I am a professional mix engineer as well as a musician/singer/songwriter who has toured as a singer, guitarist, drummer, and auxiliary musician. I own Big Red Room studios in Nashville TN
I have been involved in demo work, as well as commercial work for companies like Krispy Kreme, PoFolks, Wireless Connection, and Net 10 among others.
I have also been a professional multi instrumentalist musician in nashville for roughly 15 years. I have played with artists such as Little Big Town, Charlie Worsham, Rebecca Lynn Howard, Payton Rae, Vince Gill, Kingbilly, and Richard Marx, The Southern Gothic, and FLARES. I can use my experience to help you with your songs.
As a songwriter and musician, I am versed in different styles, and have had placements on many networks and shows like “Bones”, “Heartland”, and Monday Night Football, as well as having songs on Top 40 charts in the US, Canada, and Australia.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
4 ReviewsEndorse Quinn Loggins
Quinn does an awesome job. He is easy to work with and makes sure you get the mix you want.
Absolutely brilliant and just as expected, Quinn was right on point and I highly recommend him to everyone. Amazing quality and exactly the style I was looking for and with good communication.
We hired Quinn in a team of 4 singers, as a quartet. Our project was very unique and demanding; Quinn was very patient and cooperative. He is very responsive and it’s easy working with him.
Quinn is an incredible talent! He has musical vision that is so unique and stands head and shoulders above the rest. Not only is he a phenomenal multi-instrumentalist; he can sing the paint off the walls! Whether you're looking for a producer, musician, or vocalist, you can't go wrong with hiring Quinn!
Interview with Quinn Loggins
Q: Describe the most common type of work you do for your clients.
A: Vocal session work, guitar and drum tracks
Q: What other musicians or music production professionals inspire you?
A: Jay Joyce, Paul Worley, Tom Petty, Peter Stroud, Selena Gomez, Steriogram, The Cardigans,
Q: Tell us about your studio setup.
A: I am running Logic Pro X. I have Protools as well, but prefer Logic at the moment. Using Lucid converters into a UAD Apollo Outboard gear highlights: Vintech 273, Universal Audio 610 and LA610, JDK Audio EQ, Drawmer, Chameleon Labs 7602, Heritage Audio, Purple Audio EQ's, API Eq's, Great River Mic highlights: Coles ribbon mic, Sony C-48, Soundelux PTM tube, Shure SM7, AKG 414, Neumann KM87, Audix and Shure SM and KSM models various, Electrovoice RE20 Drums: Ludwig USA 22,13,16 various snare drums,(Ludwig, slingerland, etc) Guitars: Martin D28, Martin 000-18, Stratocaster, 335, firebird, etc 30x30' live room with 13' ceiling.
Q: What do you bring to a song?
A: I come mainly from a songwriting background. I can help with the dynamics of a song. I am adept at background vocals as well, which can add alot to the sound of a track.
Q: What's your strongest skill?
A: My strongest skill, for both playing and singing, would be my listening skills. I prefer to listen to the song in a way where I try to figure out what emotion the writer wants out of the song, what the story is, and what can I add to it to get that story across.
Q: What type of music do you usually work on?
A: I normally work with pop country songs, but I am transitioning into more pop genres.
Q: Can you share one music production tip?
A: Sidechain compression has been something I've been having fun with lately, and I was just turned onto Nicky Romero's Kickstart plugin which creates a sidechain compression effect to any track as a plugin without having to build the sidechain.
Q: Which artist would you like to work with and why?
A: I would like to work with the Cardigans. Their "Long Before Daylight" album was and still is one of my "desert island" favorites.
Q: How would you describe your style?
A: As far as voice, I would say I have an inherent twang (which I can straighten out!) and a bit of gravel to my voice which lends itself to rock music pretty well. I could be anywhere from Al Green to Blake Shelton to Aerosmith and Journey from one song to the next. For drums, I am a huge Steve Ferrone fan! More groove than licks. I also am a layering type of person when it comes to drum parts. I like to add things like loops or live percussion to add to the dynamic of a song.
Q: What was your career path? How long have you been doing this?
A: I have made it a point to make a living making music. This has led me down various different paths including touring musician, session work, and music publishing. I have been at it for roughly 15 years.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Hmm. Desert island, so probably nothing electric! I would bring my Martin 000-18 and four extra packs of strings!!
Q: What advice do you have for a customer looking to hire a provider like you?
A: Please provide as much information going into a project as you can involving what you're needing, hearing, or looking for in your song. Other favorite popular song examples help immensely!
Q: What's the biggest misconception about what you do?
A: Being a musician, I think we can all agree that alot of people on the outside of what we do think that we are just having fun, and not working. In reality, we are working incredibly hard. One great thing is that we are working hard at something we love to do.
Q: What do you like most about your job?
A: I get to make music for a living! what more could I ask for!
Q: What's your 'promise' to your clients?
A: I want to part ways with a happy client, and I will do my best to make that happen.
Q: Analog or digital and why?
A: I love my analog outboard gear. I am more in the digital domain though since I cant afford to buy and maintain a tape machine!
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Brandon Chase
Q: What are you working on at the moment?
A: A track project with Freja Drakenberg from Peter Paul and Bjorn along with various demo vocal projects.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I recently worked on a two day session where I sang on the majority of the songs and played pedalsteel, banjo, and acoustic. It was a real challenge not only with the difficulty of the songs, but I was playing pedalsteel for the first time on a session!