Winner of the Beatport Producer Challenge 2020, with over 20 entries in the Beatport Top 100. Since 2012, I have been producing electronic music, specializing in Afro House, Indie Dance, and Melodic Techno. My sound and production style align with labels like Keinemusik, MoBlack, Godeeva Records, and more Melodic Techno labels like Siamese.
I have produced and collaborated with prominent labels such as MoBlack Records, Godeeva Records, A Tribe Called Kotori Records by Oliver Koletzki, Switch Lab, Sinner Music, and many others.
I offer a comprehensive range of services, including production, ghost production, remixing, mixing, and mastering .I deliver projects in a very short time, usually within one to two weeks. Share your project ideas with me, and we can work together to develop something exceptional.
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
Languages
- English
- Italian
- Spanish
1 Reviews
Endorse MiganovaInterview with Miganova
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: One project I’m particularly proud of is a track I produced that was featured in a major electronic music festival. I handled the entire production process, and it was rewarding to see the track connect with such a large audience.
Q: What are you working on at the moment?
A: At the moment, I’m working on several exciting projects, including new tracks in the Afro House and Melodic Techno genres. I’m also collaborating with other artists and exploring fresh soundscapes to bring unique and innovative elements to my productions.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Yes, I know some excellent singers on SoundBattery who could collaborate in interesting ways on productions. They would add a unique dimension and enhance the overall quality of the project.
Q: Analog or digital and why?
A: Both analog and digital have their strengths. Analog equipment offers a unique warmth and character, while digital tools provide versatility and precision. I use both depending on the project’s needs, as each can complement the other to achieve the best results.
Q: What's your 'promise' to your clients?
A: My promise to the client is to deliver high-quality music production that accurately reflects their vision and expectations. I am committed to clear communication throughout the process, adhering to agreed timelines, and providing the best support possible to ensure a final result that fully meets their needs.
Q: What do you like most about your job?
A: What I like most about my job is the opportunity to bring creative ideas to life and connect with people through music. Each project is a new challenge that allows me to explore different sounds and styles, and seeing a concept evolve into a finished track is incredibly rewarding. Additionally, collaborating with diverse artists and clients keeps the work exciting and fresh.
Q: What questions do customers most commonly ask you? What's your answer?
A: The most common question I receive from customers is, “How long will it take to complete my project?” My answer is that the timeline depends on the complexity of the project and the specific requirements. I typically provide an estimated timeframe after discussing the details with the client, but I always strive to deliver high-quality work within a reasonable period. Clear communication and a well-defined scope help ensure that we stay on track.
Q: What's the biggest misconception about what you do?
A: The biggest misconception about what I do is that music production is purely about technical skills. While technical expertise is important, the creative and conceptual aspects are just as crucial. Many people overlook the significant role of creativity, vision, and emotional expression in producing high-quality music. It’s not just about having the right equipment; it’s about translating ideas into a compelling and resonant final product.
Q: What questions do you ask prospective clients?
A: I would ask prospective clients the following question: “What are your specific goals and expectations for this project?” This helps me understand their vision and ensures that I can tailor my work to meet their needs effectively.
Q: What advice do you have for a customer looking to hire a provider like you?
A: For a customer looking to hire a provider like me, my advice is to clearly communicate your vision and goals for the project. Provide as much detail as possible about your desired sound, style, and any specific elements you want included. Additionally, be open to collaboration and feedback throughout the process. This will ensure that the final product aligns closely with your expectations and achieves the best possible outcome.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: If I were on a deserted island and could take only five pieces of equipment, I would choose: 1. A high-quality portable audio interface. 2. A versatile synthesizer. 3. A laptop with powerful music production software. 4. A good pair of headphones. 5. A MIDI controller.
Q: What was your career path? How long have you been doing this?
A: have been producing since 2012, but I have been experimenting with electronic music since I was 16. So, I’ve been exploring the world of music from a young age, starting in my teenage years.
Q: How would you describe your style?
A: My style is broad and spans many musical genres. Currently, my personal productions have a cleaner, more Melodic Techno line, but I come from the Afro House world, which has more groove and dynamism.
Q: Which artist would you like to work with and why?
A: would love to work with Maceo Plex and Paul Kalkbrenner. Both are very interesting artists in their genres, and I believe they bring something unique to the music world. Collaborating with them would be an exciting opportunity to explore and contribute to their innovative sounds.
Q: Can you share one music production tip?
A: A general piece of advice for music production is to focus on the arrangement and structure of your track. Make sure each element serves a purpose and contributes to the overall flow. Also, don’t be afraid to experiment with different sounds and techniques to find what works best for your music.
Q: What type of music do you usually work on?
A: I generally work with genres such as Afro House, Melodic Techno, Indie Dance, Organic House, and electronic music. I am capable of producing any musical genre.
Q: What's your strongest skill?
A: My strongest skills are definitely my production techniques and creativity.
Q: What do you bring to a song?
A: Certainly, I bring my creativity and sensitivity to the world of electronic music.
Q: What's your typical work process?
A: My workflow begins with creating the rhythmic elements and laying out the track. I then add all the harmonic components and, finally, the melody and vocals. The process concludes with a good mix and mastering of the track.
Q: Tell us about your studio setup.
A: In my studio, I have high-quality monitors and audio interfaces, which are crucial components. I use various analog synthesizers as well as many interesting plugins. The use of good compressors and saturators definitely elevates my productions to the next level.
Q: What other musicians or music production professionals inspire you?
A: I’m inspired by classics of electronic production, such as Daft Punk. Their ability to innovate and create unique sounds is a major source of inspiration for my work.
Q: Describe the most common type of work you do for your clients.
A: The most common work I do for my clients is the production and ghost production of tracks in the genres of afro-house, indie dance, and melodic techno.
I was the producer in this production
- ProducerAverage price - $800 per song
- Ghost ProducerAverage price - $800 per song
- RemixingAverage price - $600 per song
- Mixing EngineerAverage price - $200 per song
- Mastering EngineerAverage price - $100 per song
One project I’m particularly proud of is a track I produced that was featured in a major electronic music festival. I handled the entire production process, and it was rewarding to see the track conne
- Prophet sequential
- focal monitor
- universal audio