Get your tracks RADIO ready.
Why hire a mixing engineer?
A Mixing Engineer responsible for adding creative as well as preventative processing to your recordings. With a professional mixing engineer could improve the sonic quality and overall enjoyability of recorded music.
Why should I have my tracks Mastered?
Mastering is important to polish a mix & increase volume to match commercially released music. It is important to let a professional master your work as they would have a better understanding of different LUFS levels and how those levels translate at different streaming services like iTunes, Spotify, Tidal & so on.
Why choose Silent Vox Productions?
Silent Vox Productions was founded by engineer Jacob Moumojian in 2018. He has worked with many successful musicians within the middle eastern region & internationally with artists such as Drowning Pool, Essa Al Marzouq, The Gypsy Kings & more. He's also had the privilege with working in some of the best studios around, such as Real World Studios & Studio La Fabrique, along side grammy winning producers such as Joe Chiccarelli.
Tell me about your project and how I can help, through the 'Contact' button above.
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Interview with Silent Vox Productions
Q: What other musicians or music production professionals inspire you?
A: Chris Lord-Alge, Joe Chiccarelli, Tony Maserati & Andrew Scheps
Q: What type of music do you usually work on?
A: Singer Songwriter, Rock, Metal & Pop.
Q: Describe the most common type of work you do for your clients.
A: The most common type of work I do is producing, mixing and mastering. However, being a songwriter myself, I sometimes get composition & writing work for film and artists.
Q: Tell us about your studio setup.
A: I use Orion 32 Studio converters going into Protools and Logic Pro X. My monitoring is done using the Adam's Audio A7X and the M-Audio BX8 for low frequency reference. I also have access to some of the best plugins such as Waves, UAD & Steven Slate, as well as top virtual instruments and sample library's such as Native Instruments' Kontakt library and the Slate Trigger libraries.
Q: What's your typical work process?
A: I usually ask for a reference track an idea and feel of the energy the client is going for.
Q: What's your strongest skill?
A: Mixing drums and vocals.
Q: How would you describe your style?
A: If the song doesn't move me emotionally, it's not done right.
Q: Analog or digital and why?
A: Both. Analog has it's warm tone that everybody loves, but at the end of the day, digital is just practical. I always however make sure I record with analog gear when I have access to them.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I recently released my own single on iTunes which I wrote, produced, performed, recorded and mixed myself.
Q: Which artist would you like to work with and why?
A: Bring me the horizon. They're production methods are incredible, and mixes always sound on point. I would love to work with them to challenge my self to their standards.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure you speak to the producer/engineer first to come to terms with an agreement that satisfy you both equally.
Q: What do you like most about your job?
A: Listening to new genres and meeting different musicians.
Q: Can you share one music production tip?
A: Less is more.
Q: What was your career path? How long have you been doing this?
A: I have been recording and mixing local bands all throughout my university, and now that I have finally graduated, I dedicate all my time to producing and writing new records. It's been 4 years now and I hope for many more successful years.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: AKG C414, Macbook Pro, Orion 32 Studio, XLR cable & Headphones.
Q: What are you working on at the moment?
A: Post production for a cinema advert and a rock album.