Mariano Beyoglonian on SoundBetter

My name is Mariano Beyoglonian and I live surrounded by music since youth. I won 2019 and 2023 Latin Grammy. I take meaning and messages that want to be shared by the musician in every song or album, and I print them to the mix, enhancing musician's creation.

I´ve been working in audio since I´m seventeen, starting at live sound. At the age of nineteen I was working at the Luna Park Stadium with one of the biggest companies in Argentina. Stayed there for three years, and also worked on many stadiums in Buenos Aires.
After that, I started to work as an assistant in Estudios ION, a legendary studio. My career grew up fast by starting to be a recording engineer in a short time. Suddenly, I was recording big productions at a big studio, surrounded by vintage equipment as well as new digital systems.
I own a personal studio, called "Estudio Tritono" and also work on live shows as FOH Engineer. Many artists choose me because they can be relaxed when I'm doing my part of the job.

I can edit and mix your project, within the agreed time, with high quality standards. Please, let me know if you have any questions. I'd really love to work together with you!

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

1 Reviews

Endorse Mariano Beyoglonian

by Kuba C.
Verified
Mariano Beyoglonian has done an amazing job mixing and recording Bandonegro’s new album. His work brings out the best in the band’s unique blend of tango and jazz, making every instrument—double bass, violin, bandoneon, piano, drums, and electric guitar—sound incredible.

Thanks to Mariano’s skill, the album sounds rich and full of life. He’s captured the passion and talent of Bandonegro in a way that makes the music really shine. This was a fantastic collaboration!

Interview with Mariano Beyoglonian

Q: What do you like most about your job?
A: That's a hard one, because I like everything I do. But I think it's to share what the artist is doing with music.
Q: What questions do you ask prospective clients?
A: What are they looking for with the song/album? That's the most important thing about it. Sometimes they don't know it precisely, so we chat and share thoughts to discover and agree with the path.
Q: What was your career path? How long have you been doing this?
A: I've been doing this for more than 20 years. Both working at the studio and live. I like both worlds because everything relates to music and what it carries.
Q: What type of music do you usually work on?
A: I work on many genres, but mainly on rock, pop, country or indie. I like to highlight the differences between each genre to make them unique. But I think that the most important thing is to understand what does the artist want with the song, and bring that artistically to it.
Q: What's your strongest skill?
A: I know that beside mixing, my strongest skill is to be side by side with the artist, going with them thru the whole process. That's what everyone always says about me and the experience in working with me.
Q: What's your typical work process?
A: When I receive the files I listen to them one by one to know what's on each channel, and to know the song deeply. Then I do a cleaning process to make sure the files are fine, without any noises or unwanted errors, so I can start the mixing process. This process is a little bit different each time, depending on the instruments and channels the song has. But I usually start with the rhythmic section, then the harmonic instruments, and finally the melodic instruments and vocals.
Q: Tell us about your studio setup.
A: My studio is a hybrid one, with both digital and analog tools. I love my ATC speakers and my EVE subs. I'm really used to them and love the way the whole system sounds in that room. Hardware preamps, compressors and eqs complete the picture.
Q: Describe the most common type of work you do for your clients.
A: I take care of all the production process, from recording to mastering it. After recording, I do a small editing in order to keep on recording overdubs. Then I edit in detail and prepare the session to mix, and after the whole process, I master it to deliver the final audio.