell us about your studio setup.

  40. A: I work from a fully equipped home studio with professional preamps, high-end microphones, a treated recording space, and industry-standard software (Reaper, Melodyne, Kontakt, FabFilter, iZotope, Waves). I use a range of traditional instruments (baglama, lavta, yayli tanbur, oud, cello…) recorded live.

  41. Q: What other musicians or music production professionals inspire you?

  42. A: Ross Daly, Sokratis Sinopoulos, Erkan Oğur...

  43. Q: Describe the most common type of work you do for your clients.

  44. A: I compose original music, arrange strings and traditional instruments, and deliver fully produced songs or cinematic pieces from scratch — often with a strong modal or emotional character, blending acoustic and electronic textures. I usually work on world music, modal and traditional Mediterranean styles, as well as cinematic, orchestral, acoustic, and ethnic fusion — ideal for film, ads, and artistic projects.

Terms Of Service

1 free revision included. Delivery in 3–7 days. 50% deposit required. Final files sent upon full payment. WAV 24bit/48kHz unless otherwise requested.

GenresSounds Like
  • Ross Daly
  • Sokratis Sinopoulos
  • Erkan Oğur
Gear Highlights
  • M-Audio MIDI controller
  • neumann km184
  • akg c414 Instruments: lavta
  • yaylı tanbur
  • baglama
  • oud
  • fretless guitar
  • cello
  • mandolin
  • electric bass
  • davul
  • bendir
  • frame drums
More Photos
SoundBetter Deal

10% off your first project — or a free short demo if you’d like to hear how I would approach your song before committing.