Recording, mixing and creating sounds for almost 25 years for music and film/broadcast. I work on many styles of music as a fan of many genres. I'm always up for a challenge and willing to go the distance to make each song sound its best.
Having the opportunity to record and mix some of the most interesting and influential artist from the Southern Ontario region and beyond has been a very humbling experience.
Contact me through the green button above and let's get to work.
Credits
Discogs verified credits for Sean Pearson- Dead Tired (3)
- Sianspheric
- Astral Witch
- Vile Creature
- Simply Saucer
- King Cobb Steelie
- Sailboats Are White
- Dwarf Star
- Sailboats Are White
- Cursed (2)
- Sexbeast
- The Dead Beat
- Titan (16)
- Ohmno
- Born Wrong / Kleins96
- Swarm Of Spheres
- Dead Tired (3)
- Born Wrong
- WTCHS
- The Vaudevillian
- Quiet Lakes
- Sweet Dave & The Shallow Graves
- First Base (3)
- The Vaudevillian
- Flesh Rag
- Various
- Pale Drone
- Astral Witch
- Storm Ross
- Quiet Earth (3)
- Concavity
- Astral Witch
- Shopvac
- Völur
- TV Freaks
- Vile Creature
- Tewksbury
- Vile Creature & Bismuth (2)
- Concavity
- Sarah Good and The Bads (2)
- Mortuary Slab
- Colider
- Aphasia (21)
- King Cobb Steelie
- Care Bears*
- Wren City Churches
- Cursed (2)
- A Northern Chorus
- Measured In Angles
- Sailboats Are White
- Crayzdom
- Cursed (2)
- Wax Mannequin
- Dwarf Star
- Sailboats Are White
- Sexbeast
- Various
- The Craters (3)
- Kosmograd
- The Dead Beat
- WTCHS
- The Craters (3)
- Titan (16)
- Born Wrong / Kleins96
- Gag Order (2) / At What Cost
- Swarm Of Spheres
- Sarah Good
- Canyons (3) / Creeper (5)
- Dismantle (5)
- Prepared / Veneers
- Jean Is Dead
- sensei*
- Sensei (10)
- Various
- The Inflation Kills
- A Drawing
- Born Wrong
- Fonseca (5)
- WTCHS
- The Vaudevillian
- Quiet Lakes
- Sweet Dave & The Shallow Graves
- Gates (3)
- Tomb Mold
- First Base (3)
- The Vaudevillian
- Flesh Rag
- Pale Drone
- Tashme
- Greber
- Tourist (13)
- Astral Witch
- Tomb Mold
- Storm Ross
- Quiet Earth (3)
- Concavity
- Astral Witch
- Orville Peck
- Vile Creature
- Tomb Mold
- Skullshitter / Bleeding Out
- Shopvac
- Sinister Bodies Of Water
- Shopvac
- Shopvac
- Vile Creature
- TV Freaks
- Shallow North Dakota / Ken Mode / Kowloon Walled City
- Swarm Of Spheres
- Anthesis / Botfly (2) / Cell Press / Greber
- Kawthra
- Vile Creature
- Dream Unending
- Tewksbury
- Sacrifice (3)
- Vile Creature & Bismuth (2)
- Sacrifice (3)
- Sacrifice (3)
- Dream Unending
- Gutvoid
- Tomb Mold
- Dream Unending / Worm (23)
- Mortuary Slab
- Colider
- Emma Ruth Rundle
- Respire (2)
Languages
- English
Interview with Sean Pearson
Q: What's the biggest misconception about what you do?
A: That I can make you sound amazing when the artist hasn't put the work in on their end to make the best music possible with the time they put into it.
Q: What questions do you ask prospective clients?
A: How long is the song? How many audio tracks recorded? When do you need the production completed?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure the tracks are where you want them to be.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Solar Power... Speakers... Computer.... Interface.... Something you can hit things with.
Q: What was your career path? How long have you been doing this?
A: Making music for 25 years for indie artists that need propelling into the future.
Q: How would you describe your style?
A: Rough and tight.
Q: Can you share one music production tip?
A: Don't hold back.
Q: What type of music do you usually work on?
A: Indie artists
Q: What's your strongest skill?
A: Adaptable authenticity.
Q: What do you bring to a song?
A: I bring what the song needs and wants
Q: What's your typical work process?
A: First listen to the song, respond to the clients direction and then go from there.
Q: Tell us about your studio setup.
A: Mixing in ProTools with outboard gear when it's called for.
Q: Describe the most common type of work you do for your clients.
A: Music, I like to make an album one of a kind.
- Mixing EngineerAverage price - $200 per song
- Production Sound MixerContact for pricing
- Sound DesignContact for pricing
- Recording StudioAverage price - $500 per day
- Dialogue EditingAverage price - $100 per minute
- EditingAverage price - $100 per track
- Keyboards - SynthAverage price - $70 per song
- Tomb Mold
- Sarah Good and the Bads
- King Cobb Steelie
