
I am a producer based out of LA producing, Mixing and Mastering, Dolby Atmos with over 4.2 Billion streams taking your sound to the next level.
Producing, Mixing and Mastering, Dolby Atmos for various genres from Rap, Mexican Regional, Mariachi, Corridos Tumbados, Norteño, Cumbias, Banda
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
- C-Kan
- CROOKED STILO
- PAULA DEANDA
- EL KOMANDER
- LOS BUKNAS DE CULIACAN
- CUITLA VEGA
- Baby Bash
- DJ KANE
- SERGIO VALLIN
- EL COMPADRES MOVIE
- T-LOPEZ
- johnny gill
- Kevin Gates
- LEFTY SM
- Tornillo
- Calibre 50
- Grupo Firme
- pancho barraza
- MC Davo
- MC Magic
- Dharius
- Tiro Loko
- Raymix
- MOZART LA PARA
- Gera MX
- Santa Fe Klan
- Beto Sierra
- Grupo Codiciado
- Griss Romero
- Yubeili
- Melodico
- Los Del Limit
- El Yaki
- Sandra Echeverria
Interview with Juan “2 Swift” Zavala
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I have several that has gotten me multiple platinum plaques.
Q: What are you working on at the moment?
A: Many many projects
Q: Analog or digital and why?
A: Analog. Much warmer, phatter aound
Q: What's your 'promise' to your clients?
A: Satisfaction Guaranteed
Q: What do you like most about your job?
A: Mixing, it’s like painting a picture for me. Gluing everything together.
Q: What questions do customers most commonly ask you? What's your answer?
A: What’s your rate? Starting off at $500 for mixing
Q: What's the biggest misconception about what you do?
A: Mixing in analog has a different sound than digital.
Q: What questions do you ask prospective clients?
A: What sound are you looking for?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don’t take the easy, cheaper way out. It’s your career invest in yourself and your sound.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: U87, CL1B, Apogee Symphony, SSL summing mixer and Bae 1073
Q: What was your career path? How long have you been doing this?
A: I’ve been mixing music for the passed 21 years and doing production for the passed 24 years
Q: How would you describe your style?
A: Unique, open minded to new things
Q: Which artist would you like to work with and why?
A: I have worked with alot of the artists I grew up listening to.
Q: Can you share one music production tip?
A: Be different
Q: What type of music do you usually work on?
A: Latin, urban
Q: What's your strongest skill?
A: Mixing
Q: What do you bring to a song?
A: A different vibe than everything out there. I try to create my own sound and different while keeping the essence of the song.
Q: What's your typical work process?
A: Listen to reference of premix and talk to client on what they’re looking for. Once I have a mix where I like I can send a link to client so they can hear my mix live and make any adjustments client would like.
Q: Tell us about your studio setup.
A: I have an SSL AWS 924 console with several preamps, Avalon, BAE, UA. Not to mention quite a bit of compressors such as Tube Tech CL1B, Distressor, LA-2A, DBX 160a, 1176ln , SSL dynamics. Extra processing with SSL Fusion
Q: Describe the most common type of work you do for your clients.
A: A mixture between production, lots of mixing and mastering
- Mixing EngineerAverage price - $500 per song
- Mastering EngineerAverage price - $70 per song
- ProducerContact for pricing
Satisfaction Guaranteed
- SSL AWS 924
- APOGEE SYMPHONY
- LA-2A
- 1176LN
- TUBE TECH CL1B
- DISTRESSOR
- DBX 160A
- AVALON