Vinicius Lessa

Mixing Engineer

Vinicius Lessa on SoundBetter

Elevate your music with professional mixing and mastering that stands out.

I am an audio engineer graduated from the Universidade do Áudio at Estúdio Sonastério, with additional courses by Pedro Peixoto. With extensive experience in mixing and mastering, I use top-notch equipment such as Universal Audio, Dynaudio BM6A monitors, and plugins like Waves, FabFilter, and UAD. Always in constant learning.

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

Languages

  • English
  • Portuguese
  • Spanish

Interview with Vinicius Lessa

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: The last mix I did of an acoustic track by Johnny Kings called 'Illusion' left me particularly proud. Despite having few elements, the song sounds great. It was a rewarding experience to see how each element fit together perfectly, resulting in a track that I'm really pleased with.

  3. Q: What are you working on at the moment?

  4. A: At the moment, I'm focusing on providing top-notch mixing and mastering services to my clients, ensuring each project receives the attention and quality it deserves.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: While I can't make specific recommendations, SoundBetter features many talented professionals. I suggest browsing through profiles, listening to samples of their work, and reading reviews to find the best fit for your project.

  7. Q: Analog or digital and why?

  8. A: Digital, because it allows for easy recalls and most listeners can't tell the difference. However, I do appreciate the workflow and unique character that analog gear brings to the process.

  9. Q: What's your 'promise' to your clients?

  10. A: My promise to my clients is to deliver high-quality, professional mixes and masters that truly enhance their music. I am committed to understanding their vision, providing attentive and personalized service, and ensuring their complete satisfaction with the final product. I strive for excellence in every project, treating each track with the care and attention it deserves.

  11. Q: What do you like most about your job?

  12. A: What I like most about my job is the creative process of transforming raw recordings into polished, professional tracks. I enjoy collaborating with artists, understanding their vision, and helping them bring their musical ideas to life. Seeing the final product and knowing I contributed to making it sound its best is incredibly rewarding.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: Customers most commonly ask: 1. **How long will it take to complete my project?** My answer: The standard turnaround time is 5-7 business days, but it can vary depending on the complexity of the project and current workload. 2. **Can you match the sound of a specific reference track?** My answer: Yes, I can use reference tracks to guide the mixing and mastering process and aim to match the desired sound while maintaining the unique character of your music. 3. **How many revisions are included?** My answer: Each project includes up to three free revisions to ensure your complete satisfaction. Additional revisions can be provided for an extra fee. 4. **What do you need from me to start the project?** My answer: I need high-quality audio files (WAV or AIFF), detailed instructions, and any reference tracks that can help convey your vision. 5. **Do you offer any discounts for multiple songs or albums?** My answer: Yes, I offer discounts for larger projects, such as multiple songs or full albums. Please contact me for specific details based on your project scope.

  15. Q: What's the biggest misconception about what you do?

  16. A: The biggest misconception about what I do is that mixing and mastering can fix poorly recorded tracks. While I can enhance and polish a recording, the foundation of a great mix is always a well-recorded performance. High-quality recordings are essential for achieving the best possible final product.

  17. Q: What questions do you ask prospective clients?

  18. A: When working with prospective clients, I ask the following questions to ensure we are aligned and can achieve the best results: 1. What is your vision for this project? 2. Can you provide reference tracks that represent the sound you're aiming for? 3. What are the key elements or emotions you want to highlight in your music? 4. Are there any specific technical requirements or preferences you have? 5. What is your deadline for the project? 6. How do you prefer to communicate and provide feedback during the process?

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: My advice for a customer looking to hire a provider like me is to look for someone who not only has technical expertise but also understands your vision and style. Review their previous work, communicate your goals clearly, and ensure they are open to feedback and revisions. A strong working relationship and mutual understanding are key to achieving the best results.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: If I were on a desert island and could take just 5 pieces of gear, I would bring my Universal Audio interface, Dynaudio BM6A monitors, a reliable laptop with my favorite DAW, a high-quality condenser microphone, and a versatile MIDI controller.

  23. Q: What was your career path? How long have you been doing this?

  24. A: I started my career by studying at the Universidade do Áudio at Estúdio Sonastério, followed by additional courses with Pedro Peixoto. I've been working in audio engineering for several 10 years, continuously honing my skills and expanding my knowledge. My journey has been driven by a passion for music and a commitment to delivering high-quality results for my clients.

  25. Q: How would you describe your style?

  26. A: I would describe my style as detail-oriented, versatile, and client-focused. I aim to enhance the unique character of each song while ensuring a polished, professional sound. My approach is adaptable, allowing me to cater to various genres and artist visions, always striving for clarity, depth, and emotional impact.

  27. Q: Which artist would you like to work with and why?

  28. A: I would love to work with established artists who are dedicated to achieving the best for their music and their career. I understand the significance of collaborating with dedicated and skilled professionals, and I'm here to contribute my experience and passion for music to elevate each project to the next level.

  29. Q: Can you share one music production tip?

  30. A: Certainly! Here's a production tip: Focus on capturing a great performance during recording. No amount of mixing or mastering can fully compensate for a lackluster performance. Encourage the artist to give their best, and strive for authenticity and emotion in every take.

  31. Q: What type of music do you usually work on?

  32. A: I typically work on reggae, pop, soul, rock, and all their various sub-genres. However, I'm open to exploring and working on a wide variety of musical genres to accommodate the needs and preferences of my clients.

  33. Q: What's your strongest skill?

  34. A: My strongest skill is my ability to translate the client's vision into a polished and professional sound. I have a keen ear for detail and a deep understanding of audio engineering techniques, allowing me to enhance the strengths of each song while addressing any weaknesses. Additionally, my commitment to continual learning ensures that I stay at the forefront of industry trends and technologies, further enhancing the quality of my work.

  35. Q: What do you bring to a song?

  36. A: I bring a combination of technical expertise, artistic sensibility, and a deep understanding of the client's vision to every song. With meticulous attention to detail, I enhance the clarity, depth, and impact of the music while preserving its integrity. My goal is to elevate each song to its fullest potential, ensuring it captivates listeners and resonates with their emotions.

  37. Q: What's your typical work process?

  38. A: My typical work process involves carefully listening to the client's vision and goals for the project. I then analyze the tracks, making any necessary edits or enhancements. Next, I focus on balancing the levels, EQ, and dynamics to achieve clarity and cohesion. Throughout the process, I maintain open communication with the client to ensure their satisfaction. Finally, I deliver the finished product promptly, ready for distribution or further feedback.

  39. Q: Tell us about your studio setup.

  40. A: My studio setup includes top-of-the-line equipment to ensure the highest quality results. I use a Universal Audio interface, Dynaudio BM6A reference monitors, and a wide range of industry-standard plugins including Waves, FabFilter, and UAD. Additionally, my acoustically treated room provides an optimal listening environment for precise mixing and mastering.

  41. Q: What other musicians or music production professionals inspire you?

  42. A: Chris Lord-Age, Bob Clearmountain, Andrew Scheps, Tony Maserati, Serban Ghenea, Dave Pensado, Michael Brauer, Manny Maroquin, Ethan Johns, Pedro Peixoto, Cesar Santos, Beto Neves, Fred Teixeira, Paulo Anhaia

  43. Q: Describe the most common type of work you do for your clients.

  44. A: The most common type of work I do for my clients is mixing and mastering their music. I strive to ensure their tracks have a professional and captivating sound, ready to be shared and enjoyed by their target audience.

Terms Of Service

Each project includes 3 free revisions; extra revisions cost more. Standard turnaround is 5-7 days. Clients provide high-quality audio files. No refunds once work begins. Confidentiality is ensured.

Gear Highlights
  • DynaudioBM6A | UAD Apollo | Logic Pro | MacBook M2 | Acoustically Treated Room
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