
Worldwide studio music producer from Kazakhstan.
Russian studio music producer, relocated in Kazakhstan. I have been working in music for over 6 years.
The music of my work plays in the series and in the playlists of the curators of digital platforms. World labels accept my mastering.
Send me a note through the contact button above.
Credits
Languages
- English
- Russian
Interview with Alexander Mishin
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I worked with folk singer Kira Winter. And after that, she entered the list of 100 Russian folk performers according to Yandex.Music!
Q: What are you working on at the moment?
A: New album pop singer Barbara Grey!
Q: Analog or digital and why?
A: Hybrid. Thank you 21st century.
Q: What's your 'promise' to your clients?
A: I will make the track sound exactly the way you want it.
Q: What do you like most about your job?
A: creation
Q: What questions do customers most commonly ask you? What's your answer?
A: Q: Why is it so cheap? Me: Because I'm in Kazakhstan!
Q: What questions do you ask prospective clients?
A: What do you want to fix?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Describe what you want. Straight, don't wobble.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Guitar^^
Q: What was your career path? How long have you been doing this?
A: I developed myself with the help of YouTube and older comrades for about 7 years. At the very start, he worked in Pro Tools, but switched to Logic Pro x for greater convenience. Also worked at concerts.
Q: How would you describe your style?
A: Order in chaos
Q: Which artist would you like to work with and why?
A: My dream is to work with artists who provide good sources. It is most important.
Q: Can you share one music production tip?
A: Trust your feelings and don't listen to your brain.
Q: What type of music do you usually work on?
A: Most often these are indie artists, but occasionally I work on pop music. I also often work with folk music. Previously often worked on metal tracks!
Q: What's your strongest skill?
A: I'm good at finalizing the arrangement of the composition.
Q: What do you bring to a song?
A: YA redko menyayu muzyku sil'no. Chashche vsego ya starayus' podcherknut' sil'nyye storony kompozitsii i uluchshit' slabyye, libo spryatat' ikh. 127 / 5 000 Результаты перевода I rarely change music much. Most often, I try to highlight the strengths of the composition and improve the weaknesses, or hide them.
Q: What's your typical work process?
A: I listen to the demo of the artist, then I listen to the references. Then I turn to a dialogue with the artist to clarify questions that might arise during the audition. After 2-3 sessions, I bring the content to the first version of the final material. If edits occur - edit sessions.
Q: Tell us about your studio setup.
A: Now I have a small control room built around monitors DMAX AUDIO 261. This system is built according to the classical principles of "closed box" and "linear phase" with a super-computer for signal conversion.
Q: What other musicians or music production professionals inspire you?
A: I listen to different music, lately it's a band Big Theif
Q: Describe the most common type of work you do for your clients.
A: I really like to bring arrangements to the end. I often work on mixing and mastering indie artists.
- Beat MakerAverage price - $200 per song
- Pop-Rock ArrangerAverage price - $200 per song
- Full instrumental productionAverage price - $250 per song
- EditingAverage price - $10 per track
- Vocal TuningAverage price - $30 per track
- Mixing EngineerAverage price - $200 per song
- Mastering EngineerAverage price - $50 per song
I work with 50% advance payment.
My work includes 2 free editing sessions. Further - $ 30 per session.
For work, I need 3 reference tracks, a multitrack and a demo of your song.
- iMac 24
- Uad twin X
- dmax audio 261
- Soyuz Bomblet 023
I will provide a 20% discount on the first order and give 10% cashback for each withdrawn person.