All of Sound

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: Las Ruinas del Tiempo (Podcast): It was a challenging job and a lot of sound learning. Hubo un trabajo completo con el sonido, se realizo actuacion de voz, Musicalizacion, Diseño Sonoro, Foley, Grabacion, Mezcla y Mastering

Q: What are you working on at the moment?

A: Producing 2 musical albums, music for radio drama and 2 musical EPs

Q: Analog or digital and why?

A: Both, because the ideal is to mix the best of both worlds

Q: What's your 'promise' to your clients?

A: I promise you clarity regarding the harmony of everything, professionalism, and delivering what was agreed and in the agreed time.

Q: What do you like most about your job?

A: The energy it transmits, The Original and The Variety

Q: What questions do customers most commonly ask you? What's your answer?

A: How much do you charge? What includes? How long does it take you? To answer that, a meeting is held by videoconference, doubts are resolved, and agreements are reached, making a work plan and making clear some Deadlines.

Q: What questions do you ask prospective clients?

A: What do you want to transmit? What texture or sensation do you want to convey? What instruments do you want, real, midi? Are you open to proposals? What references do you have?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Be clear with what you want, and be open to new proposals

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: PC, Solar Panel, Interface, Headphones, Midi Controller.

Q: What was your career path? How long have you been doing this?

A: We are a partnership of two projects Tignar Project and Roux; with more than 3 years of experience offering audio production solutions. Tignar Project (Visiones Sonoras): is a project made up of Tomas Velez Arango, graduated from the EAFIT university with an emphasis on Cello, has studies in Audio Production, Dubbing and Theater, has carried out different projects with the help of collective companies and groups including REC (Radio Escénica de Colombia), Banco de la Republica Cultural, Empresas Various de Medellín (Linda Calle Project), El Cuerpo sin Nombre, Estudios Guayacanes, Corporación Ecos, among others, has also been a winner and beneficiary of scholarships and incentives from the Secretary of Culture of Medellín and the Ministry of Culture. Roux: is a project created by Roxana Libertad. Artist from the city of Medellin, singer-songwriter and ITM graduate of the undergraduate degree in “Recording Arts and Musical Production.” In 2022, she was the winner of two stimuli for art and culture with which she published 2 musical albums, one with her band ''Sound Spiral'' and another with Tignar Project, the latter being produced, mixed and mastered completely by Tignar & Roux.

Q: How would you describe your style?

A: Fusion, Risky, Creative, Innovative

Q: Which artist would you like to work with and why?

A: Gustavo Santaolalla, Because he has great versatility as a musician, composer and producer.

Q: Can you share one music production tip?

A: Achieve the balance between freedom, a certain degree of improvisation, good communication and discipline

Q: What type of music do you usually work on?

A: Folk Music, Soundtracks

Q: What's your strongest skill?

A: Cello, Strings Arregenment, Songwriting, Sound Design, Podcast, Foley

Q: What do you bring to a song?

A: Life, Thickness, Style and Poetry, Rich musical and rhythmic diversity and our entire Sound Vision

Q: What's your typical work process?

A: Preproduccion (Workplan, Deadlines) Produccion (Recovering) Postproduccion (Editing, Mixing, Mastering)

Q: Tell us about your studio setup.

A: We have a homestudy with professional Focal Monitors, a Focusrite interface, a Shure Sm7b microphone, 2 MXL 990 microphones, a 5-octave midi keyboard, a bank of voices and session musicians. It works with Pro Tools, Cubase, Ableton Live and Reaper, Kontakt and a wide variety of professional Plugins.

Q: What other musicians or music production professionals inspire you?

A: Gustavo Santaolalla (Producer, Composer, Musician) Giovanni Sollima (Composer, Cellist, Musician) Mercedes Sosa (Musician) Mayra Andrade (Composer, Musician) Sara Tabares (Songwriter, Composer , Musician) Sylvia Massy (Producer) Danny Elfman (Producer, Composer, Musician) Alexander Desplat (Producer, Composer, Musician) Jaques Morelenbaum (Arregenment, Composer, Cellist, Musician) Ennio Morricone (Arregenment, Composer, Musician) Nobuo Uematsu (Producer, Arregenment, Composer, Musician) Jami Sieber (Composer, Cellist, Musician) Shira Kammen (Composer, Musician) Ryuichi Sakamoto (Arregenment, Composer, Musician) Brian Eno (Sound Designer, Composer, Producer, Musician) Johan Sebastian Bach (Composer) Eva Ayllon (Musician) Steve Reich (Composer, Musician) Critical Roll (Podcast) Lucio Feuillet (Producer, Composer, Musician) Penguin Cafe Orchestra (Group) Daniel Marin (Producer, Sound Designer) Nano Stern (Composer, Musician) Fito Paez (Songwriter, Composer, Musician) Brian Finnegan (Musician) Calum Stewar (Bagpiper, Musician) Carlos Nuñes (Bagpiper, Musician) The Outside Track (Group) Hanz Zimmer (Producer, Composer, Musician) Akira Yamaoka (Composer, Musician) David Wise (Producer, Composer, Musician) El Topo (Podcast) Nestor Garnica (Songwriter, Composer, Musician) Editus (Group) OMNIA (Group) Skolvan (Group) Yo Yo Ma (Cellist, Musician) Orejero Podcast (Podcast) Jordi Savall (Musician) Air (Group)

Q: Describe the most common type of work you do for your clients.

A: Soundtracks, Songwriting, Foley, Sound Design, Recording, Editing, Mix & Master, Musical Arregements, Cello, Audiologist, Jingles, Overvoicing, Podcast.