Songwriter / Topliner / Singer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: One of the projects I’m most proud of was traveling to Tokyo, Japan to perform three songs I wrote through SoundBetter at Ultra Japan with a DJ I had collaborated with on the platform for over three years. It was an incredible moment seeing how an online collaboration could grow into a real-world performance on such a global stage. It was so special realizing how well the songs were resonating in Tokyo and across Southeast Asia. I might never have known that if I hadn’t performed them live in front of 20,000 people who were singing the lyrics back to me. It was a powerful reminder of how far music can travel and how meaningful these collaborations can become.

Q: What are you working on at the moment?

A: At the moment, I’m working on a mix of songwriting collaborations, vocal sessions, and developing new music for my own artist projects. I’m continuing to write toplines and record vocals for producers across Pop, R&B, and electronic music while expanding my catalog. At the same time, I’m also focusing on building my creative platform through IBProductive, where I’m combining songwriting, artist development, and creative collaborations. The goal is to keep creating music while also building a sustainable ecosystem that connects artists, producers, and industry professionals.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: I work with Dru Ducaro, and he's an amazing guitar player. He's a producer also and works with very notable artists such as Miguel, Jay-z, Tori Kelly etc.

Q: Analog or digital and why?

A: Both. Digital tools are incredibly convenient and portable, but whenever I get the chance to work in an SSL room at a studio, I love getting hands-on. There’s something special about physically touching the knobs and hearing how each adjustment shapes the sound in real time.

Q: What's your 'promise' to your clients?

A: My promise is to fully commit to the son. Understanding the vision, elevating it creatively, and delivering vocals and writing that make the record feel complete.

Q: What's the biggest misconception about what you do?

A: Since a lot of my released work is in EDM, people sometimes assume that I’m strictly an EDM topliner. The reality is that those are often the records being released through larger labels with strong promotional machines behind them. Many of the Pop and R&B songs I write tend to be released independently, which is why the EDM records appear to dominate my catalog.

Q: What questions do you ask prospective clients?

A: I like to start by understanding the vision for the song. I usually ask about the direction of the track, reference songs or artists they have in mind, and what stage the production is in. That helps me understand how I can best contribute creatively. I also clarify whether they’re looking for session vocals, topline writing, or full songwriting, and we discuss things like timeline, vocal arrangement, and how they’d like the files delivered. My goal is to get a clear sense of their expectations so I can bring their idea to life while also adding my own creative perspective to the record.

Q: What advice do you have for a customer looking to hire a provider like you?

A: You don’t need to have a fully mastered instrumental before hiring a vocalist. However, I highly recommend having your track properly leveled and roughly mixed beforehand. The balance of elements, like bass, keys, strings, and drums, can greatly influence how a vocalist interprets the song and performs on it. When the production reflects the musical direction you’re aiming for, it helps ensure the vocal performance fits your vision much more naturally. A “skeleton” or rough production is perfectly fine to work with, but if possible, try to establish the general style and vibe of the song in advance. Having a clear direction for the track will lead to a much stronger and more cohesive result.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: A laptop, headphones, a Focusrite Duet, a Monheim Fresh Condenser microphone, and a pair of studio monitors. Everything I’d need to write, record, and produce wherever inspiration strikes.

Q: What was your career path? How long have you been doing this?

A: My career plan is to build a sustainable and influential career in the music industry by combining my work as a songwriter, vocalist, and artist with entrepreneurial ventures that support creative independence. As a songwriter and vocalist, I focus on creating toplines, lyrics, and vocal performances for producers and artists worldwide while continuing to develop my own artist projects. With over 35 million streams and more than 200 songwriting credits, my goal is to expand my catalog through collaborations, placements, and releases across multiple genres. In parallel, I have my creative company IBProductive, which serves as a platform for music creation, artist development, and industry collaboration. Through this company, I aim to provide services such as songwriting, vocal production, mentorship, and creative partnerships while continuing to grow my own artistic identity. Long term, my vision is to develop a global creative ecosystem that connects artists, producers, and industry professionals through innovative platforms and collaborative opportunities. By combining creative work with business development, my goal is to generate sustainable income streams while empowering other creatives to succeed. Ultimately, my mission is to bridge artistry and entrepreneurship, building a career that allows me to create meaningful music, collaborate internationally, and contribute to the evolution of the modern music industry.

Q: How would you describe your style?

A: My style blends Pop, R&B, and electronic influences, built around strong toplines and emotionally rich lyrics. I love using metaphors and vivid imagery to create songs that feel both catchy and meaningful, while delivering vocals that bring personality, depth, and energy to every track.

Q: Which artist would you like to work with and why?

A: I would love the opportunity to work with Ryan Tedder and Sia. I’m incredibly curious about their creative process, whether the melody and lyrics tend to come at the same time, and how the metaphors in their songs develop. As someone who loves using metaphors in my own writing, I really admire how their lyrics capture such vivid imagery and emotion. Crafting those kinds of visionary lines requires a lot of artistic depth, and I’d be fascinated to learn how they approach it.

Q: Can you share one music production tip?

A: I think the most important thing is to stay original and develop your own sound. Finding your personal style matters a lot. The vocal can definitely help shape that, but sometimes great and unique ideas get lost when a writer or vocalist is only working from a very basic “skeleton demo.” It’s important that you define your sound first and stay consistent with it. When you know the direction of your production and artistic identity, the collaboration will naturally support and elevate that vision.

Q: What type of music do you usually work on?

A: My preference is Pop and R&B, but I’m also frequently hired to write EDM toplines, which I love. I’ve collaborated with labels such as Armada, Revealed, mau5trap, and Spinnin’ Records, among others.

Q: What's your strongest skill?

A: My strongest skill is my vocal ability. I’ve trained my voice since I was young and have developed a wide range of techniques that allow me to adapt to the sound and style my clients are looking for. I’m also very confident in my songwriting. I have a strong ability to understand a client’s vision and quickly tap into the concept, emotion, and overall feel of a song.

Q: What do you bring to a song?

A: I naturally bring a commercial sensibility to a song and know how to shape a record so it feels radio-ready when that’s the goal. At the same time, I adapt to the track's direction. If it’s a vibe-driven record, I focus on creating the right atmosphere, and if it’s a club record, I bring the energy needed to make it hit.

Q: What's your typical work process?

A: I usually turn my recorder on before I even hear the song. I like capturing my first instincts, but I don’t always follow the most obvious melodic idea. Sometimes I intentionally move away from what feels predictable, while still staying open to great ideas if they come naturally on the first try. As I start humming melodies, I often sing in almost-words or gibberish. This helps me shape the phrasing and hear which vowel sounds work best in certain spaces, making it easier to transition into real lyrics later. The song's concept usually develops naturally from there. I rarely struggle with writer’s block. Often, the emotions or experiences I’m currently going through come through most easily in the writing. While those feelings might inspire the song, I try to keep the lyrics open enough so listeners can interpret them however they like. As I’m writing and recording, I’m already thinking about the vocal production and mix. I tend to work on everything simultaneously, making small adjustments to EQ and other elements while recording, so the vocal already sits well in the track.

Q: Tell us about your studio setup.

A: I’m proficient in Pro Tools and work with the latest version and plugins. My studio setup is intentionally simple, so I can create whenever and wherever inspiration strikes. I currently record on a Monheim Fresh Condenser microphone, which has quickly become my latest obsession.

Q: What other musicians or music production professionals inspire you?

A: My biggest inspirations include Diane Warren for her timeless songwriting, Sia for her unique vocal production, Mariah Carey for her tone and improvisational ability, Ryan Tedder for song structure, and Max Martin for his incredible instinct for crafting hit records. I’m also inspired by Mark Ronson for his approach to live instrumentation and musicality.

Q: Describe the most common type of work you do for your clients.

A: The most common work I do for clients involves writing toplines (vocal melodies), lyrics, and recording demo or session vocals for their productions. Many producers come to me with an instrumental track, and I help bring the song to life by creating a strong vocal concept, memorable melodies, and emotionally driven lyrics. I also provide high-quality vocal recordings, including lead vocals, doubles, harmonies, and stacks, delivered as both mixed references and clean stems for their final production.

Q: What do you like most about your job?

A: That I get to sing/write everyday!

Q: What questions do customers most commonly ask you? What's your answer?

A: If I can write something "Just like" another song they know/like. My answer is: "sure."