Professional and compromised 1st of all. I feel the music as the artisanal. Every little piece is essential in a song. I can help you find your way and your personality in every composition. If you just need a session bassist or guitarist, and you need soul and tempo, I am yours. All Styles
Producer
Composer
Bass player
Guitar player
Backing vocals arranger
I can be with you in the total process of a song recording. From the composition till the final mix.
The rhythm is my obsession. Good tempo and soul have to live together, and this is just possible if you play it properly, not by a quantizer machine.
Multiinstrumentist especialiced in bass and guitar.
I recorded three albums by my name (working in the fourth) with no virtual instruments, all played by myself. I love to found the hidden sounds of my surrounding.
20 years of experience composing music, directing bands, playing in the stages and recording for the television.
Send me a note through the contact button above.
Languages
- Catalan
- Spanish
Interview with Enric Gómez
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: My own project is where I am doing all the roles, and I am keep learning, learning and learning every day.
Q: What are you working on at the moment?
A: I am working in my fourth album.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Fox Meyer is a big saxophonist and flutist and recommend this platform to me.
Q: Analog or digital and why?
A: Mix. There are no good or bat in anything, it is just in how you use it.
Q: What's your 'promise' to your clients?
A: To do my best and honesty.
Q: What do you like most about your job?
A: The magic of the infinite ways of a song.
Q: What questions do customers most commonly ask you? What's your answer?
A: Can it be for tomorrow? Mostly not, sorry. But we will do a well organized work calendar, and you will have the work done it in the day accorded.
Q: What's the biggest misconception about what you do?
A: The biggest misconception is to keep the doubt of what would happened if I haven't tried it.
Q: What questions do you ask prospective clients?
A: Which is the achieve of your project? What do you want to talk about? Which are your referents?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sense to work together if there are mutual trust.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Five double basses to construct my ship and come back to the studio.
Q: What was your career path? How long have you been doing this?
A: I am working in it during 20 years. Playing gigs and tours with different artists as bass or guitar player. Conducting projects, composing for TV programs, and working in my own albums (three published until today and working in my fourth).
Q: How would you describe your style?
A: Natural and warm with epic and cinematic tinctures.
Q: Which artist would you like to work with and why?
A: There is an infinite list, but if I have to choose one nowadays I say Vulfpeck. They know to use less to get the maximum in a song. The rhythm concept is really powerful Nice sound with a bit of dust Pure, artisan and groovie.
Q: Can you share one music production tip?
A: The music begins in your ears, not in the sheet or the theories. If you can play your song in the kitchen, and it runs well, it's a good song to begin to work with.
Q: What type of music do you usually work on?
A: I manage some styles but control very good soul and Funk in Bass and guitar resources. About production and composing, I've worked a lot in songwriters music. Pop, African, world music, Mediterranean, Iberic... I love the artisan process and to have open mind about how to use the instruments in new ways and take of musical sounds of quotidian things.
Q: What's your strongest skill?
A: I know to listen, and I am sincerely when I feel that I can do or I can't do one think.
Q: What do you bring to a song?
A: I bring my ears first of all. Then the artist and the song will talk, so my work is to organize all this stuff to bring the song to the best point.
Q: What's your typical work process?
A: It's important for me to talk with references and examples to understand the concept are you searching. The meaning of the words can be really subjective, and the references explains more concrete what you want with objective see. From this point we begin to work in the root of the song (this is the most important part). When the root is clear and runs, then you can add the sauce to make shine your music.
Q: Tell us about your studio setup.
A: It's a home studio. Less is more, just few elements but good quality and control of it. Apollo Twin sound card. Five microphones (Audithecnica 4050, Neuman Km184, Shure Beta 58, Shure 87A, Ribbon Microphone) Fender Junior valve amp for guitars ang Aguilar Preamp for Basses. 5-string Bass, 4-Strings Bass, Fretless Bass, Ubass, Telecaster Guitar, Strattocaster guitar, acoustic Guitar, Nylon acoustic guitar, Hybrid Guitar, Fretless Guitar (Nylon and electric), Mandolin.
Q: What other musicians or music production professionals inspire you?
A: Richard bona, Pino Palladino, Pat Metheny, John Mayer, Vulfpeck, World Music, Mediterranean Music, Iberic Music.
Q: Describe the most common type of work you do for your clients.
A: Produce songs. Record bass, guitars and percussion, compose music, back vocal arrangements.
I was the Composer, producer, singer, all the instruments and Mixing in this production
- ProducerContact for pricing
- Bass ElectricAverage price - $100 per song
- Bass FretlessAverage price - $100 per song
- Electric GuitarAverage price - $100 per song
- Classical GuitarAverage price - $100 per song
- Acoustic GuitarAverage price - $100 per song
- Film ComposerContact for pricing
- Apollo twin. Fender Jazz Bass 4 & 5 Strings
- Fretless
- Fender Strattocaster custom
- Fender Telecaster custom
- Hybrid Guitar (bass + guitar)
- electric and acoustic Fretless guitar
- Tylor Acoustic Guitar
- Alhambra Nylon guitar.