Big, clear and concise mixes at competitive rates.
I am a producer, mix & mastering engineer based in Hampshire, UK.
The studio is based on Pro Tools Ultimate (HD) with top-end conversion from Dangerous Audio, Cranesong & Apogee. I use a hybrid of ITB and analog equipment.
I am able to work to any budget in order to fulfil you needs for a professional mix and master.
I strive to uphold exceptional communication throughout my projects, I will work to ensure all requirements and expectations are made. I look forward to hearing from you!
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Credits
Interview with Jack Stephens
Q: Analog or digital and why?
A: Both, because they both have their strengths!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Focusrite Red 3 UA 1176 Dangerous Audio AD+ Telefunken 251 Neve 1081
Q: How would you describe your style?
A: Punchy, dynamic & fierce
Q: Which artist would you like to work with and why?
A: Deftones because they rule!
Q: Can you share one music production tip?
A: Be very careful not to over compress on the way in...
Q: What type of music do you usually work on?
A: Rock, Pop & Metal
Q: What's your strongest skill?
A: Distorting things
Q: Tell us about your studio setup.
A: I run a Pro Tools HDX rig with Apogee converters with choice outboard. It's very much a blend of analog & digital.
Q: Describe the most common type of work you do for your clients.
A: Remote mixing & mastering
I was the Mix & Master in this production
- Mixing EngineerAverage price - $300 per song
- Mastering EngineerAverage price - $70 per song
- EditingAverage price - $100 per track
- Vocal TuningAverage price - $50 per track
- Live drum trackAverage price - $250 per song
- Cranesong Avocet II
- Dangerous Audio Convert AD+
- Apogee Symphony 16x16
- Focusrite Red 3
- Unity Audio Boulders