PerroLobo Studio

Music Composer Sound Designer

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9 Reviews
PerroLobo Studio on SoundBetter

I'm a musician, composer, producer and sound designer.At studio PerroLobo, we design sounds and original music for records, advertising, films, television and social networks.Through all these years we have worked worldwide for award-winning films, big brands, agencies and lovely musicians. We put a lot of time and love in every project. Juan Ponce

Sound Design

We create sound design for films, advertising, motion graphics, podcasts and any audiovisual piece. Including SoundFX, Foley, textures and an artistic approach according to each project.

Film Composers

We compose music for films, advertising, motion graphics, podcasts and any audiovisual piece. We like to complement the sound design with music for a better result.

Producers

We produce instrumental music and songs.

Production Sound Mixers

We complete the process with music mixing and soundtrack. Budgets are made taking into account all stages of the project.

I'd love to hear about your project.

Send me an email through 'Contact' button above and I'll get back to you asap.

9 Reviews

Endorse PerroLobo Studio
  1. Review by Tamara Ajzensztat
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    Desde nuestro primer encuentro supe que Juan era la persona indicada para el proyecto. Comprometido, talentoso, aportó su creatividad a la vez que entendió las necesidades del proyecto. Latimos fue nuestra primer colaboración y ya estoy ansiosa por poder volver a trabajar con todo el equipo de Perro Lobo de nuevo!

  2. Review by Andrés Gatti
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    One of the best sound designers I've worked with. His ideas only enhance the animación work.

  3. Review by Agustina Ojea
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    Es un placer poder trabajar con profesionales como el equipo de Perro Lobo, donde la confianza, la consideración y el trabajo en equipo son los pilares fundamentales a la hora de encarar un proyecto. Excelente trabajo.

  4. Review by Santiago Mouriño
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    Juan is an artist, that knows how to work with a brief. If that is not what you are looking for in a collaborator, then, I’m sorry. You should. You want someone who comes with a vision but it’s willing to listen. Also, who understands budget and times, and how both of them relates to the final work. It will never sound unfished.
    Cheers ✌🏼

  5. Review by Pablo Balmaceda
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    Lo mejor de elegir trabajar con Perro Lobo en los proyectos que desarrollo, es por un lado saber que parto de una base técnica formidable a la hora de gestionar el sonido con todas sus variaciones y por otro lado saber que cuento con un muy valioso nivel de sensibilidad a la hora de interpretar y detectar las necesidades "emocionales" de las piezas que produzco.

  6. Review by juan casal
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    I worked with Juan Ponce a couple of times on music and sound for animations and it always was a pleasure. He's the best!
    Fast, talented, always on time. Great musician and professional. Highly recommended.

  7. Review by Nacho de la Riega
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    Great Communication. Outstanding music. HIGHLY recommended!

  8. Review by Elda Broglio
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    I have worked with Perro Lobo in several animation projects and I can only recommend Juan and his crew. Super creative and profesional, taking care of every detail and above all with a deeo understanding of the Animation language and its needs regarding sound fx and original music. The last project we shared was the award winner animated short film Latimos, where the sound design enhanced the story and took it next level.

  9. Review by Nacho Elizalde
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    If you need good music for any of your peojects, you are in the right place.

Interview with PerroLobo Studio

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: Latinos. Tamara Ajzensztat's award wining shortfilm. I worked with very talented people that I love and admire. I was the Sound Director and I composed the music for the short with Francisco Ponce. It was a magical process.

  3. Q: What are you working on at the moment?

  4. A: I'm working on a independent Colombian Film, a beautiful theatrical podcast, some exciting pieces of motion graphics for Cabify Argentina and my new album.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: Nacho De La Riega. He`s the Best!!!

  7. Q: Analog or digital and why?

  8. A: I work with both of them. It depends on the aesthetic and the budget.

  9. Q: What's your 'promise' to your clients?

  10. A: I'm going to work hard to make them happy.

  11. Q: What do you like most about your job?

  12. A: Being able to build worlds and help complete visions.

  13. Q: What questions do customers most commonly ask you? What's your answer?

  14. A: If I can copy a reference music. My answer is: Yes, but I prefer to work from an that plac and make an idea that surpasses.

  15. Q: What's the biggest misconception about what you do?

  16. A: A lot of people think i only work with motion graphics.

  17. Q: What questions do you ask prospective clients?

  18. A: All the necessary that give me a clear path to follow.

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: Listen music, watch and listen films.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: A Nord Piano, my Gibson Les Paul, my Estrada Gomez guitar, Hofner bass and the Apollo Twin.

  23. Q: What was your career path? How long have you been doing this?

  24. A: I have been a musician since I was 15 years old, and I have composed since that age. I studied film and television in my twenties. I've been producing records for 10 years and I've been working in my studio doing sound design for 7 years.

  25. Q: How would you describe your style?

  26. A: Patient, open but determined when I believe in something.

  27. Q: Which artist would you like to work with and why?

  28. A: Charly Garcia!!

  29. Q: Can you share one music production tip?

  30. A: Listen. Listen to the director. And listen to what the music needs. Do not impose preconceptions. And accept that something does not work.

  31. Q: What type of music do you usually work on?

  32. A: I love working with pop music and orchestral music but I compose according to the needs of each project.

  33. Q: What's your strongest skill?

  34. A: The aesthetic compromise and the speed of resolution.

  35. Q: What do you bring to a song?

  36. A: I try to give what the song asks for.

  37. Q: What's your typical work process?

  38. A: I don't have a "typical " work process. It depends a LOT on the piece.

  39. Q: Tell us about your studio setup.

  40. A: I work with UAD plugins, Waves, Arturia, SoundToys, Native Instruments, Nord pianos, Roland Synths, Martin guitars, Gibson, Fender and Hofner.

  41. Q: What other musicians or music production professionals inspire you?

  42. A: A lot! Charly Garcia, Bowie, McCartney, Debussy, Jon Brion, Timberlake, Daft Punk, etc.

  43. Q: Describe the most common type of work you do for your clients.

  44. A: I compose and music and sound design. I help create worlds through sound.

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GenresSounds Like
  • Jon Brion
  • Mac DeMarco
  • Charly García
Gear Highlights
  • Nord UAD Gibson Roland Tannoy Martin
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