Trained at the Royal Danish Academy of Music and the Royal Conservatory of The Hague, I specialize in jazz, pop, rock, electronic, and classical music. As a musician and electronic music producer, I understand the creative process from both sides. I bring technical precision and artistic depth to craft a mix that truly captures your vision.
My journey in music began with classical violin before transitioning to guitar, eventually leading me to jazz and the Berliner Jugendjazzorchester in 2020. My passion for sound and award-winning acoustics research have shaped my approach to mixing, combining artistic creativity with technical expertise.
I have collaborated with artists such as Anat Cohen, Monty Alexander, David Friedman, Pablo Held, Alex Sipiagin, Diego Piñera, and Kathrine Windfeld, working across jazz, indie pop, punk rock, classical, and electronic music. With extensive experience in both studio and live settings, I craft dynamic and immersive mixes that bring out clarity, depth, and emotion. I excel at mixing intricate jazz arrangements, high-energy rock, detailed electronic textures, and atmospheric indie pop.
Trained as a Tonmeister at the Royal Danish Academy of Music and in "Art of Sound" at the Royal Conservatory Den Haag, I bring both technical precision and a deep musical understanding. Whether balancing complex orchestrations or shaping intimate productions, I enhance sonic textures and deliver mixes that fully realize an artist’s vision.
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Credits
Discogs verified credits for Ole BreuerInterview with Ole Breuer
Q: What questions do you ask prospective clients?
A: What has been your process with the song so far? Which artists inspire you? Which songs would you like your song to sound alike?
Q: Can you share one music production tip?
A: very basic but very important: tune your drums and percussion elements arrangement is king: if followed by the right section you can make pretty much anything work
Q: What type of music do you usually work on?
A: These days, I mostly work on pop/jazz/indie and being from Berlin, I also have big love for electronic music (especially Dub, Techno, Drum and Bass, House, Minimal)
Q: What's your strongest skill?
A: Listening
Q: What do you bring to a song?
A: I have a very good musical intuition, a broad musical knowledge and taste with very good understand of many genres.
Q: What's your typical work process?
A: Everything starts with clear communication with the artist to make sure I understand where they are coming from and where they want to go with the song. For a mix I usually first get all the session preparation done so I can be creative when doing the actual mixing. I like to work in different phases, shifting between different projects I am working on at the time, so I can have fresh ears to listen to what I have done so far. Once I feel like I am getting close to the more detailed things such as automation I like to send back a first mix to the artist to make sure I am heading in the right direction. After that I take their feedback and refine it with what I hear until everyone is happy with the result.
Q: Tell us about your studio setup.
A: RME Fireface UFX III with Neumann KH120II, Neve Outboard EQ, 1960's Telefunken Tape Machine (mono)
Q: What other musicians or music production professionals inspire you?
A: Russ Elevado, Ben Baptie, Tchad Blake, Teo Halm
Q: Describe the most common type of work you do for your clients.
A: Production, Recording, Mixing and Mastering
I was the Engineer, Co-Producer in this production
- Mixing EngineerAverage price - $300 per song
- Mastering EngineerAverage price - $70 per song
- Vocal compingAverage price - $40 per track
- EditingAverage price - $40 per track
- ProducerAverage price - $200 per song
- I always allow for as many revisions as needed, I will keep refining until everyone is happy.
- the rate includes a final 44.1kHz 24bit WAV master and unmastered full-resolution mix with headroom
- Telefunken Tape Machine
