Alexander on SoundBetter

Violinist, Composer, Arranger, Audio-Engineer, Audio Prodiction, Audio Designer.

Composer of music for films, cartoons, ballets.
Audio-engineer on many projects

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Languages

English

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Interview with Alexander

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Yes. It was 2020. It was not only the year of Covid, but also the year of Beethoven. All year I studied to be an audio engineer. And at the end of the year I received an order - "Ode to Joy" in crossover version. It was necessary to mix the tracks that the musicians sent, performing them at home, and they recorded themselves on the iphone. It was a real test for me! After this work, I finally came to conclusions. https://www.youtube.com/watch?v=TlcJWbH0lx4
Q: What are you working on at the moment?
A: Mixing album for Terry Heimat! and finish the ballet "LES TROIS SŒURS"
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I don't know anyone
Q: Analog or digital and why?
A: doesn't matter! It all depends on the task. need to know how to use both.
Q: What's your 'promise' to your clients?
A: q u a l i t y! and pleasant communication!
Q: What do you like most about your job?
A: All! from start to finish!
Q: What questions do customers most commonly ask you? What's your answer?
A: When will it be ready? .........
Q: What's the biggest misconception about what you do?
A: ___________!!!___it's fast and easy!!!
Q: What questions do you ask prospective clients?
A: it all depends on the client and his task
Q: What advice do you have for a customer looking to hire a provider like you?
A: Please trust me! Don't set unrealistic time limits. AND! Tell me everything about what you have in mind!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: if I were on a desert island, I would not have the opportunity to take something with me. An island for an island is different! I would have to study it, accept its terms, in order to survive.
Q: What was your career path? How long have you been doing this?
A: actually from 6 years old
Q: How would you describe your style?
A: Ambient...Tranquillitatis
Q: Which artist would you like to work with and why?
A: Ernst Theodor Wilhelm Hoffmann. He was not a bad cellist:)
Q: Can you share one music production tip?
A: Of course! Trust yourself... Don't deceive yourself!
Q: What type of music do you usually work on?
A: I work with any material
Q: What's your strongest skill?
A: ability to know the solution to the task
Q: What do you bring to a song?
A: extraordinary background
Q: What's your typical work process?
A: listen to a lot of music, watch a lot of movies, walk a lot in order to get impressions.
Q: Tell us about your studio setup.
A: everything is so modest: Mac Mini, licensed plugins and knowledge
Q: What other musicians or music production professionals inspire you?
A: Bruce Swedien, Quincy Jones, Roger Schult, Reimund Dratwa, Bob Katz, Dirk Ulrich, Maria Elisa Ayerbe, Joe Chiccarelli, Justin Colletti, Steely Dan, Roger Nichols, Elliot Scheiner, Al Schmitt, Bill Schnee, Lisa Gerrard, Hans Florian Zimmer, Kraft Werk...
Q: Describe the most common type of work you do for your clients.
A: writing music for films, cartoons, ballets mixing and mastering