Ilko Birov on SoundBetter

I compose cinematic music that tells a story. From scoring a feature-length film to crafting evocative songs, my work blends emotion and atmosphere to enhance storytelling. Whether you need an immersive film/game score or a song that resonates deeply, I bring narratives to life through music

I am a composer, songwriter, and mastering engineer with a passion for storytelling through sound. Whether you're an indie filmmaker, game developer, or music producer, I can bring your vision to life with cinematic depth and emotional impact.

🔹 Bespoke Film & Game Scores – I craft immersive soundtracks that enhance storytelling, blending orchestral, electronic, and ambient textures.

🔹 Songwriting & Production – I write evocative songs that capture emotions and narratives, from dark folk ballads to atmospheric indie and beyond.

🔹 Professional Mastering – With over 100+ cinematic underscore albums mastered, I deliver polished, industry-ready soundscapes with clarity, depth, and impact.

Let’s collaborate and create something powerful together!

Send me a note through the contact button above.

Credits

Discogs verified credits for Ilko Birov

Илко и Косьо
Илко и Косьо
Amadea Music Productions
Илко и Косьо

Languages

Bulgarian
English

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Interview with Ilko Birov

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I was co-writer on a song for a film, also performing guitar and vocals on the final version. I think the song turned out nicely.
Q: What are you working on at the moment?
A: The soundtrack of a WW2-themed strategy game.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Nico Schuele.
Q: Analog or digital and why?
A: Both? Analog is more dependable.
Q: What do you like most about your job?
A: The fact that every project is different, and allows for lots of creativity.
Q: What's the biggest misconception about what you do?
A: That it can be done easily and quickly.
Q: What questions do you ask prospective clients?
A: I always like to learn more about the project, so usually that is my first question.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: 1) laptop 2) Shure SM57 3) Martin D28 4) Fender Stratocaster 5) Headphones
Q: What was your career path? How long have you been doing this?
A: I began writing songs in high school, and have been writing since then. I've since branched out into different things, and that is the beauty of music, in my opinion. Professionally, I began getting scoring and production work at the start of the pandemic, when I was doing less live shows.
Q: How would you describe your style?
A: Personal.
Q: Which artist would you like to work with and why?
A: Anyone who is committed to their art, and does it with a passion.
Q: Can you share one music production tip?
A: Parallel compression is your friend.
Q: What type of music do you usually work on?
A: Acoustic singer-songwriter music, as well as cinematic trailer and underscore.
Q: What's your strongest skill?
A: Making music.
Q: What do you bring to a song?
A: My own personal touch and aesthetic.
Q: What's your typical work process?
A: I typically start with setting my priorities for the job at hand. If it is a production job, I will usually find a sound palette and prepare my writing template.
Q: Tell us about your studio setup.
A: I have a home studio with Cubase Pro and the latest versions of plugins from Waves, Native Instruments, Brainworx, etc.
Q: What other musicians or music production professionals inspire you?
A: Elliott Smith, Townes Van Zandt, Steve Albini, Max Martin
Q: Describe the most common type of work you do for your clients.
A: Mastering, Production, Arranging, Composing

Ilko Birov - Mrs. James

I was the Composer, Arranger, Producer, Multi-Instrumentalist & Singer in this production

Songwriter - MusicAverage price - $100 per song
Top line writer (vocal melody)Average price - $70 per song
Mastering EngineerAverage price - $50 per song
EditingContact for pricing

4 revisions per track. Up to 4 days per track production, up to 2 business days per track master. Communication however you prefer: email, phone, chat.