
With 20+ years of experience and credits including Melvins, Avatar and award-winning international artists, I know how to translate ideas into mixes that feel right. I specialise in guitar-driven, dynamic music - from intimate textures to heavy, cinematic impact. Helping rock, alternative and prog artists turn strong songs into powerful records.
With over 20 years of experience, I’ve helped artists shape everything from intimate, textured arrangements to heavy, high-energy productions. I’ve worked across thousands of tracks for emerging and established artists, with over a decade in London’s music scene.
I work from a high-end analog studio setup in Germany, combining analog depth with modern precision to bring clarity, punch and character to your music.
What matters most to me is that a mix doesn’t just sound good - it feels right. The energy, space and weight all need to work together. I take a collaborative, detail-focused approach and treat every project individually.
If you’re looking for someone who understands heavy, atmospheric and dynamic music on a deep level, let’s talk.
Feel free to send over your track for a clear, no-obligation quote.
Would love to hear from you. Click the contact button above to get in touch.
Credits
- Avatar - Don't Go In The Forest (Billboard Top 4 - album recordings)
- The Melvins
- Lizzard
- Sleeping Pulse
- Witch ‘n’ Monk (Guardian: Album of the Month & Award Winner: Deutscher Preis der Schallplattenkritik)
- Avatar (Feathers and Flesh - album reocrding)
- Kayosoul (Best of BBC Newcomer 2012)
- Aurora J Young (TPMA Winner 2011)
- Kate Walsh (UK Chart No 1)
- Dobet Gnahore (Grammy Winner 2010)
- Jorge Drexler (Oscar Winner)
- Lizzard
- Lizzard
- Lizzard
- Dark Suns
- Avatar
- Kaleem Taylor
- Kaleem Taylor
- Kaleem Taylor
- I Am Harlequin
- Yvonne McDonnell
- Yvonne McDonnell
- Yvonne McDonnell
- Kayosoul
- Kayosoul
- Kayosoul
- Kishan Amin
- Casper Christensen
- Casper Christensen
- I Am Harlequin
- Couscous
- Couscous
- Couscous
- Parris Wright
- Parris Wright
- Parris Wright
- Parris Wright
- Sonority Subunit
- Sonority Subunit
- Sonority Subunit
- Aurora J Young
- Aurora J Young
- Aurora J Young
- Couscous
- Couscous
- Couscous
- I Am Harlequin
- I Am Harlequin
- Young Mad B
- Young Mad B
- Young Mad B
- Young Mad B
- Preen
- Preen
- Preen
- Rax Timyr
- Bitch 'n' Monk
- Bitch 'n' Monk
- Pulsar Trio
Interview with Peter Junge
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Working on records with artists like Avatar is always a great experience - strong vision, great performances and a clear identity, which always leads to excellent results.
Q: What are you working on at the moment?
A: A mix of ongoing mixing projects and select production work, mostly alternative rock and prog.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: There are some great people on here - happy to recommend depending on the project.
Q: Analog or digital and why?
A: Both. Analog for character and depth, especially during recording, digital for precision and flexibility.
Q: What's your 'promise' to your clients?
A: To treat every song and artist with the with same care and respect.
Q: What do you like most about your job?
A: Helping artists turn raw recordings into something finished and meaningful. Hearing a song (from the individual tracks) for the first time. Hearing a finished mix that makes the artist happy. Too many things!
Q: What questions do customers most commonly ask you? What's your answer?
A: Usually around timelines, revisions and workflow - I keep the process clear and collaborative so there are no surprises.
Q: What's the biggest misconception about what you do?
A: That mixing is just technical. It’s really about making decisions that support the song and emotion.
Q: What questions do you ask prospective clients?
A: What’s the vision for the track? What references do you have? And what’s most important for you in the final result?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Find someone who understands your music and communicates well with you. That makes the biggest difference.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Computer, interface, speakers, headphones… and a solid internet connection.
Q: What was your career path? How long have you been doing this?
A: I started out playing in bands and recording demos, which gradually turned into working with more artists. Over time, this developed into a full-time career in mixing and production, now spanning over 20 years.
Q: How would you describe your style?
A: Song-focused and artist-driven. I aim to bring out the emotion, depth and energy in each track while giving every element its own space.
Q: Which artist would you like to work with and why?
A: Artists who are open to pushing their sound and creating something that feels honest, unique and written with intend.
Q: Can you share one music production tip?
A: Less is often more. Strong arrangements and carefully chosen sounds will always translate better than stacking too many elements on top of each other.
Q: What type of music do you usually work on?
A: Mainly guitar-driven music - rock, alternative, prog and more atmospheric or heavy styles that rely on dynamics and depth.
Q: What's your strongest skill?
A: Mixing — shaping songs so they feel cohesive, powerful and emotionally engaging.
Q: What do you bring to a song?
A: Clarity, impact and perspective. I focus on what serves the song and help translate your vision into something that connects both sonically and emotionally.
Q: What's your typical work process?
A: For mixing, I start by understanding the song and the intention behind it. From there, I build the mix around what matters most emotionally, sonically refining details until everything feels cohesive and impactful. When producing, I focus on strong arrangements and clear direction early on, so recording and mixing flow naturally.
Q: Tell us about your studio setup.
A: I work in a high-end analog studio environment in Germany, combining analog gear with modern digital tools. This allows me to bring both depth and precision to every mix. I own several DAWs (Protools, Cubase, Studio One, Logic, Reaper, Samplitude/Sequoia) and tons of plugins to get any project done.
Q: What other musicians or music production professionals inspire you?
A: Artists and producers who push boundaries and create something that feels real and original. I’m always looking for new interesting music but also love discovering records that I missed in the past.
Q: Describe the most common type of work you do for your clients.
A: I primarily work as a mixing engineer for rock, alternative and prog artists, helping them turn strong songs into powerful, release-ready records. I also offer production when needed, and can combine that with mixing.
- Mixing EngineerAverage price - $600 per song
- ProducerAverage price - $1000 per song
- Mastering EngineerAverage price - $125 per song
Every project is different. Every project is special to me. Therefore, ideas, time and price depend on your song. Get in touch and let’s find out.
- SSL
- Neve
- SPL
- Focusrite and more hardware
- several DAWs incl Protools
- Studio One
- Logic
- Cubase
- Reaper
- Samplitude/Sequoia



