Edit, Mix, Atmos, Sound Design

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: Being the sound designer and composer of short films is a very rewarding job, since I can be able to really express what my ideas from conception to delivery

Q: What do you like most about your job?

A: Express creativity through technical elements in music.

Q: What's the biggest misconception about what you do?

A: That I can make "anything" sound like "anything".

Q: What advice do you have for a customer looking to hire a provider like you?

A: It is important to understand that a professional mastered track is a conjunction of elements and their quality. And it must be clear that the quality of the song does not depend solely on the mix.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: A solar power bank, satellite internet device, laptop, close headphones and hard drive :P

Q: What was your career path? How long have you been doing this?

A: I graduated in Electronic Engineering and with more than 18 years of experience I developed her career as a sound engineer. I have experience in live sound, recording and musical production with symphonic orchestras from “El Sistema” and other musical ensembles. My professional background ranges from working in recording productions with the Deutsche Grammophon with Gustavo Dudamel, as well as technical support of SSL, Digico consoles and other recognized brands in Hermes Music for bands such as Maná, Vicente Fernández, Ricky Martin, etc. I have worked at various Cirque du Soleil shows such as At sea, Luzia, Amaluna and Totem, La Perle by Dragone in the city of Dubai, and I was part of the sound team of the Firdaus Studio at Expo City Dubai. I participate as a volunteer for Soundgirls the community and has also being part of the Diversify the Stage and AES mentoring program. I hold a master's degree in Cultural Management. Founder of Sandtracks and I was recognized at the BeingShe Business and Professional Awards for Excellence in Media and Arts as the Best Sound Engineer.

Q: What type of music do you usually work on?

A: World music, jazz, classical, alternative.

Q: What's your strongest skill?

A: My keen ear, discipline and attention to detail due to my musician background

Q: What do you bring to a song?

A: Every track is unique, and I take the time to understand the creative vision, ensuring the final mix truly represents the artistic identity.

Q: Tell us about your studio setup.

A: I like to do some freelance work in my home studio apart from live sound gigs. I mix in the box on genelec speakers and use ProTools, I mainly use Waves, Plugin Alliance and Universal Audio plugins.