Tiny Red Window - SoundLab -

Music Production Studio

Tiny Red Window - SoundLab - on SoundBetter

Everything you need to finish your projects. -HARDWARE / KNOWLEDGE / EXPERIENCE- . We put all our tools at the disposal of your ideas.

Welcome to Tiny Red Window
A space dedicated to production and teaching in the audio field.
We invite you to tell us all your concerns and they will be attended by the best professionals
we are equipped with top-level hardware for building and creating your own sound.

OLD SCHOOL SAMPLING (Downgrade Sampler Rate and Bits)

Don't be afraid to CONTACT US for any enquirer. We are experienced producers and we can help YOU and YOUR PROJECTS filling the gaps in your work with OLD SCHOOL technics for AUDIO RECORDINGS.

Send me a note through the contact button above.

Interview with Tiny Red Window - SoundLab -

  1. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  2. A: Tascam multitrack Recorder, fender rhodes mark II, Yamaha spx50, Moog system 55 and SSL G4000 Stereo Channel Strip.

  3. Q: What was your career path? How long have you been doing this?

  4. A: I´ve been making and producing music for the past 20 years

  5. Q: How would you describe your style?

  6. A: hybrid

  7. Q: Which artist would you like to work with and why?

  8. A: I would like to work with madonna and rosalia both because I think i´d be able to exposed them to a different sound and see what can we do with that.-

  9. Q: Can you share one music production tip?

  10. A: a simple one: When you need to glue, compress and stylize a drum mix, you can process the audio through an old sampler or a cassette tape and then mix this in parallel with the original.

  11. Q: What type of music do you usually work on?

  12. A: I usually work with Synthesizer base IDM and Experimental Music. But also I´m use to work with 80´s nostalgic styles like Synthwave, Retrowave, Darksynth

  13. Q: What's your strongest skill?

  14. A: i can easily recognize what the musician is trying to accomplish

  15. Q: What do you bring to a song?

  16. A: I can bring 20 years of experience making and producing music

  17. Q: What's your typical work process?

  18. A: It depends if I am producing, recording, mixing or mastering.

  19. Q: Tell us about your studio setup.

  20. A: I work in a hybrid environment. I Use a Presonus StudioLive 24.4.2 for mixing and routing. Then I use this external processors: Bellari 282 Dual Compressor, ART pro VLA, Yamaha GC2020 BII, Yamaha SPX90, Yamaha REX50 Ibanez AD100, BOSS RCE-10. For vintage LO FI sound I use : Sampler: YAMAHA A4000, YAMAHA TX16W Sound Desing: YAMAHA CX5MII Tape Compression: YAMAHA MT2X SYNTHS: SIEL EXPANDER 80 ROLAND D-50 YAMAHA TX7 YAMAHA DX27 ARTURIA MINIBRUTE KORG MICROKORG Drum Machines: YAMAHA RX17 ARTURIA DRUMBRUTE ROLAND TR-727

  21. Q: Describe the most common type of work you do for your clients.

  22. A: the two most common jobs for me are: Help my client choose the type of sound they are looking for and help them finish their track.

Details by Esteros live project & OMVRA

I was the Audio Engineer and Producer in this production

Terms Of Service

Our terms are discussed with the client

Gear Highlights
  • YAMAHA 80´s/90´s SOUND" (DX7 / RX / SPX90 / TX16W / GC2020BII / DMP11 / MT2X / REX50
  • Presonus Studiolive 24.4.2
  • Bellari TUBE Compressor + TUBE Preamp
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SoundBetter Deal

20% off MIX TRACK