I have 20+ years experience in the music industry, especiallized in drum and percussion sound engineering.
Been part of many great records, most notably I worked with Troubleman and ILL Nino.
Send me a note through the contact button above.
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Interview with Fabio Guerreiro
Q: What advice do you have for a customer looking to hire a provider like you?
A: When choosing a studio, consider not only the gear but the environment that will extract your art.
Q: How would you describe your style?
A: Raw, deep, and punchy.
Q: Can you share one music production tip?
A: Your sound is only as good as your instrument and performer!
Q: What's your strongest skill?
A: To have a deep professional studio sound! Combine old technical ways of sound production and new tech.
Q: Tell us about your studio setup.
A: I use Audix D6 series for close micking, Shure Ksm for room. I have worked all types of drum set up. Protools with Waves and SS plugins.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I was part of Ill Nino's Dead New World, I recorded all of the Percussion at Boundbyiron studios.
Q: Analog or digital and why?
A: In today's age they both have pros and cons, too big to list them.
Q: What's your 'promise' to your clients?
A: Will not stop till they are satisfied.
Q: What do you like most about your job?
A: The accomplishment.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Audix D6 Fender jazz bass Ampeg PF series bass amp Ludwig kick drum Pearl piccolo snare
Q: What was your career path? How long have you been doing this?
A: Before there where home studios, I had mine in early 90's. Played and recorded in many great bands in New York tri-state are. Ran Bounbyiron studios in New Jersey.
Q: Which artist would you like to work with and why?
A: Steve Albini, all I need is one of his little secrets.
Q: What type of music do you usually work on?
A: Rock, Alternative, Punk, Raggae, Ska, Jazz
Q: What do you bring to a song?
A: My usual process is to start at at the full extent of the sound and trickle down to mixing measures.
Q: What's your typical work process?
A: My most important process is mic positioning in revelance to what type of music I'm working with. Every drum piece is a different instrument, it needs the most attention.
Q: What other musicians or music production professionals inspire you?
A: Steve Albini, Rick Ruben
Q: Describe the most common type of work you do for your clients.
A: Mic positioning for optimal sound recording, pre amp mixing, post mixing. Drums and Bass.