Mauricio Gargel audio mastering

Mastering - Dolby ATMOS

6 Reviews
Mauricio Gargel audio mastering on SoundBetter

High-end mastering and listening experience. Exceptional sound

Mauricio Gargel audio mastering is a mastering facility located in São Paulo, Brazil.
Mastering for Immersive Audio (e.g. ATMOS and binaural)
CD Mastering,
MFiT - Certified mastering for iTunes
Mastering for Vinyl
Mastering for 5.1 Surround
Mastering for VR
Audio Restoration
Audio Editing

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6 Reviews

Endorse Mauricio Gargel audio mastering
  1. Review by Thiago Baggio

    The best mastering engineer that I know, trust and recommend.

  2. Review by Éric Yoshino

    Mauricio is a great guy, an amazing engineer and I always learn a lot just by watching him work.

    He will listen to your song and instantly know how to improve it.

    True professional and easy to work with. Highly recommend!

  3. Review by Pedro Serapicos

    Mauricio is a top notch, world class mastering engineer! HIGHLY recommended!

  4. Review by PHILLIP NUTT

    Mauricio is such a nice guy and very professional engineer. Speechless work. Highly recommend!!!

  5. Review by Michael Hanson
    by Michael Hanson

    I have been working with Mauricio for 5 years.

    Is there anything that I can say to convince you to use Mauricio? If there is, consider it said!

    I love everything that Mauricio does. What goes in ... comes back better!

    His Ears and Room are second to none. You owe it to your clients and yourself to use Mauricio.

  6. Review by Eric Eggleston
    by Eric Eggleston

    I've been working with Mauricio for 5 years years now.
    I know that whenever I send him a production to master, that it will always come back sounding pristine and beautiful. Mauricio is also very consistent in his turnaround time.
    He is my go-to guy and my clients are loving it!

Interview with Mauricio Gargel audio mastering

  1. Q: Describe the most common type of work you do for your clients.

  2. A: I offer a full-service audio mastering for CD, DVD, Immersive Audio and digital distribution.

  3. Q: What do you like most about your job?

  4. A: The fact that I can help musicians improve their art.

  5. Q: What questions do you ask prospective clients?

  6. A: I like to know what are the final media for distribution so I can prepare the masters accordingly.

  7. Q: What's your strongest skill?

  8. A: Critical listening.

  9. Q: Tell us about your studio setup.

  10. A: The work in my studio revolves around an especially accurate and precise monitoring systems without which every decision would be pointless. The goal is to effortlessly judge the quality of the music that comes in and, if necessary, change it. Additionally we have a combination of high performance analog and digital tools

  11. Q: Analog or digital and why?

  12. A: It does not matter. I like analog because of the interface you have with the equipment... the ergonomics of 'real' gear are better if compared with a mouse. I really love the precision of digital processor, though...

  13. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  14. A: 5!!! that is a lot:) Assuming we have electricity in the island, all I need is my speakers, converters and perhaps a good equalizer.

  15. Q: What was your career path? How long have you been doing this?

  16. A: I have been doing this for over 15 years. I started as an assistant engineer in a local studio and grew into mastering naturally.

  17. Q: What type of music do you usually work on?

  18. A: As a mastering engineer, I think it is important to understand every style and update yourself on the trends and challenges in music production. I work on projects that range from acoustic jazz to electronic music.

  19. Q: What do you bring to a song?

  20. A: Honestly, I don't think I bring anything to a song that was not there in the first place. All I do is bring to light the original intentions of the production that for some reason got hidden in the mix.

  21. Q: What do you bring to a song?

  22. A: Honestly, I don't think I bring anything to a song that was not there in the first place. All I do is bring to light the original intentions of the production that for some reason got hidden in the mix.

GenresSounds Like
  • Emicida
  • Arnaldo Antunes
  • Karol Conká
Gear Highlights
  • Blue Ripple Sound
  • Dolby
  • DMG Audio
  • Flux::Immersive
  • Merging Technologies
  • Neumann and PMC
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