Sliptrick Records, Dead Love, Gigantic Hawk.
I produce mostly rock. I am set up for live drum recording as well as great sounding guitars and bass.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
Languages
- English
Interview with Gregory Thum
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Dead Love was a project out of the blue brought by CeeKay Jones and Norm Cutliff. I was the Producer/Co-writer/Guitarist/Bassist. What I loved was the time limitations (3 tracking/writing days). We just got inspired and went with it. No overthinking!
Q: What are you working on at the moment?
A: I'm currently working on some original material in collaboration with a group of excellent musicians
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Kurt Thum. Fantastic pop producer/keyboardist/writer and my brother!
Q: Analog or digital and why?
A: Both, because if you've ever actually edited on a tape machine you know what a joy a computer is.
Q: What's your 'promise' to your clients?
A: I want every client to be so stoked on what we're doing! If they're not, I want to do everything I can to get them there.
Q: What do you like most about your job?
A: I like that it's always different and that its almost always creative.
Q: What questions do customers most commonly ask you? What's your answer?
A: Q:Did you tune that vocal? A:of course not...
Q: What's the biggest misconception about what you do?
A: I guess that I'm more a player than producer.
Q: What questions do you ask prospective clients?
A: I usually ask for ref's that inspired they're material
Q: What advice do you have for a customer looking to hire a provider like you?
A: If you want to rock, give me a shout!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A knife, A fishing rod, hunting rifle w/ ammo a first aid kit, acoustic guitar...but what if I break a string?
Q: What was your career path? How long have you been doing this?
A: Ive made my living playing live in various situations for 20+ years
Q: How would you describe your style?
A: I'd say heavy psychedelic
Q: Can you share one music production tip?
A: Check you're tuning, then check it again.
Q: What type of music do you usually work on?
A: Rock, Heavy Rock some pop rock some electronic, mostly vocal based.
Q: What's your strongest skill?
A: I try to listen as a fan who wants to be emotionally moved and use my experience to set that in motion.
Q: What do you bring to a song?
A: My perspective changes depending on my role in the project, but universally, I try to find the simplest way to feel inspired.
Q: What's your typical work process?
A: Typically I'll start with an artist's demo and work the basics, arrangement, chord structure, melody maybe some harmony. Get it sounding good with just the melody and a guitar or piano then add some more instrumentation depending on the track.
Q: Tell us about your studio setup.
A: The studio's heart is a D&R Orion 48ch analog desk, Cranesong Spider, Daking and the Orion pres through Burl converters for the front end. Mics: I use an ADK zmod 67 for Vox and acoustic sources as well as an R84 ribbon and a custom ADK ttau251, for drums the usual suspects:57s 421s Beta 52, D112. stereo pairs of Blue's and THEs. For the mix side: 16ch Burl DA to the Orion. API2500 & 560s, A-designs Nail, Cranesong Trakkers(pair) ADT toolmod comps, JLM 1176(pair) Eventide 3000&3500, Lex PCM91 Antelope pure 2 for capture. Nuendo 10 full Waves suite, Slate suite, lots of plugins and VSTs including Omnisphere
Q: What other musicians or music production professionals inspire you?
A: It started with the Beatles. From there Queen, Prince, NIN, Radiohead, Elliott Smith, Fiona Apple, Strokes, Tame Impala, Starcrawler, Porcupine tree, Tool. As for production: George Martin, Flood, Eno, JJP, Andy Wallace, Chicarelli
Q: Describe the most common type of work you do for your clients.
A: Anything from recording bands live in the studio and singer songwriter simple production to custom live drums and guitars for existing productions as well as full project production.
I was the Producer, Mixer, Singer, Guitarist, Bassist in this production
- Acoustic GuitarAverage price - $70 per song
- Bass ElectricAverage price - $70 per song
- Electric GuitarAverage price - $70 per song
- Live drum trackAverage price - $70 per song
- Recording StudioAverage price - $500 per day
- Songwriter - LyricAverage price - $70 per song
- Songwriter - MusicAverage price - $70 per song
- Nine Inch Nails
- Depeche Mode
- Elliott Smith
- CraneSong Spider
- Burl B80 Mothership
- D&R Orion
- API 2500 Eventide 3500
- Daking Mic Pre EQ
- DW collectors Birch/Maple Kit
- Antelope Pure 2