Nick Anton

Session Cellist

Nick Anton on SoundBetter

Welcome! My name is Nick and I want to record cello for your next track! I am a versatile cellist - classically trained but specializing singer-songwriter music and folk-rock. I am an experienced recording engineer and I use top-notch microphones in my studio space to ensure that you receive the best quality audio possible.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

AllMusic verified credits for Nick Anton
  • Homerik

Interview with Nick Anton

  1. Q: What are you working on at the moment?

  2. A: I am in the process of releasing my debut album, Planespotting, which will be available in March. My first single "Tucson" is out now on all streaming platforms.

  3. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  4. A: I found this website through my friend Rachel Gawell, who is an incredible cellist! I would highly recommend her.

  5. Q: Analog or digital and why?

  6. A: My workflow is all digital. I have not yet needed to convert any of my rig to analog gear.

  7. Q: What's your 'promise' to your clients?

  8. A: I promise to deliver a cello part that perfectly suites their song, and to help them achieve their artist vision.

  9. Q: What do you like most about your job?

  10. A: I love the challenge of creating the perfect recording and the privilege of making money doing what I love.

  11. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  12. A: I would bring my cello, my Taylor acoustic guitar, a harmonica, a slide, and a laptop.

  13. Q: What was your career path? How long have you been doing this?

  14. A: After I finished school, I immediately started touring. After touring with a post-rock band all around the country, I started subbing on broadway and eventually toured the country again with the broadway show "Waitress". While on the road, I studied audio production and learned how to make quality home recordings. I have been recording professionally for artists for the last 5 years.

  15. Q: How would you describe your style?

  16. A: These days, I seem to sound folksy and folksy by the day. I try to emulate fiddle players as a cellist, creating a vocal quality instead of a traditional classical cello sound.

  17. Q: Which artist would you like to work with and why?

  18. A: I would love to work with Jason Isbell. I think he is the best songwriter in the game right now!

  19. Q: Can you share one music production tip?

  20. A: I get the impression that a lot of mix engineers don't have a great reference for what the tonal strengths of the cello are. Cellos are often mixed way too dark because the mix engineer is thinking of it as a bass instrument. Cellos should have the same brightness and clarity as a vocal track!

  21. Q: What type of music do you usually work on?

  22. A: I typically work with singer-songwriters.

  23. Q: What's your strongest skill?

  24. A: My strongest skill is accomplishing the task at hand during a session; working with the artist to record what THEY need, and not centering myself.

  25. Q: What do you bring to a song?

  26. A: I have a great ear for writing compelling and tasteful cello parts that draw the right amount of interest without upstaging the singer. When needed - my technical ability from years of studying classical cello allows me to play flashy and complicated parts too.

  27. Q: What's your typical work process?

  28. A: When writing cello parts, I try to write a beautiful moving line that compliments the vocal melody without ever getting in the way. When recording, I do as many takes as needed to ensure that the performance is perfect for what the client needs.

  29. Q: Tell us about your studio setup.

  30. A: I have a few really wonderful microphones in my arsenal. I have a DPA 4099 close mic for my cello, along with a stereo pair of Warm Audio WA-84 microphones that can run either cardioid or omni. Additionally, I also own a Neumann TLM-102 large diaphragm microphone. Typically, I will use a combination of the DPA close mic with the WA-84 stereo pair as overheads, but I am happy to change things up depending on what the client is going for!

  31. Q: Describe the most common type of work you do for your clients.

  32. A: I am very experienced in writing and recording beautiful cello parts for singer-songwriter music. I am also very comfortable playing off of charts and sheet music.

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Another Man's Blues by Brad Standley

I was the Cellist in this production

Terms Of Service

I allow two revisions and I will record and deliver your tracks within three days of contracting.

GenresSounds Like
  • Sara Bareilles
  • Jason Isbell
  • John Mayer
Gear Highlights
  • 1897 German Cello
  • DPA 4099 Microphone
  • WA-84 Stereo Pair
More Photos