Chris G Wright

Pop/Electronic Producer

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3 Reviews
Chris G Wright on SoundBetter

Hi, I'm Chris. I'm a music producer & songwriter based out of Los Angeles, CA. I've worked with established label artists as well as help many up and coming independent artists find their sound and break into their careers. I specialize in Pop and Electronic music. Credits include releases on RCA, Disruptor Records, UMG, and AWAL Records.

I have been producing music for over 8 years. I specialize in pop, indie pop, and electronic music with experience producing, indie, and alternative. I work mainly with solo pop artists by creating full productions around their ideas or demos and help assist in writing/co-writing songs from scratch.

Focusing on songwriting first, my main goal is to help artists create unique music that truly stands out and connects with their audience.

- Full song Production
- Instrumental Production
- Vocal Production
- Songwriting/Co-Writing
- Mixing/Mastering
- Remixes

Nominated for best dance/pop record at the 2017 & 2018 Hollywood Music in Media Awards.

Featured producer in Music Connection Magazine's top 100 artists to watch in 2018.

My work has been featured on Chill Trap, One EDM, Wavemusic, Taz Network, Trap Nation. With placements on New Music Friday, Chilled Pop Hits, Hot Acoustics, New Pop Revolution and many more Spotify owned playlists; gaining over 20,000,000+ streams across all platforms in 2019. My work is currently being played in Starbucks locations all across North America.

Contact me through the green button above and lets get to work.

3 Reviews

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  1. Review by JP
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    Having worked with Chris on multiple tracks I can tell you he is a true professional. He has a creative edge and a total producer mindset. He can turn something from just an idea/demo into a piece of art. Also, an epic guitar player. Would definitely recommend to anyone looking for a pro to take your music to the next level on any electronic genre.

  2. Review by SIBERIA
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    Worked with Chris on my first EP release ever last year. He was incredibly helpful/insightful on everything that comes with recording an EP to releasing an EP. He's patient with understanding what I wanted my songs to be at a base level and built them from the ground up. Very knowledgeable about producing. Genuinely passionate about music/producing. Definitely working with him again.

  3. Review by O C E A N S
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    Working with Chris wasn’t like working at all. Awesome producer and writer! Haven’t had many producers I’ve worked with that was able to take the simplest ideas and turn them into full blown tracks. He doesn’t leave the studio until it’s finished and undersold his work, definitely will be working with him again soon. Thanks Chris!

Interview with Chris G Wright

  1. Q: What do you like most about your job?

  2. A: I get to write and make music for a living and work with incredibly talented people. It honestly doesn't feel like a job at all. It's truly a blessing.

  3. Q: Describe the most common type of work you do for your clients.

  4. A: The most common type of work I do is for singer-songwriters and artists who need full production tracks and co-writing. I also mix & master tracks for a number of clients.

  5. Q: Which artist would you like to work with and why?

  6. A: It's hard to pick just one. Either Jon Bellion, Ryan Tedder, or Brandon Flowers. Those guys are incredible songwriters.

  7. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  8. A: Macbook Pro, UAD Apollo twin, AKG C414, Fender Telecaster, and a generator with lots of fuel.

  9. Q: What other musicians or music production professionals inspire you?

  10. A: Jon Bellion, Ryan Tedder, Brandon Flowers, The Killers, Flume, Odesza, Kygo, Diplo, Banks, Lorde, etc...

  11. Q: Can you share one music production tip?

  12. A: Don't overthink it.

  13. Q: What's your strongest skill?

  14. A: Production, arrangements, and creating the right sounds that mend it all together.

  15. Q: What type of music do you usually work on?

  16. A: Pop, Dark Pop, Electro Pop, Sad Pop, Electronic music, EDM, Future bass, Future Pop, all sorts of pop except for bubblegum pop.

  17. Q: What was your career path? How long have you been doing this?

  18. A: I originally broke into the industry at the age of 18 as a hire-on guitar player for a band. I later became the bands full-time touring guitarist and in 2012, I joined the band as a member. I toured with them for 3 years and wrote a record. That is when I fell in love with the production process. The band eventually broke up and that's when I turned to perusing music production as a full-time gig. I have been producing music for like 8 or 9 years.

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: Do your research. Listen to my previous work. Read the terms. If you feel like we would be a good fit working together, let's set up a time to talk about your vision and see if we have that chemistry (we'll usually both know within 5-10 minutes of talking). I love helping artists achieve their vision. If I can't do that, I will happily help you find someone who can.

  21. Q: How would you describe your style?

  22. A: I have a pretty modern and chill style. I tend to gravitate towards more melancholy "vibey" tracks. Anything that evokes a good deal of emotion.

  23. Q: What's your 'promise' to your clients?

  24. A: My promise is to help you write the best song that we can write together, give you a song that holds up to your vision, and provide music that is unique and competitive.

  25. Q: Analog or digital and why?

  26. A: Digital. Cause its 2019 and Slate Digital + UAD exist. Also... I wouldn't have been able to afford to get into doing what I do without these wonderful digital advancements. Companies like UAD and Slate have bridged the gap between digital and analog. And really it's all about the song. Nobody cares if you're using a real 1176 or a digital emulation. If it sounds good, it sounds good.

  27. Q: What's your typical work process?

  28. A: My process always starts with feeling out the artist's vision and a heavy focus on the strength of the song. I always want to make sure that the song, in it's simplest form, can still be performed and have an impact on people. From there I dig into the production and focus on creating a final product that captures the artist's vision with a professional, unique, and competitive sound. Emphasis on unique.. nobody wants to hear your Billie Eilish knock off when they can just go listen to Billie Eilish.

  29. Q: Tell us about your studio setup.

  30. A: I work out of a small studio in Burbank, CA. It's a pretty simple setup. Treated room, Adam monitoring system, UAD things... Slate digital things... pretty much all in the box... it's not all that elaborate.

  31. Q: What do you bring to a song?

  32. A: sick bars

  33. Q: What questions do customers most commonly ask you? What's your answer?

  34. A: Question, what kind of bear is best? That's a ridiculous question. Black bear.

  35. Q: What questions do you ask prospective clients?

  36. A: Do you like The Office? Do you like taking 3-5 coffee breaks during sessions?

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Temporary (Remix) - Ella Vos

I was the Producer, Mix & Mastering engineer in this production

Terms Of Service

50% non-refundable deposit on all projects (to cover time spent). Turn around time depends on project scope and deadlines. 2 free revisions (additional revisions are subject to a fee).

GenresSounds Like
  • Gryffin
  • Ella Vos
  • FINLAY
Gear Highlights
  • UAD
  • Adam
  • AKG C414 XLII
  • Ableton Live 10
  • Slate Digital
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