I specialise in modern mixes with attitude, and can also offer recording and editing to help you get the best out of your music.
It’s easier than you think to get your songs sounding amazing.
Whether it’s mixing an already recorded project, helping from the start with recording sessions, or just taking some of the pain out of getting tracks edited I give every project 100%.
My work is clean, punchy, and benefits from my totally modern approach to the art.
You’ll be in the loop all through the process and with all revisions included you can be sure that I won’t rest until you are 100% satisfied.
Contact me through the green button above and let's get to work.
Interview with George @ Millar Audio
Q: What are you working on at the moment?
A: Refreshing my portfolio mostly. Helping a local artist set up her home recording set up and hopefully following/helping with the process to final release.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet, but I'm sure there will be.
Q: Analog or digital and why?
A: Digital. It's just way more convenient! Session recall is easier,
Q: What's your 'promise' to your clients?
A: To not be finished untill they are 100% happy
Q: What do you like most about your job?
A: The relationships I've developed with musicians along the way
Q: What's the biggest misconception about what you do?
A: That I only work in the style of music I listen to the most - metal. Some of my favourite work has been in the hip-hop and singer songwriter world.
Q: What questions do you ask prospective clients?
A: I always ask for references, it's hard to communicate in words exactly how you want something to sound, yet not a lot of artist think to use reference tracks as tool to help achieve the end result they want
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure you know what you want before you start, look for someone you can communicate well with, no matter by what means.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My laptop, my interface, my wonderful Schecter Bass,
Q: What was your career path? How long have you been doing this?
A: I studied Audio Engineering at college, have worked in live venues and played in bands but took a step back from it all a while back. I recently got back into audio and hope to grow my own freelance business.
Q: How would you describe your style?
A: Clean, punchy, modern
Q: Which artist would you like to work with and why?
A: Faith No More - I'm a life long fan and everything they release is individual and amazing.
Q: Can you share one music production tip?
A: Always serve the song
Q: What type of music do you usually work on?
A: Truly everything. Last two songs mixed were a piano and vocal track, and the other a heavy metalcore track.
Q: What's your strongest skill?
A: Mixing
Q: What do you bring to a song?
A: A strong commitment to help bring the artists vision to life. I believe in serving the song first and foremost.
Q: What's your typical work process?
A: Lots of communication with the artist to get a good feel for what they are after, no matter the project.
Q: Tell us about your studio setup.
A: Currently working (mostly) ITB. I'm a big fan of Presonus Studio One and Plugin Alliance/Brainworx plugins. I learned the old school way though, so rock the SSL channel strip on everything
Q: What other musicians or music production professionals inspire you?
A: Too many! Andy Wallace, Andrew Scheps, Colin Richardson, George Lever and Will Putney amongst them
Q: Describe the most common type of work you do for your clients.
A: My most common work is done ax a remote mixer, where I enjoy helping artists from all locations, and genres, get the best out of there songs.
- Mixing EngineerAverage price - $150 per song
- EditingAverage price - $40 per track
- Vocal TuningAverage price - $40 per track
- Podcast Editing & MasteringAverage price - $75 per podcast
- Time alignment - QuantizingAverage price - $40 per track
- Lamb of God
- Chimaira
- Sepultura
