An audio mixing and mastering engineer with six years of experience in Rock and Metal genres, Americana, and Country. I will make your recordings unleash their full potential.
Playing my main instrument, the guitar, since 2012, I've always been curious about how an idea transforms into a project and then into a final product. I wanted to understand the production process, recording, and the intricacies of mixing and mastering every sound and detail of a piece of work. This curiosity led me to make a decision in 2017 to purchase my first audio interface, which allowed me to create my initial productions.
After recording with my band and experimenting with fellow artists, I decided to offer my services locally, which opened up opportunities in the field of production in the city of Cúcuta.
Today, I am pursuing formal education as an Audio Engineer and Music Producer at the Argentine University INARTEC. I've also started my own brand, TM Bald Eagle Comp, which is a recording studio and live sound service provider. We are known for our professional services.
My lifelong passion for video games began at age 6, starting with "Mortal Kombat 4" and deepening with "Mortal Kombat: Shaolin Monks." This love for gaming and its artistry has driven my desire to join a game development studio, aligning with my true passion.
Would love to hear from you. Click the contact button above to get in touch.
Credits
Interview with Anderson Peñaloza
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: With my personal brand, "TM Bald Eagle Comp," we have worked on live artist sessions and continue to seek more artists to promote the distribution of local material.
Q: What are you working on at the moment?
A: As an audio editor in a small company, my responsibilities include recording, mixing, and mastering reels, videos, podcasts, and more.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: For now, I don't know anyone on this platform, but I would love to start building a team when I need assistance.
Q: Analog or digital and why?
A: Both analog and digital sound are meant to work together. You can have convenience and quality with digital sound in a live setting and then return to the studio to work with your analog equipment and get the most out of them in large productions.
Q: What's your 'promise' to your clients?
A: Providing a comprehensive service in the contracted area and ensuring that all their project needs are met, leaving them satisfied.
Q: What do you like most about your job?
A: I love being able to work in what I love, knowing that I make a living from it is something I used to consider a dream.
Q: What questions do customers most commonly ask you? What's your answer?
A: What projects have I worked on? Or, what is the pricing for my services? I discuss my career and provide a document based on the client's interest.
Q: What's the biggest misconception about what you do?
A: ometimes trying to enhance something that initially sounds good.
Q: What questions do you ask prospective clients?
A: What is the outlook for your project?
Q: What advice do you have for a customer looking to hire a provider like you?
A: They should talk extensively about their project and share their expectations with me.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: An interface, microphone, computer, headphones, and power to make everything work.
Q: What was your career path? How long have you been doing this?
A: for 6 years
Q: How would you describe your style?
A: Detail-oriented, precise in every aspect.
Q: Which artist would you like to work with and why?
A: with Metallica or The White Buffalo
Q: Can you share one music production tip?
A: Don't work for too long in a row on your mixes, or you'll start falling into the trap of ear fatigue.
Q: What type of music do you usually work on?
A: Rock and Metal
Q: What's your strongest skill?
A: Mixing
Q: What do you bring to a song?
A: The path to unlocking its full potential, from production to the post-production process.
Q: What's your typical work process?
A: Listening to the client, understanding their references, requesting live recordings of the artist (if available), and gathering any additional information they can provide before commencing my work
Q: Tell us about your studio setup.
A: I have a good computer for my work, I use Yamaha HS7 6.5" monitors, my interface is a Focusrite Scarlett 18i20, I have AudioTechnica ATH-M50x headphones, and Shure microphones.
Q: What other musicians or music production professionals inspire you?
A: James Hetfiled, The White Buffalo, Bon Iver, Jason Isbell
Q: Describe the most common type of work you do for your clients.
A: recording mixing and mastering
I was the Mixing and Mastering engineer in this production
- Mixing EngineerAverage price - $100 per song
- Mastering EngineerAverage price - $80 per song
- Podcast Editing & MasteringAverage price - $100 per podcast
- Electric GuitarAverage price - $50 per song
- Acoustic GuitarAverage price - $50 per song
- Full instrumental productionContact for pricing
- Live SoundContact for pricing
Each project will have a total of 3 revisions completely free, with explicit details for better reception and execution of the work.
- James Hetfield
- The White Buffalo
- Jason Isbell
- Yamaha HS7 6.5
- Focusrite Scarlett 18i20
- Audio Technica M50X
- Shure SM57x3
- Shure PGA 57x2
- Shure Beta52A
- Rode NT1a
If we have many jobs together, we can discuss an excellent discount for future projects.