Hi, I'm a mastering engineer located in Paris, France. Let's talk about your music and what result you want to get from it.
The most important thing during music creation is your vibe, technic and sens of creativity.
Mastering is the last step where you can discuss and change anything before the listener discovers your music.
My purpose is to make you feel more confident about your tracks. Here we can enhance the emotional impact to your audience and so increase the chance to your music to be successful.
I can help and advise you to optimise your mix before you send it to me.
I make mastering from stereo files (or based on stems) for streaming, Itunes, CD and I can prepare and check your project for vinyl pressing.
About me:
I started drums and electric bass at 15. I played into progressive rock, metal, indy rock and reggae bands.
In 2015, I graduated from an EU Licence of electronics and a Licence of "Métiers Du Son". I began my career as a studio assistant for Studio 4A Sound Factory where I was involved into Pop, Jazz, Soul and Rock recordings. During this period, in Normandy, I also assisted a field recordist for Classical and Baroc music. I moved to Paris in 2017 and I worked for Radio France and RFI as a sound operator and broadcast director. I left the radio univers for live sound and event, and joined Le Duc des Lombards in 2020 where i'm still a broadcast and live engineer.
Contact me through the green button above and let's get to work.
Languages
- English
- French
Interview with Aymeric Tabary Peixoto
Q: Tell us about your studio setup.
A: Currently I own a L2 ultramaximizer, MaxxBass, Weiss Eq and Compressor and I also have a DSP board included into my ULN8 wich is very reliable, musical, transparent and fun to listen to (wich includes Sontec MD432 Eq, PYE Eq, Sonic Eq, Deesser, MIO Channel Strip and a variety of great line amplifiers). I have got Sonics Allegra and Emes Black TV loudspeakers. DAW: Wavelab, Reaper, Sonoris and MIO console.
Q: What do you bring to a song?
A: It depends of the song, the media and the genre: it can be loudness, presence and width; but also tape or tube color; salt and pepper; silk, sauce... If your track need punch I add punch. The purpose is not to make a caricature of your music but to insert your music in the specificities of the industry standards.
Q: What's your typical work process?
A: I receive your files and then we can discuss about you want to get. I do separate archive directories into my computer for futur imports/exports formats and archival. I will take a moment for a first listening and give advices if I feel I have to. Then, I listen separate tracks, checking for level and loudness and apply limiting, gain stage, clipping, correction EQ and compression if necessary. The order of the process can be changed according to the necessary tools. I send you a master and make the asked corrections (if needed). Afterwhat it can comes DDP image, ISRC, ID3 tags and many other important things for diffusion.
Q: What other musicians or music production professionals inspire you?
A: As a mastering engineer, I'm mainly inspired by names such Howie Weinberg, Bob Ludwig, Bernie Grundman, Bryan Lucey , Ted Jensen, Doug Sax, Mandy Parnell, Emmerson Mancini, Heba Kadry...and other great studio names like The Exchange, Metropolis, La Source and Translab...
Q: What type of music do you usually work on?
A: Jazz, Fusion Jazz, Electronic, Techno, Rock, Metal, Progressive Rock and Metal. But I can also work on Worldmusic, Dub, Reggae, Soul, Video Game and Film Score.
- Mastering EngineerAverage price - $80 per song
- EditingContact for pricing
- Podcast Editing & MasteringContact for pricing
- RestorationContact for pricing
- Metric Halo ULN8 (including Sontec MD432 and PYE Eq)
- Weiss Softube Plugin Suite
- Waves L2 and Waves Gold suite
- SPL Iron plugin.
