'Composer', 'Mixing Engineer'

Q: What do you like most about your job?

A: Sharing and discovering musical aesthetics !

Q: Can you share one music production tip?

A: It's all about getting to know the artists and their artistic vision the best as you can, and knowing what they really and truly need.

Q: What type of music do you usually work on?

A: Pop, Rock, RNB and Orchestral/Cinematic...

Q: What's your strongest skill?

A: My ability to handle a lot of skills to serve the artistic vision.

Q: What do you bring to a song?

A: With the ability to handle a multitude of music post-production tasks, from recording (including preparation) to music editing, mixing, composing, arranging, art direction and much more, meeting all your expectations by applying knowledge and skills to get the best potential from your music according to your guidelines and personal artistic influences is our main objective.

Q: Tell us about your studio setup.

A: I'm fully equipped with professional gear (mix in the box). Here are some of the hardware and software/plugins I use: - Nuendo 14, Melodyne 5, Izotope RX 11, Dolby Atmos Renderer... - SSL Interface, Sennheiser HD800S... - Native Instrument, Spitfire audio, Musio, Soundpaint... - UAD plugins, Liquid Sonics, Soundtoys, SoundParticles, Waves...

Q: What other musicians or music production professionals inspire you?

A: Here's some brief information about me: I've been playing various instruments and composing for several years. I studied music at conservatory (music theory, composition and film music), university (master's degree) and music production/mixing (at Abbey Road Institute in Paris) ; so I compose and mix in a wide variety of fields, thanks to the musical diversity I've acquired through my experience and my musical universe: traditional, orchestral, pop, rock and jazz.

Q: Describe the most common type of work you do for your clients.

A: I often mix for artists in addition to composing and orchestrating for producers or films.