I have worked with major recording artists such as Travis Scott, Young Thug, Machine Gun Kelly, Charlie XCX, Fetty Wap, and many more. Here at Third Eye Audio we take the utmost pride and tedious care working with our clients to insure that the vision they have for their project comes to life.
I’m a multi-platinum audio engineer and Grammy-nominated producer with over a decade of professional experience working with major recording artists and independent musicians.
My credits include work with Travis Scott,Young Thug, Machine Gun Kelly, Charli XCX, Fetty Wap, 6LACK, and more.
I specialize in mixing, vocal production, and editing, bringing a combination of technical precision and creative instincts to every record.
My approach is simple: understand your vision, enhance what makes your sound unique, and deliver a polished, competitive record without losing its personality.
Services I offer:
* Full-song mixing
* Vocal mixing and production
* Vocal tuning, comping, and editing
* Creative audio editing and additional production
Whether you’re an independent artist preparing your next release or an established musician looking for an experienced engineer, I treat every project with the same attention to detail.
I’m currently based in Tokyo, Japan, and work remotely with artists worldwide.
Have a song you’re working on? Send me a message with your music and what you’re looking to achieve. I’d love to hear it.
Send me a note through the contact button above.
Credits
Endorse Third Eye Audio6 Reviews
check_circleVerifiedDrew took a raw recording, immediately got what I was going for and the outcome was a very clean, strong track, which he finished in record time. Exactly what I was looking for. Definitely will be hitting him up more often in the future and you should be doing the same
- check_circleVerified
Amazing mix, cool post production ideas.
I've worked in the studio with Drew several times in various kinds of session. Not only is he an excellent engineer with a meticulous ear for detail, he's a skilled writer and sonic aficionado. Everything that I've worked on with Drew from mixes to co-writers has been brought to life, and I'll be using him a lot more in the future for my own mixes and masters.
I have used a couple dozen engineers and have yet to find one as good as drew. I have been using him for almost a year now and am more than satisfied. Drew is incredibly knowledgeable in many aspects of the music game. I have referred numerous clients that are all blown away by Drew's talents of of turning a recording into a radio ready record. 5 stars isn't enough for this guy. He's incredible.
Drew is hands down my favorite engineer to work with. He’s highly knowledgeable and very efficient. He values my time, and my art!
Drew was very professional and easy to do business with. His ear is exceptional and made my recording just the way I imagined it. Thank you I would recommend him hands down.
Interview with Third Eye Audio
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Machine Gun Kelly’s album Bloom was my first platinum record!
Q: What are you working on at the moment?
A: Various client projects
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I don’t
Q: Analog or digital and why?
A: Analog
Q: What's your 'promise' to your clients?
A: Satisfaction
Q: What do you like most about your job?
A: It’s music!
Q: What questions do customers most commonly ask you? What's your answer?
A: Idk maybe like how long will it take
Q: What's the biggest misconception about what you do?
A: That anyone can do it.
Q: What questions do you ask prospective clients?
A: I like to know all the important info upfront so there’s not that many revisions.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don’t be afraid to go wild with ideas! Have fun
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook, sm7b Apollo twin, a real good pair of headphones and maybe a neve 1073 if I could.
Q: What was your career path? How long have you been doing this?
A: 15 years
Q: How would you describe your style?
A: I definitely like imperfect records so I like to focus on the realness of music and how it feels as much as how it sounds
Q: Which artist would you like to work with and why?
A: I’d really like to work on some rock albums and do more band recording and mixing.
Q: Can you share one music production tip?
A: Don’t be afraid to get uncomfortable!
Q: What type of music do you usually work on?
A: I work on any genre I just love music
Q: What's your strongest skill?
A: My hearing
Q: What do you bring to a song?
A: An unmatched ear and attention to the details that matter
Q: What's your typical work process?
A: For sure varies per song depending on what I need to tackle.
Q: Tell us about your studio setup.
A: It varies where I’m at but I do a lot of remote work as of lately in the box.
Q: What other musicians or music production professionals inspire you?
A: Jaycen Joshua and Manny Marriquin
Q: Describe the most common type of work you do for your clients.
A: Mixing and mastering is the most common work. Also tracking
I was the Mixing Engineer in this production
- play_arrowKpop
- Mixing EngineerAverage price - $350 per song
- Mastering EngineerAverage price - $100 per song
- Recording StudioAverage price - $500 per day
- EditingAverage price - $100 per track
- Live SoundAverage price - $350 per concert
We work until the client is completely satisfied with the product. Up to 3 revisions are included in the initial payment for the project. After that it is $50 per revision.
- Ariana Grande
- Migos
- Machine Gun Kelly
- SSL 6000E Series Console
- Tube Tech CL-1B
- Distressor EL-8
- API 2500. VOG Bass Resonance Tool
- Tube Tech MMC 1A Multiband Comp / Pre
- Urei Gray Face 1176
- Lexicon 224x
- Lexicon 480L
- TC Electronics 2290. Chandler Zeiner Limiter
Let’s make some hits!