uVell

Japanese Vocalist Esraj player

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2 Reviews (1 Verified)
uVell on SoundBetter

uVell, a Japanese vocalist and esraj player (Indian Instrument ) blending diverse musical worlds. With a rich background in genres like Tuvan throat singing and soul, I offer performances that fuse traditional and contemporary elements. My work combines the intricate melodies of the esraj with a variety of musich http://ragaubell.com

The price for vocal recording, if a guide track is already provided, is $200. For lyric adjustments in Japanese (making poetic tweaks without changing the meaning), the cost is $150. The price for Esraj recording, if a guide track (labeled as Violin) is provided, is $200. For any other requests, feel free to contact me. I hope I can provide the sounds you need for your project!

Using equipment such as Logic Pro X, Luna, Babyface, Shure 57, Rode NT2, and Aspen Pitman, I ensure stable audio recording environments. In Japan, I have worked as a professional singer in rock bands, focusing on blues and oldies, and have been recognized for my expressive and emotionally voice.

My exploration of music began with studying the overtones of Xoomei (throat singing), and I have performed on stage across a wide range of genres, including free jazz and experimental music. Additionally, I play the special string instrument Esraj and currently provide audio services online.

I was specially nominated for the Sakamoto Ryuichi Radio Award. I released an album with a Berlin-based label in the UK and have expanded my international music activities.

Send me an email through 'Contact' button above and I'll get back to you asap.

Languages

  • Japanese

2 Reviews

Endorse uVell
  1. Review by Nathan
    starstarstarstarstar
    by Nathan
    check_circleVerified

    uVell is someone very talented, invested in the project and strives to give the best of her music. She masters many vocal techniques and also the esraj, a traditional Indian instrument.

    I loved working with her, it's super pleasant, also she's very responsive.

    She really understood what I wanted, including the poetry that emerges from my musical ambition.

    She is my hero.

    I really recommend her services!

  2. Review by carlo
    starstarstarstarstar
    by carlo

    great work

Interview with uVell

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: One project I’m particularly proud of is a track that fused esraj and dilruba with modern elements. I was responsible for performing the esraj and recording the vocals. This project was special because it created a unique blend of traditional Indian sounds with contemporary influences, and the positive response from listeners highlighted its impact. It reaffirmed my passion for exploring and merging different musical styles.

  3. Q: What are you working on at the moment?

  4. A: At the moment, I’m working on recording and producing several new tracks that blend traditional and contemporary elements. I’m also focusing on refining my vocal performances and experimenting with new sounds to enhance my upcoming projects.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: I don’t have specific names to recommend at the moment, but I encourage clients to explore the profiles and reviews on SoundBetter. Look for professionals with a strong track record and positive feedback that aligns with your needs.

  7. Q: Analog or digital and why?

  8. A: I appreciate both analog and digital, but I lean towards digital for its flexibility and precision in production. Digital technology offers a range of tools and capabilities that make it easier to experiment and fine-tune sounds. However, for instruments and vocals, I value analog for its warmth and authenticity, which adds a unique character to the music.

  9. Q: What's your 'promise' to your clients?

  10. A: My promise to my clients is to deliver high-quality work that aligns with their vision. I commit to meeting deadlines and being responsive to feedback. I strive to ensure that the final product resonates with the audience.

  11. Q: What do you like most about your job?

  12. A: What I like most about my job is the ability to blend different musical elements and create something unique. I enjoy the creative process, from experimenting with sounds to seeing the final product come together. It’s fulfilling to know that my work can evoke emotions and connect with people on a deep level.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: **Q:** How long does a project take? **A:** It depends on the complexity and scope, but I provide an estimated timeline based on your needs. **Q:** What do you need from me to start? **A:** I need a clear idea of your objectives, any reference material, and your timeline. **Q:** How much will it cost? **A:** The cost varies depending on the project’s scope. I can give you a detailed quote once I understand your requirements

  15. Q: What's the biggest misconception about what you do?

  16. A: Another common misconception is that music production is a solitary process. Many people believe that it’s done in isolation, but in reality, it often involves collaboration with other artists, producers, and engineers. The creative process is frequently enhanced by teamwork and collective input.

  17. Q: What questions do you ask prospective clients?

  18. A: 1. **What are your main objectives for this project?** 2. **Do you have any specific ideas or examples for style and direction?** 3. **What is your timeline and deadline for the project?** 4. **What budget do you have in mind?** 5. **Are there any specific requirements or preferences I should know about?**

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: 1. **Be Clear:** Specify your needs and expectations. 2. **Provide Examples:** Share references for style. 3. **Communicate Openly:** Be open to discussing ideas and feedback. 4. **Set Deadlines:** Define realistic timelines for the project.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: Cassette MTR (Multitrack Recorder): To capture musical ideas in an analog format. Esraj: My instrument of choice, perfect for creating deep, meditative music. Solar-Powered Charger: To keep my devices powered. Multi-tool: Essential for practical tasks like setting up shelter and preparing food.

  23. Q: What was your career path? How long have you been doing this?

  24. A: My career path began with a focus on soul and rock music during my teenage years, eventually leading to an interest in experimental music. Over the years, I have been involved in various music projects, including hosting an FM radio show and participating in theater productions. Since 2016, I have been deeply engaged in Indian classical music, learning both vocal styles and the esraj. I have participated in numerous Indian music events and performances and have been actively exploring and expanding my musical horizons.

  25. Q: How would you describe your style?

  26. A: My style can be described as a fusion of traditional and contemporary elements. I blend the intricate and expressive qualities of Indian classical music with modern influences, creating a unique sound that bridges cultural gaps and resonates with diverse audiences.

  27. Q: Which artist would you like to work with and why?

  28. A: I would like to work with Pt. Mukesh Sharma ji. He is my mentor and an exceptional musician. His deep understanding of music and unique style would provide invaluable insights and inspiration for creating innovative and profound musical works.

  29. Q: Can you share one music production tip?

  30. A: One effective tip is to use automation to enhance your mix. Automation allows you to control various elements such as volume, panning, and effects throughout the track, adding dynamics and interest. This helps create a more engaging and polished final mix.

  31. Q: What type of music do you usually work on?

  32. A: I usually work on music that blends traditional and contemporary elements. This includes Indian classical music with the esraj and contemporary styles where I incorporate Japanese vocals.

  33. Q: What's your strongest skill?

  34. A: 1. **Esraj Performance:** I am well-versed in playing the esraj and can adapt to various musical styles. I also have the ability to sing in Japanese, expressing Japanese lyrics with emotional depth. 2. **Cultural Sensitivity:** I integrate diverse musical traditions and influences into modern compositions, enriching the overall sound. This combination allows me to bridge different musical worlds and create unique, emotionally resonant music that appeals to a broad audience.

  35. Q: What do you bring to a song?

  36. A: **Question:** What do you bring to a song? **Answer:** I bring artistic expression and cultural fusion to a song. Specifically: 1. **Emotional Depth:** I leverage my experience in various musical styles to enrich the song's intended mood and message. 2. **Cultural Fusion:** I incorporate traditional instruments like the esraj and modern production techniques to add unique and engaging elements to the song. 3. **Attention to Detail:** I focus on meticulous editing and recording to enhance the overall quality and impact of the music. By combining these elements, I aim to bring out the best in each song and make it resonate with listeners

  37. Q: What's your typical work process?

  38. A: **Question:** What’s your typical work process? **Answer:** 1. **Initial Consultation:** I review the project details and the client's requirements. 2. **Recording:** I record the esraj or vocals. Revisions incur additional fees. If there is no guide track, we’ll discuss what specific sounds are needed. 3. **Final Delivery:** The final product is delivered as a WAV file.

  39. Q: Tell us about your studio setup.

  40. A: My studio setup is designed to be foolproof for audio recording and production, the main tools are: - **Logic Pro X** and **Luna** for digital audio recording and editing. - **Babyface pro** audio interface for reliable connectivity and high-resolution audio. - **Sure SM57**- **Aspen Pitman** and **Rode NT2** microphones

  41. Q: What other musicians or music production professionals inspire you?

  42. A: I draw inspiration from many musicians and music production professionals. In particular, I am deeply influenced by the Indian music maestros Ahmed Jatt Ali Khan, Mukesh Sharma, and Ranadeer Roy. Additionally, contemporary artists such as Thom Yorke and Björk provide innovative ideas that expand the possibilities of music production. Learning from their music and production methods helps me incorporate new perspectives and techniques into my own musical activities.

  43. Q: Describe the most common type of work you do for your clients.

  44. A: we will provide WAV files for the esraj and vocal recordings. We also offer services for creating or revising Japanese lyrics. Please note that since Japanese syllables might not always align with the guide track, some adjustments may be necessary. We typically handle projects with a guide track, but we are also open to discussing options if one is not available. We are here to help bring your ideas to life.

  45. Q: What advice do you have for a customer looking to hire a provider like you?

  46. A: 1. **Be Clear:** Specify your needs and expectations. 2. **Provide Examples:** Share references for style. 3. **Communicate Openly:** Be open to discussing ideas and feedback. 4. **Set Deadlines:** Define realistic timelines for the project.

  47. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  48. A: Cassette MTR (Multitrack Recorder): To capture musical ideas in an analog format. Esraj: My instrument of choice, perfect for creating deep, meditative music. Solar-Powered Charger: To keep my devices powered. Multi-tool: Essential for practical tasks like setting up shelter and preparing food.

  49. Q: What was your career path? How long have you been doing this?

  50. A: My career path began with a focus on soul and rock music during my teenage years, eventually leading to an interest in experimental music. Over the years, I have been involved in various music projects, including hosting an FM radio show and participating in theater productions. Since 2016, I have been deeply engaged in Indian classical music, learning both vocal styles and the esraj. I have participated in numerous Indian music events and performances and have been actively exploring and expanding my musical horizons.

  51. Q: How would you describe your style?

  52. A: My style can be described as a fusion of traditional and contemporary elements. I blend the intricate and expressive qualities of Indian classical music with modern influences, creating a unique sound that bridges cultural gaps and resonates with diverse audiences.

  53. Q: Which artist would you like to work with and why?

  54. A: I would like to work with Pt. Mukesh Sharma ji. He is my mentor and an exceptional musician. His deep understanding of music and unique style would provide invaluable insights and inspiration for creating innovative and profound musical works.

  55. Q: Can you share one music production tip?

  56. A: One effective tip is to use automation to enhance your mix. Automation allows you to control various elements such as volume, panning, and effects throughout the track, adding dynamics and interest. This helps create a more engaging and polished final mix.

  57. Q: What type of music do you usually work on?

  58. A: I usually work on music that blends traditional and contemporary elements. This includes Indian classical music with the esraj and contemporary styles where I incorporate Japanese vocals.

  59. Q: What's your strongest skill?

  60. A: 1. **Esraj Performance:** I am well-versed in playing the esraj and can adapt to various musical styles. I also have the ability to sing in Japanese, expressing Japanese lyrics with emotional depth. 2. **Cultural Sensitivity:** I integrate diverse musical traditions and influences into modern compositions, enriching the overall sound. This combination allows me to bridge different musical worlds and create unique, emotionally resonant music that appeals to a broad audience.

  61. Q: What do you bring to a song?

  62. A: **Question:** What do you bring to a song? **Answer:** I bring artistic expression and cultural fusion to a song. Specifically: 1. **Emotional Depth:** I leverage my experience in various musical styles to enrich the song's intended mood and message. 2. **Cultural Fusion:** I incorporate traditional instruments like the esraj and modern production techniques to add unique and engaging elements to the song. 3. **Attention to Detail:** I focus on meticulous editing and recording to enhance the overall quality and impact of the music. By combining these elements, I aim to bring out the best in each song and make it resonate with listeners

  63. Q: What's your typical work process?

  64. A: **Question:** What’s your typical work process? **Answer:** 1. **Initial Consultation:** I review the project details and the client's requirements. 2. **Recording:** I record the esraj or vocals. Revisions incur additional fees. If there is no guide track, we’ll discuss what specific sounds are needed. 3. **Final Delivery:** The final product is delivered as a WAV file.

  65. Q: Tell us about your studio setup.

  66. A: My studio setup is designed to be foolproof for audio recording and production, the main tools are: - **Logic Pro X** and **Luna** for digital audio recording and editing. - **Babyface pro** audio interface for reliable connectivity and high-resolution audio. - **Sure SM57**- **Aspen Pitman** and **Rode NT2** microphones

  67. Q: What other musicians or music production professionals inspire you?

  68. A: I draw inspiration from many musicians and music production professionals. In particular, I am deeply influenced by the Indian music maestros Ahmed Jatt Ali Khan, Mukesh Sharma, and Ranadeer Roy. Additionally, contemporary artists such as Thom Yorke and Björk provide innovative ideas that expand the possibilities of music production. Learning from their music and production methods helps me incorporate new perspectives and techniques into my own musical activities.

  69. Q: Describe the most common type of work you do for your clients.

  70. A: we will provide WAV files for the esraj and vocal recordings. We also offer services for creating or revising Japanese lyrics. Please note that since Japanese syllables might not always align with the guide track, some adjustments may be necessary. We typically handle projects with a guide track, but we are also open to discussing options if one is not available. We are here to help bring your ideas to life.

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Uvelll

I was the The Secret of the Swan in this production

Terms Of Service

This violin item will be an ethnic instrument called esraj. It operates on a one-time buy-back system. Each rework will cost $13.00. Please contact me for further information.

GenresSounds Like
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  • Japan
  • Japanese
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