Composer | Producer | Mixer

Q: What type of music do you usually work on?

A: I mainly compose orchestral scores, cinematic soundtracks, and hybrid productions. At the same time, I often explore folk, traditional, and world-inspired music, as well as ambient and contemporary styles, depending on the needs of the project and reaching actually any genre the project needs.

Q: What's your 'promise' to your clients?

A: Full commitment. I see myself at the service of the image and the story, and I always give my complete dedication — mind, body, and soul — to the project. Beyond delivering professional quality, my promise is to treat each project with the care and devotion it deserves.

Q: What questions do you ask prospective clients?

A: I usually ask about the vision, emotional goals, and narrative intentions behind their project. I want to know what they want the audience to feel, the role music should play in the storytelling, and any specific references or inspirations they have in mind.

Q: What's your strongest skill?

A: My ability to truly understand and connect with the director’s vision, and to translate that into the ideal music that perfectly fits and elevates the project.

Q: What do you bring to a song?

A: I bring a strong sense of narrative, emotion, and atmosphere. My goal is always to enhance the story, adding depth and immersion while giving the project a unique musical identity.

Q: What's your typical work process?

A: I always begin by discussing the director’s or client’s vision in depth, making sure we are fully aligned. Once I clearly understand the narrative and emotional goals, I connect with the project almost on an emotional level, which makes the composition process flow naturally without forcing anything. This approach ensures that the music feels authentic, meaningful, and deeply tied to the story.

Q: Tell us about your studio setup.

A: My studio is built around Ableton Live Suite and Cubase, with a Focusrite Scarlett interface. I use top quality & industry-standard orchestral libraries like Spitfire Symphony Orchestra, Strezov Sampling Storm Choir Ultimate, and Komplete Ultimate, all hosted in Kontakt. This setup allows me to produce detailed, realistic orchestral soundtracks while also blending in textures, sound design, and hybrid elements when required.

Q: Describe the most common type of work you do for your clients.

A: I compose and produce original cinematic soundtracks for films, short films, and other kind of visual media. My work often focuses on creating immersive, emotional music that enhances the narrative and elevates the overall impact of the visual project.