I am an electronic music mixing and mastering engineer with 10+ years of experience in audio and music production.
I specialize in the genres of House, Techno, Trance, Pop, Synthwave, and Hip-Hop.
As a producer since 2011 and active since 2015, I have released, remixed, and collaborated on official projects in the Trance, Progressive, House, Pop, and Synthwave scenes. I have received support from international artists and DJs such as Above & Beyond, Cosmic Gate, Shane 54, Matt Fax, Johan Gielen, Colonial One, as well as channels such as NewRetroWave, ThePrimeThanatos, The80sGuy, and TheGrandSound.
I have worked as a mixing and mastering engineer for several DJs, producers, and artists.
My goal is always and only to achieve the desired sound of the artist, offering my experience and availability. It is not just a matter of sound, but also of vision: always understanding what the artist wants for their project. I strive to provide the necessary detail and care for sound, treating every project as if it were my own.
My mixes and masters are ITB (In The Box) and produced with the best plugins on the market, including FabFilter, Softube, Waves, Plugin Alliance, iZotope, Soundtoys, Solid State Logic, and many others.
I always offer availability for multiple revisions for my work, which will be discussed together.
If you need assistance, please do not hesitate to contact me to discuss your project!
Send me a note through the contact button above.
2 Reviews - 1 Repeat ClientEndorse Gianmarco Fabbretti
Really good mixing and mastering engineer, specially for independent artists without a lot of money. Very flexible and ready to make all the revisions that are necessary to get to the desired result. He knows how to listen to his clients whether they know exactly what effects and processing they want or they just know the vision they want to reach. Very pleasurable to work with, and great, professional results that compare well with other tracks on the market!
Amazing mixing and mastering service for a great price! I sent my track after all my best efforts at mixing and mastering it and he raised it to a whole new level, in terms of perceived loudness, presence, depth and stereo imagin. He was quick at giving me the first demo and even quicker at working on all the revisions I asked for. The final work sounds really good everywhere, from a car to a JBL Extreme, from earbuds to monitor headphones and speakers, even from the phone speakers!
Interview with Gianmarco Fabbretti
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Two projects that I'm proud to be part: Infinite Beats (Instrumental) by Rubo: Re-Mastered by me (an amazing classic of italian Hip-Hop scene) Periferia Lontana by Rubo & FatFat (Album): mixed and mastered by me
Q: Analog or digital and why?
A: Digital. Analog is still the best way to reaching easly a warm/depth sound but today the digital domain is the fastest and most versatile process. You can reach amazing and professional results working exclusively In The Box (digital domain) thanks to high quality plugins and great emulations of analog gears. The Recall in the analog domain requires time and hard work and this leads to work faster in digital.
Q: What was your career path? How long have you been doing this?
A: I started making music back in 2008 and sometimes DJing. In 2015 I released my first official projects under record labels and go supports from interntional podcasts/mix by respectable artists. I studied sound engineering at Jam Academy of Lucca (Bachelor of Arts In Music Production).
Q: What type of music do you usually work on?
A: I work with electronic music, in the specific with House (Deep, Progressive, Melodic), Trance, Techno (Melodic, Peak-Drive), EDM, Trap, Hip-Hop, Ambient and Chillout.
Q: Describe the most common type of work you do for your clients.
A: I do mixing and mastering ITB (In The Box) for artists and DJs. I produce music for myself too and for other clients.