Rock, Pop & Electro Mixer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: One project that stands out to me is my album WE ARE DUST, where I served as both producer, mixing and master engineer. The album pushed the boundaries of genre conventions, blending elements of electronic, rock, and experimental music into a cohesive and immersive sonic experience. I'm particularly proud of how we were able to capture my artist's vision and bring it to life in a way that felt both innovative and emotionally resonant.

Q: What are you working on at the moment?

A: Currently, I'm working on several exciting projects, including mixing an indie rock EP, producing electronic tracks for a new artist, and mastering a collection of metal singles. Each project presents its own unique challenges and creative opportunities, keeping me engaged and inspired.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: While I'm new to SoundBetter, I'm always eager to connect with fellow music production professionals and discover new talent on the platform. I look forward to exploring the community and collaborating with like-minded individuals in the future.

Q: Analog or digital and why?

A: While I appreciate the qualities of both analog and digital equipment, my studio setup primarily consists of digital tools. I've found that digital technology offers unparalleled flexibility and convenience, allowing me to work efficiently and achieve professional-grade results. With a robust collection of plugins and software instruments, I can sculpt sounds with precision and finesse, ensuring that every mix and production meets the highest standards of quality and creativity.

Q: What's your 'promise' to your clients?

A: My promise to my clients is to always approach their projects with the utmost professionalism, creativity, and dedication. I am committed to delivering high-quality results that exceed their expectations and reflect their unique artistic identity.

Q: What do you like most about your job?

A: What I love most about my job is the opportunity to collaborate with talented artists and help bring their musical visions to life. There's nothing quite like the feeling of hearing a song come together in the studio and knowing that you've played a part in making it happen.

Q: What questions do customers most commonly ask you? What's your answer?

A: Customers often ask about my experience working with their particular genre of music and my approach to mixing and production. I reassure them that my diverse background and flexible approach allow me to adapt to a wide range of musical styles while always prioritizing their artistic vision and goals.

Q: What's the biggest misconception about what you do?

A: One common misconception is that mixing and production are purely technical processes, when in reality, they are deeply creative endeavors that require artistic intuition and emotional sensitivity in addition to technical expertise.

Q: What questions do you ask prospective clients?

A: When starting a new project, I typically ask clients about their musical influences, artistic goals, and specific preferences for sound and production style. I also inquire about any previous work they've done and what they hope to achieve with the current project.

Q: What advice do you have for a customer looking to hire a provider like you?

A: My advice for anyone looking to hire a music production provider is to prioritize communication and collaboration. Be clear about your artistic vision and goals, and don't hesitate to ask questions or provide feedback throughout the process. A strong partnership between artist and producer/engineer is key to achieving the best results.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: If I were stranded on a desert island, I would take my Studio One laptop setup, a high-quality microphone, a pair of reference headphones, a solar-powered generator, and a rugged MIDI controller. With these tools, I could continue to create and explore new musical ideas even in isolation.

Q: What was your career path? How long have you been doing this?

A: My journey in music production and engineering began over 16 years ago, starting with live sound engineering at festivals and gradually transitioning into studio work as a producer and mixing engineer. Over the years, I've had the opportunity to work with a diverse range of artists and projects, refining my skills and expanding my musical horizons along the way.

Q: How would you describe your style?

A: My style can be described as versatile, dynamic, and detail-oriented. I strive to create mixes and productions that are sonically engaging, emotionally resonant, and true to the artist's vision, while also incorporating elements of experimentation and creativity.

Q: Which artist would you like to work with and why?

A: I would love to collaborate with innovative artists who push the boundaries of their respective genres. Specifically, working with artists like Björk, Gojira, or Radiohead would be a dream come true due to their fearless experimentation and commitment to sonic exploration.

Q: Can you share one music production tip?

A: One music production tip I would share is to trust your ears above all else. While technical knowledge is important, ultimately, it's how the music makes you feel that matters most.

Q: What type of music do you usually work on?

A: I typically work on a diverse range of music genres, including rock, indie, pop, electro, and metal. I enjoy the challenge of working across different styles and bringing a fresh perspective to each project.

Q: What's your strongest skill?

A: My strongest skill is my ability to translate the artist's vision into a polished and professional sonic experience. I excel in creating cohesive mixes that capture the essence of the music while pushing creative boundaries.

Q: What do you bring to a song?

A: I bring a meticulous attention to detail, a passion for sonic exploration, and a commitment to elevating the emotional impact of the music. Whether it's adding depth and dimension through spatial effects or enhancing the energy with dynamic processing, I strive to bring out the best in every song.

Q: What's your typical work process?

A: My typical work process begins with understanding the artist's vision and goals for the project. From there, I dive into the tracks, focusing on detailed editing, balancing, and creative enhancement through effects and processing. I collaborate closely with the artist to ensure their vision is realized at every step of the process.

Q: Tell us about your studio setup.

A: My studio setup is optimized for precision and creativity, featuring industry-standard software like Studio One. I utilize a vast array of plugins from brands such as Sugar Bytes, SoundRadix, Neural DSP, Ozone Pro, BeatSkillz, Fab Filter, Waves, as well as VST instruments like UJAM, Superior Drummer, and Native Instruments. This comprehensive toolkit allows me to sculpt sounds with precision and finesse, ensuring that every mix and production meets the highest professional standards while staying true to the artist's vision

Q: What other musicians or music production professionals inspire you?

A: I draw inspiration from a diverse range of musicians and producers, including Brian Eno for his innovative approach to production, Sylvia Massy for her adventurous spirit in the studio, and Nigel Godrich for his ability to craft immersive sonic landscapes.

Q: Describe the most common type of work you do for your clients.

A: My most common type of work involves mixing and mastering tracks for a wide range of artists across various genres, including rock, indie, pop, electro, and metal. I also provide production assistance, helping artists refine their sound and bring their musical vision to life.