Peter Budai on SoundBetter

Certified Dolby Atmos engineer and audio post specialist with 12+ years of experience in immersive mixing, sound design, and music production for film, games, and advertising. We deliver ADM BWF, 7.1.4, 5.1, binaural, and stereo formats from studios in Denver, CO and Bratislava, Slovakia. Clients include Boeing, Nike, Oracle, Microsoft, and Def Jam.

Audio engineer with 12+ years across music, film, sound design, advertising, and game audio. Specializing in mixing, mastering, audio post-production, and award-winning spatial audio mixing, with studios in the US and Europe. Deeply rooted in immersive media — from Dolby Atmos and Apple Music certified masters to VR audio, ambisonics, and Sony 360 Reality Audio. I bring a technical edge that goes beyond the console, with additional expertise in data science, programming, and web/app development. I've worked with artists like Logic, Galia, FABIAN, EsDeeKid, and YT, alongside labels including Def Jam and UKF. On the corporate side, my client list includes Boeing, Nike, Oracle, and Microsoft, among others. Whether it's a record, a film mix, an immersive experience, or a full sound design package — I bring the same standard to every project.

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Credits

Endorse Peter Budai3 Reviews

by Patrik C.
It was a real pleasure for me to work together with Peter! Great tracks in a short time, very creative, extremely friendly, absolutely pro! He has a lot of musical knowledge and passion for music production.
by Michael S.
Peter continues to deliver fresh and original content! We definitely click when it comes to sound & style.I'm so happy with it and Peter went above and beyond my expectations Highly recommend!!!
by Daniel
Peter is an extremely talented mixer.He understands everything I am asking for, even though sometimes I had no idea how to explain. Great producer with a great work ethic and a distinct sound.Pleasure working with you Peter!

Interview with Peter Budai

Q: What's your typical work process?
A: Every project starts with a brief covering scope, deliverables, and timeline. From there we build a workflow suited to the project — whether that's a full mix session, a stem delivery for Dolby Atmos, or a complete audio post package. We share progress at key milestones and revise until the client is satisfied.
Q: Tell us about your studio setup.
A: Our primary setup is Pro Tools Ultimate with the Dolby Atmos Renderer for immersive mixing, running on Amphion monitoring. Outboard includes Neve preamps and an API/Mackie summing mixer. Microphone locker covers DPA, Schoeps, AKG, and Neumann. We run UAD, iZotope, Waves, and Antares plugins and work ITB for most projects.
Q: What other musicians or music production professionals inspire you?
A: Quincy Jones, Michael Paul Stavrou, Tchad Blake, Chris Lord-Alge, George Martin, Butch Vig, and Andrew Scheps — among many others across both engineering and performance.
Q: Describe the most common type of work you do for your clients.
A: Our most common work is Dolby Atmos mixing and mastering, stereo mixing and mastering, sound design for film, games, and mobile apps, and audio post-production for advertising and commercial content. We also take on full music production projects from arrangement through final delivery.