I really don't know what to write here.
I'm specialized in writing/composing music for pictures and scene, supervising and directing the recording. My primary instrument is the piano and that doesn't mean that I put piano in all my compositions.
The palettes that I use are mostly hybrid, except if the script is written for a specific palette of sounds/instruments.
Tell me about your project and how I can help, through the 'Contact' button above.
ReviewsEndorse Reda M
Interview with Reda M
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I have 3 projects, the 1st is composing for Ifrikya Spirit Band, I'm proud of this because we traveled with this gig to the USA, EU and Africa. The 2nd is the scores of Achour Achar S3 série, I composed and produced 350 different tracks for this last season that is on YouTube. It is a very famous TV série in the middle east and north Africa. The 3rd is my last Full length score and I'm not allowed to talk about it because the communication phase didn't started yet.
Q: What are you working on at the moment?
A: Tomorrow I deliver the music of a Full Length Movie in 5.1 then I finish mixing a série of 20 Ep befor the 1st February
Q: Analog or digital and why?
A: Digital for sure because of the deadlines and the budgets, and digital isn't that bad, I had been hypnotized many time when mixing with an Altiverb in 5.1. But the mastering is better on Analog Gear this is sure
Q: What's your 'promise' to your clients?
A: They will panic and stress lol but I will honormy contract, if they don't panic and stress that mean that they are not enough invested in the project.
Q: What questions do customers most commonly ask you? What's your answer?
A: Are you sure that it will be ready before the deadline, Yes You haven't compose yet the Seauence X are you sure that it will be ready ?, Yes And the funniest one is, trust me I'm not lying, the sound engineer: who composed this tracks ? The director : the guy who is setting next to you lol
Q: What's the biggest misconception about what you do?
A: When I was 11 years old I lied about a music that I truly thought that I composed and at 22 years Olds I understood that it was an Éric Satie music that I heard on a music box when I was a kid, I always try to be honest in what I compose, the misconception come from the interference of the producer in the creative process, sometimes it work, but sometimes it is a mess.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I'm new here, i heard about this website on a forum, so I know nobody here, sorry.
Q: What do you like most about your job?
A: Traveling in the story of each script, creating a workflow adapted to a production, the face that make the actors and the director when they hear for the 1st time the music
Q: What questions do you ask prospective clients?
A: What is the length of the movie and the deadline ? Then I have a list of questions adapted for each kind of project.
Q: What advice do you have for a customer looking to hire a provider like you?
A: The adventure on a way to believe that music is universal, I'm not a famous composer but most of them went from different horizons.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A Laptop and a DT990 250ohm and 2 monitors, and an ilok key
Q: What was your career path? How long have you been doing this?
A: All my life
Q: How would you describe your style?
A: Human, because I try to interact with the intellect, emotions, intuition and sense. Those characteristics are human
Q: Which artist would you like to work with and why?
A: Tina Guo, because she have the best cello that I heard in my life, and she is a great cello player, I like the expression that she have.
Q: Can you share one music production tip?
A: Yes, prepar your final session in mockup with printed click on a disabled track during all the process of the production give you the opportunity to add or modify anything in the music at any phase of the production process.
Q: What type of music do you usually work on?
A: There is no type of music except folkloric and academic type. Everything else have cultural codes that you need to respect to get the color that you are looking for.
Q: What's your strongest skill?
Q: What do you bring to a song?
Q: What's your typical work process?
A: Reading the script, interviewing the director and installing a new common langage between us, talking about the références that inspired him to make the film, spotting the cues on the movie, cutting the movie in cues with BTC on videos, maquetting, validation, recording, mixing on a premix of the movie, debrief with the director for the final revisions, revisions, validation, mastering, end of the process, repeat ;)
Q: Tell us about your studio setup.
A: I have a Home Studio and I collaborate with a studio for dolby 5.1 mix and masters
Q: What other musicians or music production professionals inspire you?
A: Hans Zimmer, James Hörner, Danny Elfman, Puccini, Astor Piazzola, Pat Metheny, Chick Corea, Cecilia Bartoli....
Q: Describe the most common type of work you do for your clients.
A: Producing scores, composing and recording.