
Keys man for Oasis, Noel Gallagher's High Flying Birds, Ed Sheehan, Sheryl Crow, David Gilmour, Stereophonics, Bill Fay, Future Sound Of London, Amorphous Androgynous, Stevie Nicks, Elli Ingram, The Waterboys, Mick Jagger, Superheavy, Nas, Black, Damian Marley, Novastar, Paulo Nutini amongst others.
Hammond B3 & Leslie
Mellotron
Rhodes
Wurlitzer
Optigon
Piano
Jupiter 4
Crumer MultiMan
Wasp
Recorded through Neve / API / Telefuken V72 etc
Lots of Synths and sampled instruments that I've sampled throughout the world's recording studios.
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
Endorse Mikey Rowe4 Reviews
check_circleVerifiedMikey brought real creativity to the brief - his keyboard and ARP parts are atmospheric, and perfectly complement the song. Great communication throughout. Highly recommend!
check_circleVerifiedI thought Mikey did great coming up with a part for my song and that his playing was real skillful. He was also great and easy to work with.
check_circleVerifiedWorking with Mikey Rowe was an absolute dream. His playing is deeply soulful, expressive, and full of emotion—he brought so much warmth and life to our track. From his beautiful Mellotron additions to the rich, dynamic piano and B3 Hammond parts, every note he played felt intentional and perfectly placed. Beyond his talent, Mikey is an amazing collaborator—professional, intuitive, and easy to work with.
check_circleVerifiedSo amazing to get to work with Mikey Rowe. He played on the title track of my new album Lesser Humans and gave the song exactly the right flavors! Mikey is truly interested in your project and has the skills, knowledge and tools to give your track a real sense of dimension and evolution. It's hard not to brag!
- Keyboards - SynthContact for pricing
- PianoContact for pricing
Three recalls included in price. Extra Revisions are $50 extra.
- Noel Gallagher's High Flying Birds
- Oasis
- Sheryl Crow
- Hammond B3 & Leslie 145
- Optigan
- Mellotron
- Synths Galore and home-made samples.
